Cowboy James Franciscus seeks fame and fortune by capturing a Tyrannosaurus Rex living in the Forbidden Valley and putting it in a Mexican circus. His victim, called the Gwangi, turns out ... See full summary »
In Africa, the girl Jill Young trades a baby gorilla with two natives and raises the animal. Twelve years later, the talkative and persuasive promoter Max O'Hara organizes a safari to ... See full summary »
As a result of an arctic nuclear test, a carnivorous dinosaur thaws out and starts making its way down the east coast of North America. Professor Tom Nesbitt, only witness to the beast's existence, is not believed, even when he identifies it as a "rhedosaurus" to paleontologist Thurgood Elson. All doubts disappear, however, when Elson is swallowed whole during an oceanic bathysphere excursion to search for the creature. Soon thereafter the rhedosaurus emerges from the sea and lays waste to Manhattan Island until Nesbitt comes up with a plan to try to stop the seemingly indestructible beast. Written by
Doug Sederberg <email@example.com>
Before the film was sold to Warner Brothers, it contained an original music score composed by Michel Michelet. Execs at Warners felt Michelet's score wasn't powerful enough so they replaced it with an original score by David Buttolph. See more »
When the fishing vessel "Fortune" is attacked by the Beast, it is shown moving from right to left. In the wheelhouse, Jacob looks to the left, which would be port, and reacts in horror as he sees the Beast rise up out of the water. The Beast then pounces right away, crushing the wheelhouse roof down, then the shot switches to the exterior. The ship is still moving right to left, but the Beast is shown attacking from the starboard side of the ship, when it should have been attacking off the port, where Jacob had just seen it. See more »
This is Operation Experiment, a secret base far north of the Arctic Circle. Experiment was the codename for a top priority scientific expedition. These men arrived here on X-day minus 60. It has taken them the full two months to get ready. Today is X-day.
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"The Beast From 20,000 Fathoms" is, quite simply, the best dinosaur-on-the-loose movie ever made. I would say "best monster-on-the-loose movie ever made" if it weren't for that King Kong guy (need we even say which version?). I loved "The Beast" when I was a little kid, and today--some 40 years later--the movie still knocks me out. Forty years ago I loved the fact that, unlike a lot of similar movies that followed in its wake, you don't have to wait a long time for the Beast to make its appearance. It shows up in the first 10 minutes of the film and makes regular appearances thereafter. The look of the creature is very realistic; one of Ray Harryhausen's greatest creations. There are so many terrific set pieces in this film that one doesn't know where to begin, but the attack on the lighthouse, beautifully done in silhouette; the initial sighting of the Beast from the bathysphere; the Beast's attack on lower Manhattan; and the grand finale at the Coney Island roller coaster are certainly all standouts. Music, acting and photography are all first rate, and the script is intelligent and moves along briskly and with purpose. But the main attraction of the movie is the Beasty himself, and every moment that he is on screen is riveting. This picture is a true classic; the inspiration for Godzilla and all the other thawed-out creatures that followed. I have seen this one over 50 times and never seem to get tired o f it. I have seen it several times on the big screen, at one of NYC's many revival theatres, and it is always greeted with cheers whenever the Beast theme begins during the opening whirlpool credits. The movie is well loved and remembered for good reason: It's the best in its class! By the way, it took me many, many years to figure out, but the Professor's last word in the diving bell is "cantileveric." 10/10
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