The Beast from 20,000 Fathoms (1953)

A ferocious dinosaur awakened by an Arctic atomic test terrorizes the North Atlantic and ultimately New York City.

Director:

Eugène Lourié

Writers:

Lou Morheim (screenplay), Fred Freiberger (screenplay),

Stars:

Paul Hubschmid, Paula Raymond, Cecil Kellaway

1 nomination.

Cast

Cast overview, first billed only:
Paul Hubschmid	...	Prof. Tom Nesbitt (as Paul Christian)
Paula Raymond	...	Lee Hunter
Cecil Kellaway	...	Prof. Thurgood Elson
Kenneth Tobey	...	Col. Jack Evans
Donald Woods	...	Capt. Phil Jackson
Lee Van Cleef	...	Corp. Stone
Steve Brodie	...	Sgt. Loomis
Ross Elliott	...	George Ritchie
Jack Pennick	...	Jacob Bowman
Ray Hyke	...	Sgt. Willistead
Paula Hill	...	Miss Nelson (as Mary Hill)
Michael Fox	...	ER Doctor
Alvin Greenman	...	First Radar Man
Frank Ferguson	...	Dr. Morton
King Donovan	...	Dr. Ingersoll

Storyline

As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America. Professor Tom Nesbitt, only witness to the beast's existence, is not believed, even when he identifies it as a "rhedosaurus" to paleontologist Thurgood Elson. All doubts disappear, however, when Elson is swallowed whole during an oceanic bathysphere excursion to search for the creature. Soon thereafter the rhedosaurus emerges from the sea and lays waste to Manhattan Island until Nesbitt comes up with a plan to try to stop the seemingly indestructible beast.

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Plot Keywords:

monster | dinosaur | arctic | beast | rhedosaurus | 

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Taglines:

FANTASTIC SEA-GIANT CRUSHES CITY! (original ad - all caps)

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Genres:

Adventure | Horror | Sci-Fi

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Certificate:

Approved

Details

Country:

USA

Language:

English French

Release Date:

13 June 1953 (USA)

Also Known As:

Monster from Beneath the Sea

Filming Locations:

Brooklyn Bridge, New York City, New York, USA

Box Office

Budget:

$210,000 (estimated)

Gross:

$5,000,000 (USA)

Company Credits

Production Co:

Jack Dietz Productions

Technical Specs

Runtime:

80 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White Black and White (Sepiatone)

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

During the octopus/shark sequence, some of the footage was obviously shot in an aquarium, because some of the octopus' suckers are gripping the glass.

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Goofs

Shortly after Nesbitt has awakened in the hospital he notices something in the newspaper. This something is below the fold, but when he shows it to the nurse, it is above the fold.

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Quotes

[first lines]
Opening Narrator: This is Operation Experiment, a secret base far north of the Arctic Circle. Experiment was the codename for a top priority scientific expedition. These men arrived here on X-day minus 60. It has taken them the full two months to get ready. Today is X-day.

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Connections

Featured in Matinee (1993)

User Reviews

THE BEST DINOSAUR MOVIE EVER MADE

"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10