Dave Bannion is an upright but unscrupulous cop on the trail of a vicious gang he suspects holds power over the police force. Bannion is tipped off after a colleague's suicide and his fellow officers' suspicious silence lead him to believe that they are on the gangsters' payroll. When a bomb meant for him kills his wife instead, Bannion becomes a furious force of vengeance and justice, aided along the way by the gangster's spurned girlfriend Debbie. As Bannion and Debbie fall further and further into the Gangland's insidious and brutal trap, they must use any means necessary (including murder) to get to the truth. Written by
When Lee Marvin first sees Glenn Ford face to face, the music in the background is "Put the Blame on Mame," a reference to Ford's performance in Gilda (1946). See more »
The street address for the junk yard on Bannyon's list is "101", yet the number "1024" is seen on a large sign over the yard's shed. See more »
[On the phone]
This is not a social call, Debby. Tell Vince I want him right away.
Oh, sure, Mr. Lagana, I always like to tell Vince you're calling. I like to see him jump.
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Effective film noir about a cop fighting the mob as well as his own corrupt superiors as he investigates a murder. Ford has perhaps the best role of his career as the good cop. His scenes with wife Brando are very nicely handled, adding poignancy to the tragedy that would befall the family. There are shades of Dirty Harry as Ford takes matters into his own hands. Marvin and Grahame are also good as a mobster and his moll, respectively. Lang, a master of this sort of film-making, keeps things moving at a snappy pace. Some of the violence is jarring but of course nothing graphic is shown, given the era the movie was made in. After an excellent start, the second half of the film becomes somewhat routine but it still packs a punch.
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