Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of ... See full summary »
An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
Fourteen-year-old Tessa is hopelessly in love with handsome composer Lewis Dodd, a family friend. Lewis adores Tessa, but has never shown any romantic feelings toward her. When Tessa's ... See full summary »
Visiting her two sisters and brother, singer Petey Brown lands a job at small-time-hood Nicky Toresca's nightclub. While evading the sleazy Toresca's heavy-handed passes at her, she falls ... See full summary »
With a war on and most men being drafted, Howard Oil Supply Company has no salesmen left. So daughter Jean hits the road and does not make one sale. She finally gets one tentative sale with... See full summary »
Harry and Eve Graham are trying to adopt a baby. The head of the agency senses Harry is keeping a secret and does some investigating. He soon discovers Harry has done an unusual amount of traveling from his home in San Francisco to Los Angeles. Harry gets tracked down in LA where he has a second wife and a baby. Via flashbacks, Harry tells the adoption agent how he ended up in two marriages. Written by
Daniel Bubbeo <email@example.com>
Robert Stack, best known for playing the part of Elliot Ness in the popular 1959 to 1963 TV series "The Untouchables" played the part of the tour bus driver (uncredited). Question: What uncredited actor played the tour bus driver in "The Bigamist" starring Ida Lupino and Edmond O'Brian? Answer: Robert Stack. Best known for his leading part as Elliot Ness in the 1959 to 1963 TV series "The Untouchables". See more »
I can't figure out my feelings towards you, I despise you, and I pity you. I don't even want to shake your hand, and yet I almost wish you luck.
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Selling deep-freezes has been very good for west coast salesman Edmond O'Brien. He maintains a posh apartment in San Francisco and a bungalow in Los Angeles, both equipped with all the appurtenances of post-war prosperity, including a wife in each. In the city by the bay, Joan Fontaine serves as his helpmate not only at home but at work, where she serves as his executive secretary. But those long trips south can get lonely, and one afternoon, killing time on a tour bus, he flirts with Ida Lupino. Next thing, she's pregnant and married to him, too.
He might have gotten away with living his bigamous life but for the fact that he and the barren Fontaine decide to adopt a child. Enter Edmund Gwenn, an investigator for the adoption agency. No flies on Gwenn: He delves into O'Brien's background as if he were vetting him for Secretary of Defense. Caught in his two acts, O'Brien divulges his sad saga, in flashback, to the fascinated Gwenn.
Directed by Lupino, The Bigamist looks like it's going to turn into a weeper but doesn't quite make it. For one thing, odd touches crop up. The San Francisco high-rise is decorated in chic Chinoiserie, while in Los Angeles, Lupino slings chop suey in a dump called the Canton Café. Then, on the tour of Beverly Hills mansions, the driver points out the homes of movie stars; among them is Edmund Gwenn's. Meant as a light in-joke, it ends up as a distancing ploy when O'Brien and Lupino start chatting about Miracle on 34th Street.
But, closer to the bone, The Bigamist treats O'Brien with lavish sympathy. To be sure, there are the ritualistic mentions of `the moral laws we all live by' and the like, but on the whole he's portrayed as a victim of circumstance. For every victim, however, there's usually a villain. In this case, the finger wags at Fontaine, who can't bear a child and who takes her husband's work more seriously than she takes his ego.
Much is made, justifiably, of Lupino's bucking the male-dominated system by daring to direct movies. Yet The Bigamist demonstrates how hard it must have been to buck the social outlook of America in the early Eisenhower era.
Gossipy note: Writer/producer of The Bigamist was Collier Young, Lupino's second husband. They divorced in 1951, two years before they collaborated on this movie. She went on to marry Howard Duff; he to wed none other than Joan Fontaine. It must have made for an interesting production.
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