The Big Heat (1953) 8.0
Tough cop Dave Bannion takes on a politically powerful crime syndicate. Director:Fritz Lang |
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The Big Heat (1953) 8.0
Tough cop Dave Bannion takes on a politically powerful crime syndicate. Director:Fritz Lang |
|
| Watch Trailer 0Share... |
| Cast overview, first billed only: | |||
| Glenn Ford | ... | ||
| Gloria Grahame | ... | ||
| Jocelyn Brando | ... |
Katie Bannion
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Alexander Scourby | ... |
Mike Lagana
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| Lee Marvin | ... | ||
| Jeanette Nolan | ... |
Bertha Duncan
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Peter Whitney | ... | |
| Willis Bouchey | ... | ||
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Robert Burton | ... |
Det. Gus Burke
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| Adam Williams | ... |
Larry Gordon
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Howard Wendell | ... |
Police Commissioner Higgins
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Chris Alcaide | ... |
George Rose
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Michael Granger | ... |
Hugo (police clerk)
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Dorothy Green | ... |
Lucy Chapman
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| Carolyn Jones | ... |
Doris
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Dave Bannion is an upright but unscrupulous cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. Written by alfiehitchie
A violent story about a detective working in a corrupt department who investigates the apparent suicide of a fellow officer. Worth seeing for Glenn Ford's prototypical performance and Gloria Grahme's show stealing portrayal of a boozing moll with a conscience. With facial disfigurement and cigarette burns it took violence up a notch from the standard gun play of the past, making it grimmer and more realistic, and giving the story more punch. Grahme's tough and tender role stands out and gives the film a tragic element, while certain of its portrayals of greed and corruption (namely the dead officer's wife) stand out for their attention to detail. In the end, it IS the details that give this formulaic story its clout, and we can thank director Fritz Lang for that.