A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
An architect travels to the remote city of Eschnapur to oversee some work being done at the bequest of the local Maharajah. Along the way the architect meets and falls in love with a ... See full summary »
Johnny Farrell is a gambling cheat who turns straight to work for an unsettling casino owner Ballin Mundson. But things take a turn for Johnny as his alluring ex-lover appears as Mundson's wife, and Mundson's machinations begin to unravel.
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. Written by
When Lee Marvin first sees Glenn Ford face to face, the music in the background is "Put the Blame on Mame," a reference to Ford's performance in Gilda (1946). See more »
The street address for the junk yard on Bannyon's list is "101", yet the number "1024" is seen on a large sign over the yard's shed. See more »
Do you mind if I walk around your yard? Talk to your men?
I have to mind. When it comes to my bread and butter, I stay careful.
It doesn't matter to you that Slim might have been mixed up in a murder, hmm?
Sure it matters. But what can I do about it? I don't know anything.
You're a liar.
You can't insult me, mister. I said I don't know anything, and that's how it stands.
You know, I've been meeting your kind every day now for ten years. Scared rabbits who never see a thing. You wouldn't stick ...
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Every character in THE BIG HEAT is fascinating. In fact, the script is so hot, I'd be surprised to see any director mess it up. Nonetheless, Fritz knows where to throw the spice (and the dolly moves). Not to mention, how to employ a younger Lee Marvin, who not only puts out a cigarette on a woman's hand but also dumps scalding hot coffee in her face. No, this ain't your mama's black and white. So grab the remote, a small glass of whiskey, and say with me on three:
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