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The Band Wagon (1953)

Passed  |   |  Comedy, Musical, Romance  |  7 August 1953 (USA)
7.6
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Ratings: 7.6/10 from 6,795 users  
Reviews: 93 user | 55 critic

A pretentiously artistic director is hired for a new Broadway musical and changes it beyond recognition.

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Title: The Band Wagon (1953)

The Band Wagon (1953) on IMDb 7.6/10

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Nominated for 3 Oscars. Another 2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
Lester Marton
...
Lily Marton
Jack Buchanan ...
Jeffrey Cordova
...
Paul Byrd
Robert Gist ...
Hal
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Storyline

Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by Kathy Li

Plot Summary | Plot Synopsis

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Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 August 1953 (USA)  »

Also Known As:

I Love Louisa  »

Box Office

Budget:

$2,169,120 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

After Les and Lilly have their fight in the alley, Les heads for the bar across the street. In the background you can see a poster for the play "Every Night At Seven". This was the title of the play that Fred Astaire and Jane Powell starred in in the movie Royal Wedding (1951). See more »

Goofs

During the dance audition scene, Paul Byrd demonstrates the steps and then walks over to Lester Marton. The camera cuts briefly to a seated Jeffrey Cordova, who is watching the audition, and shows Paul standing behind him. But in the next shot, Paul is still standing next to Lester. See more »

Quotes

Tony Hunter: Oh, I'm afraid I've been very rude, I haven't told you how wonderful you were tonight.
Gabrielle Gerard: Oh, thank you, I'm a great admirer of your work.
Tony Hunter: I didn't think you'd even heard of me.
Gabrielle Gerard: Heard of you? I used to see all your pictures when I was a little girl. And I'm still a fan, I recently went to see a revival of them at the museum...
Tony Hunter: [offended] Museum? 'Step right this way, ladies and gentlemen, Egyptian mummies, extinct reptiles, and Tony Hunter, the grand old man of the dance!"
Gabrielle Gerard: I didn't mean...
Tony Hunter: Young ...
[...]
See more »

Connections

Featured in 42nd Street: River to River (2009) See more »

Soundtracks

Triplets
(1937) (uncredited)
Music by Arthur Schwartz
Lyrics by Howard Dietz
Performed by Fred Astaire, Nanette Fabray and Jack Buchanan
See more »

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User Reviews

One sequence is gorgeous in its silence.
22 October 2002 | by (Washington, DC) – See all my reviews

There are many shimmering moments in Bandwagon: Fred Astaire (playing a role close to his own life story; he was 53 at the time), the acidic wit of Oscar Levant ('that'll keep 'em laughing!!') tempered by the sunny Nanette Fabray and musical numbers including "Shine on Your Shoes," "I Guess I'll Have To Change My Plan," and a clever novelty trio called "Triplets." But the musical sequence that stands out the most is the one which has no vocal, no dialog, and gently advances the movie's plot of whether or not oil-and-water dancers Astaire and Cyd Charisse can actually perform together (when he thinks she's too tall and she thinks he's too old). Against a Central Park twilight, the film shows its heroes enjoy a hushed walk through a park (only an instrumental refrain of 'High and Low' is heard), after which they step into an empty courtyard (he in a pastel linen suit and spectator shoes, she in a flared white dress and ballet flats; a necessity to keep her from being taller than him on film) and into the pas-de-deux of "Dancing In The Dark." It's an exquisite sequence, which at times resembles courtship, foreplay, and ultimately a romantic climax- all done in dance. It ends, just as smoothly as it began, with the two leads spinning up a short flight of stairs and mounting a hansom cab, without a single hair out of place. Now THAT's entertainment.


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