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The Big Heat (1953)

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Ratings: 8.0/10 from 14,096 users  
Reviews: 128 user | 81 critic

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

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(screenplay), (Saturday Evening Post serial)
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Cast

Cast overview, first billed only:
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Alexander Scourby ...
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Peter Whitney ...
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Robert Burton ...
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Howard Wendell ...
Chris Alcaide ...
George Rose
Michael Granger ...
Hugo
Dorothy Green ...
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Storyline

Dave Bannion is an upright but unscrupulous cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

A hard cop and a soft dame! See more »


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

14 October 1953 (USA)  »

Also Known As:

Heißes Eisen  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Actor Rex Reason was originally cast in this movie to portray Tierney or Detective Burke, but his agent was negotiating for him to play a bigger role in it, possibly that of Lee Marvin's villain, but since there was no agreement reached, Reason did not appear in the movie, even though some 1950s era books and magazines sources give him credit for this movie. See more »

Goofs

When Bannion (Glenn Ford) fights with Larry Gordon (Adam Williams) in Gordon's hotel room, Gordon's revolver is first seen in the centre of the desk, behind Gordon. When Bannion picks-up the revolver, it is near the right-hand edge of the desk. This move is probably intentional - to allow Bannion to get the revolver without reaching behind Gordon. See more »

Quotes

Mike Lagana: [On the phone] This is not a social call, Debby. Tell Vince I want him right away.
Debby Marsh: Oh, sure, Mr. Lagana, I always like to tell Vince you're calling. I like to see him jump.
See more »

Connections

Featured in The Rules of Film Noir (2009) See more »

Soundtracks

Put the Blame on Mame
by Doris Fisher and Allan Roberts
Heard instrumentally during one of the scenes at The Retreat
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Taut, gripping, vintage cop thriller
22 June 2004 | by (Tasmania) – See all my reviews

It's doubtful that even Dirty Harry in his most menacing moments could match the smouldering rage that Glenn Ford brings to the screen in this excellent 1953 Fritz Lang flick. From a modern POV there is nothing unfamiliar here, except maybe the dated hardboiled lingo. The maverick cop, the revenge theme, the underworld characters and heroines. It's just that whereas a modern director would make this into a predictable two hour yawn-fest with slow-motion car accidents and ten minute shootouts with shoulder-launched missiles, Lang's movie clocks in at under 90 minutes, and there isn't an ounce of fat on it. It's lean, fast-moving and engrossing. Not a single camera shot is wasted or unnecessary. The script crackles, the cast is uniformly excellent, and Ford and Lee Marvin in particular are unforgettably intense. Ford, just when he's about to go way over the top, reins himself in, adding to the aura of barely suppressed violence in his character.

The movie can also lurch from plot exposition to sudden, economical and unexpected explosions of violence which can still shock today and must have been extremely confronting fifty years ago. And from there it can become suddenly, unexpectedly sensitive and moving.

Nothing is wasted in this movie. Everything is nailed down just right. It's not that they don't make them like this any more; it's more that they've been making them like this ever since, and generally to lesser and lesser effect.

A strong 8 out of 10.


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