The Big Heat (1953)

User Rating:

8.0/10   

Director:

Fritz Lang

Writers:

Sydney Boehm (screenplay)
William P. McGivern (Saturday Evening Post serial)

Release Date:

14 October 1953 (USA)

Genre:

Crime | Drama | Film-Noir | Mystery | Thriller

Tagline:

A hard cop and a soft dame!

Plot:

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Plot Keywords:

B Girl | Mob | Mob Boss | Police | Suicide

Awards:

1 win

Cast

Glenn Ford	...	Det. Sgt. Dave Bannion
Gloria Grahame	...	Debby Marsh
Jocelyn Brando	...	Katie Bannion
Alexander Scourby	...	Mike Lagana
Lee Marvin	...	Vince Stone
Jeanette Nolan	...	Bertha Duncan
Peter Whitney	...	Tierney
Willis Bouchey	...	Lt. Ted Wilks
Robert Burton	...	Det. Gus Burke
Adam Williams	...	Larry Gordon
Howard Wendell	...	Police Commissioner Higgins
Chris Alcaide	...	George Rose
Michael Granger	...	Hugo (police clerk)
Dorothy Green	...	Lucy Chapman
Carolyn Jones	...	Doris

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Norway:16 | UK:15 (re-rating) (1988) | UK:X (original rating) | Canada:G (Nova Scotia/Québec) | Germany:16 (nf) (re-rating) | West Germany:18 (nf) (original rating) | South Korea:15 | Finland:(Banned) | Finland:K-16 (re-rating) (1966) | Spain:13 | Sweden:15 | USA:Approved (certificate #16549) | Australia:PG | Germany:BPjM Restricted

Company:

Columbia Pictures Corporation

Trivia:

The fictional city where the story takes place is named Kenport.

Goofs:

Continuity: The street address for the junk yard on Bannyon's list is "101", yet the number "1024" is seen on a large sign over the yard's shed.

Quotes:

Mike Lagana: Prisons are bulging with dummies who wonder how they got there.

Movie Connections:

Featured in The Rules of Film Noir (2009) (TV)

Soundtrack:

Put the Blame on Mame

"The Lid's Off The Garbage Can"

In The Big Heat, Fritz Lang by casting Glenn Ford against type, probably directed Ford to his greatest screen performance and one of the best noir films ever done.

Ford is a homicide cop in an unnamed big mid-western city which is in the grip of systemic corruption from organized crime. Remember The Big Heat came out only two years after the Estes Kefauver hearings and stories like these were topical. Another veteran police sergeant has committed suicide and Ford's called in. The widow, Jeanette Nolan, appears to be cooperating, but when the late cop's mistress contacts Ford and is later found murdered, this sets off a chain of events that brings tragedy to Ford personally, but also lead to the cleaning up of the town.

Normally the kind of part that Ford is cast in would go to someone like Kirk Douglas who would explode with all kinds of rage on the screen. What Lang did was cast Glenn Ford, known as one of the cinema's nicest men and squarest shooters. When the gangsters accidentally kill his wife, Jocelyn Brando, with a car bomb meant for him, Ford goes off on a rage and you know there is no force that will stop him without killing him. His performance is effective precisely because of Ford's nice guy image, the viewer identifies with him as Mr. Average Man. Think of Ford as Atticus Finch as cop instead of a lawyer and something happening to kill one of his kids. Gregory Peck as Atticus would react the same way.

The movie rises with what is arguably Ford's greatest screen role. But Glenn gets nice support from Gloria Grahame as the good time gun moll who also comes in for tragedy because she's a flirt and Lee Marvin the number one button man for syndicate head Alexander Scourby. Marvin had done several roles before The Big Heat, but it was in this film that he got his first real critical notice.

Carolyn Jones has a small part as a woman who Lee Marvin beats up and my favorite small role in the film is from Edith Evanson as a shy crippled woman who gives Ford his first real lead in tracking down his wife's killers. By the way Jeanette Nolan is one truly evil woman as the late sergeant's widow, one of her best screen roles.

The Big Heat is one of Fritz Lang's best at what he does best, delve into the dark side of his hero/protagonists.