8 items from 2015
BBC Culture has this week unveiled a new list of the top 100 American films, as voted for by a pool of international film critics from across the globe. The format of the poll was that any film that would make the list had to have recieved funding from a Us source, and the directors of the films did not need to be from the USA, nor did the films voted for need to be filmed in the Us.
Critics were asked to submit their top 10 lists, which would try to find the top 100 American films that while “not necessarily the most important, but the greatest on an emotional level”. The list, as you may have guessed, is very different to the lists curated by say the BFI or AFI over the years, so there are certainly a few surprises on here, with Steve McQueen’s 12 Years A Slave (2013), Terrence Malick »
- Scott J. Davis
First off, let's make one thing clear. We're not scratching our heads at Spike Lee's "Do The Right Thing" making the BBC's 100 greatest American films. That movie, of which an image accompanies this post, not only made the list, but ranked appropriately at no. 25. It's the rest of the selections that have us scratching and, yes, shaking our heads in disbelief. A wonderful page view driver, these sorts of lists make great fodder for passionate movie fans no matter what their age or part of the world they hail from. There is nothing more entertaining than watching two critics from opposite ends of the globe try to debate whether "The Dark Knight" should have been nominated for best picture or make a list like this. Even in this age of short form content where Vines, Shapchats and Instagram videos have captured viewers attention, movies will continue to inspire because »
- Gregory Ellwood
Leave it to the Brits to compile a list of the best American films of all-time. BBC Culture has published a list of what it calls "The 100 Greatest American Films", as selected by 62 international film critics in order to "get a global perspective on American film." As BBC Culture notes, the critics polled represent a combination of broadcasters, book authors and reviewers at various newspapers and magazines across the world. As for what makes an American filmc "Any movie that received funding from a U.S. source," BBC Culture's publication states, which is to say the terminology was quite loose, but the list contains a majority of the staples you'd expect to see. Citizen Kane -- what elsec -- comes in at #1, and in typical fashion The Godfather follows at #2. Vertigo, which in 2012 topped Sight & Sound's list of the greatest films of all-time, comes in at #3 on BBC Culture's list. »
- Jordan Benesh
Every now and then a major publication or news organisation comes up with a top fifty or one hundred films of all time list - a list which always stirs up debate, discussion and often interesting arguments about the justifications of the list's inclusions, ordering and notable exclusions.
Today it's the turn of BBC Culture who consulted sixty-two international film critics including print reviews, bloggers, broadcasters and film academics to come up with what they consider the one-hundred greatest American films of all time. To qualify, the film had to be made by a U.S. studio or mostly funded by American money.
Usually when a list of this type is done it is by institutes or publications within the United States asking American critics their favourites. This time it's non-American critics born outside the culture what they think are the best representations of that culture. Specifically they were asked »
- Garth Franklin
With all the aca-anticipation for Pitch Perfect 2 finally cresting with its wide release today, it's interesting to note the shift in popular cinema away from the big, challenging singing-and-dancing set-pieces that Stanley Donen and Vincente Minelli, amongst a slew of others in the 1940s, 50s, and 60s, mastered in their salad days. These days, big musicals like Dreamgirls and Into the Woods are filmed more like tinny Oscar bait, all forced visual maturity with no antic, anxious energy in the filmmaking to match the loamy variety of vocals and unbound dance moves, though, frankly, The Raid 2 offers a more elegant and astonishing study of body movement than most major musicals of the last decade. To find the true offspring of Singin' in the Rain and The Band Wagon, one must search in the independent-movie corridors for what's been called "music movies," where love of music, dancing, musicianship, and technical know-how are swirled together. »
- Chris Cabin
Big news via Blu-ray.com. Carlotta Films and Carlotta Films Us will send a new 2K restoration of Jacques Rivette's Out 1 (1971), with Juliet Berto, Bernadette Lafont, Jean-Pierre Léaud, Michael Lonsdale and Bulle Ogier, out to theaters before releasing a Blu-ray edition in France and the Us later this year. More silver discs under review: Ignatiy Vishnevetsky on Jean Renoir's The River, J. Hoberman on Orson Welles's The Lady of Shanghai and Robert Montgomery's Ride the Pink Horse, Carson Lund and Jeremy Carr on a total of four films by Yasujiro Ozu, Imogen Sara Smith on Carol Reed's Odd Man Out and Howard Hampton on Vincente Minnelli’s The Band Wagon. » - David Hudson »
The Musicals Collection Blu-ray set from Warner Home Video contains four Hollywood classics of the genre, at least two of them among the greatest of all time: Kiss Me Kate, Calamity Jane, The Band Wagon, and Singin’ in the Rain. And all except for Singin’ in the Rain are making their Blu-ray debut. While the films may not rank equal in terms of quality—those latter two titles are the all-time greats—each of the transfers are outstanding, the movies themselves are still nevertheless enjoyable, and the set is a terrific bargain.
Kiss Me, Kate
Written by Dorothy Kingsley
Directed by George Sidney
Kiss Me, Kate is offered in 2-D and 3-D versions. Though the 3-D is certainly not the best to grace a Blu-ray, it’s still the version to watch, even with the clichéd, though occasionally amusing gimmick of characters throwing things at the camera. However, it »
- Jeremy Carr
The 19th Human Rights Watch Film Festival is returning to the Ritzy Cinema in Brixton from the 18th to the 27th of March. You can find the whole program here, along with a statement from the Festival Director John Biaggi. For Film Comment, Jordan Osterer interviews Buzzard director Joel Potrykus:
"Film Comment: There’s a divide in the film between idle, detached moments and pretty graphic content. How do you negotiate the gap between these very quiet moments and the more extreme situations?
Potrykus: My whole theory of making films is that I want to lull audiences to sleep—I almost want to bore them—and then right before they fall asleep, kick them in the balls."
1. Living Los Sures »
8 items from 2015
IMDb.com, Inc. takes no responsibility for the content or accuracy of the above news articles, Tweets, or blog posts. This content is published for the entertainment of our users only. The news articles, Tweets, and blog posts do not represent IMDb's opinions nor can we guarantee that the reporting therein is completely factual. Please visit the source responsible for the item in question to report any concerns you may have regarding content or accuracy.See our NewsDesk partners