A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Dave Bannion is an upright cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. Written by
Actor Rex Reason was originally cast in this movie to portray Tierney or Detective Burke, but his agent was negotiating for him to play a bigger role in it, possibly that of Lee Marvin's villain, but since there was no agreement reached, Reason did not appear in the movie, even though some 1950s era books and magazines sources give him credit for this movie. See more »
As Bannion is moving out of his house, he goes to a back room to get something. As he goes around a corner, we see his shadow stop, then it just disappears. Bannion then comes back into the shot carrying his bag. An obvious cut, but done without the camera being moved. See more »
[Debby surveys Bannion's undistinguished hotel room]
Hey, I like this. Early nothing!
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A violent story about a detective working in a corrupt department who investigates the apparent suicide of a fellow officer. Worth seeing for Glenn Ford's prototypical performance and Gloria Grahme's show stealing portrayal of a boozing moll with a conscience. With facial disfigurement and cigarette burns it took violence up a notch from the standard gun play of the past, making it grimmer and more realistic, and giving the story more punch. Grahme's tough and tender role stands out and gives the film a tragic element, while certain of its portrayals of greed and corruption (namely the dead officer's wife) stand out for their attention to detail. In the end, it IS the details that give this formulaic story its clout, and we can thank director Fritz Lang for that.
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