Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
Andreas, a man struggling with the recent demise of his marriage and his own emotional isolation, befriends a married couple also in the midst of psychological turmoil. In turn he meets ... See full summary »
Krister and his fiancé Brita return to Stockholm after a stay in Italy. Shortly upon their return Krister learns that all his assets left to him by his father has disappeared. Together with... See full summary »
Mats Ersson is engaged to Marit and they plan to get married in the spring. But when the plague comes, the people accuse Marit of witchcraft. She is sentenced to death. Mats can not ... See full summary »
The movie starts with a silent section of slapsticks in BLUE and white and with piano music, giving an outline of Karin's rise and fall. The rest is normal B&W movie. Karin does not belong ... See full summary »
Set just after the death of Jesus Christ, this mini-series chronicles the life & adventures of Jesus's disciples, and events in Rome during the reigns of the Emperors Tiberius, Caligula, Claudius and Nero.
Apparently suppressed to legitimized the De Laurentis-Anthony Quinn movie drawn from the same Pär Lagerkvist novel, this Swedish master piece comes in a run of outstanding films which made Sjöberg one of the great film makers. Unfortunately, like contemporaries Pietro Germi or Helmut Kaütner his work was not highlighted by critics (which tells you something about the process) and Sjöberg was totally overshadowed by Ingmar Bergman, with whom his career was interlaced. Bergman wrote some of the Sjöberg films. They later alternated National Theatre productions.
BARABBAS is one of Sjöberg's best and most daring productions. Though realized on a small scale, it manages to get through all the extreme material of the Biblical spectacles of the day - violent sex, lepers, the killing of the prosecutor while the woman is stoned, messy crucifixions. It has a realism in it's costuming and staging (the brothel sequence is particularly savage) and great performances - notably by Palme, the director's regular leading man.
With this, the film puts forward a complex argument, centering on the simple minded thief's trying to comprehend Christ, along with a striking structure where light changes indicated passing of time and the same shot represents different occasions.
Two great cameramen contribute.
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