Late 19th century. The young miss Julie lives in a mansion with her father. She has recently broken her engagement but is attracted to one of the servants, Jean. They spend the midsummer ... See full summary »
The movie starts with a silent section of slapsticks in BLUE and white and with piano music, giving an outline of Karin's rise and fall. The rest is normal B&W movie. Karin does not belong ... See full summary »
The officer Robert Motander is invited to a dinner with his upper-class relatives. During the dinner he observes the beautiful young house-maid, Iris. He suggests that the two of them go ... See full summary »
A Swedish noir movie with the character of a French noir ('Quai des brumes', 'Le jour se lève'). Two worlds meet for a brief experience of happiness ended by a violent tragedy. In one world... See full summary »
Krister and his fiancé Brita return to Stockholm after a stay in Italy. Shortly upon their return Krister learns that all his assets left to him by his father has disappeared. Together with... See full summary »
Billy Zane stars as Barabbas--the man whose life was spared because of the crucifixion of Jesus Christ. Based on the Nobel Prize in Literature winning novel by Par Lagerkvist, Barabbas is a... See full summary »
While traveling in caravan through the country of Sweden, one member of the decadent Alberti Circus tells the owner and ringmaster Albert Johansson a sad story about the clown Frost: seven ... See full summary »
Apparently suppressed to legitimized the De Laurentis-Anthony Quinn movie drawn from the same Pär Lagerkvist novel, this Swedish master piece comes in a run of outstanding films which made Sjöberg one of the great film makers. Unfortunately, like contemporaries Pietro Germi or Helmut Kaütner his work was not highlighted by critics (which tells you something about the process) and Sjöberg was totally overshadowed by Ingmar Bergman, with whom his career was interlaced. Bergman wrote some of the Sjöberg films. They later alternated National Theatre productions.
BARABBAS is one of Sjöberg's best and most daring productions. Though realized on a small scale, it manages to get through all the extreme material of the Biblical spectacles of the day - violent sex, lepers, the killing of the prosecutor while the woman is stoned, messy crucifixions. It has a realism in it's costuming and staging (the brothel sequence is particularly savage) and great performances - notably by Palme, the director's regular leading man.
With this, the film puts forward a complex argument, centering on the simple minded thief's trying to comprehend Christ, along with a striking structure where light changes indicated passing of time and the same shot represents different occasions.
Two great cameramen contribute.
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