Wealthy Edward Morgan becomes charmed with a curly-haired orphan and her pretty older sister Mary and arranges to adopt both under the alias of "Mr. Jones." As he spends more time with them, he soon finds himself falling in love with Mary.
When a widower with 10 children marries a widow with 8, can the 20 of them ever come together as one big happy family? From finding a house big enough for all of them and learning to make ... See full summary »
Shirley lives with a lighthouse keeper who rescued her when her parents drowned. A truant officer decides she should go to boarding school, but she's rescued by relatives. Buddy Ebsen dances "At The Codfish Ball" with Shirley.
The trials and tribulations of the Winfield family in small town Indiana as Marjorie Winfield's boyfriend, William Sherman, returns from the Army after W.W.I. Bill & Marjorie's on-again, off-again provide the backdrop for other family issues, primarily brought on by little brother Wesley's overactive imagination and tall tales. Written by
Scott Lane <email@example.com>
This film departs from "On Moonlight Bay" in three main ways. First, the film opens with Stella breaking the fourth wall, addressing the audience directly as she introduces the Winfield family. Second, the song and dance numbers are played like a traditional musical, while the original film incorporated the songs more organically within the story. Finally, the bespectacled music teacher, although the same basic character with the same mannerisms, has a different name and is played by a different actor, the only member of the cast who did not carry over from the original film. See more »
When "Gregory" the turkey flies into the dining room from the kitchen during Thanksgiving dinner, the crew member who threw him into the room can be seen as the door swings shut. See more »
Hello, Mr. Winfield.
[to the camera]
That's Mr. Winfield. Vice President of our first National Bank, Chairman of the Civic Betterment League, and twice winner of the Elks picnic potato sack race.
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I saw this again recently on British TV. It's a great film, with plenty of nostalgia, nice period atmosphere, and the lovely Doris Day. One slight oddity, though: her boy-friend returns from World War 1 in time for Thanksgiving (23rd November?), and says the Germans surrendered the day his unit got to Paris (11th November), so he must have got on a boat back to the States & been demobilised pretty quick to be home in less than 2 weeks (unless it took a year for that to happen!). Nonetheless, I recommend this very much to anyone interested in the Golden Age of American film musicals, the decade from 1945 to 1955, and the wonderful stars who beguiled us with their gentle escapism.
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