A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Johnny Brett and King Shaw are an unsuccessful dance team in New York. A producer discovers Brett as the new partner for Clare Bennett, but Brett, who thinks he is one of the people they lent money to gives him the name of his partner.
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by
In the scene before the revised show opens, Tony and Gabrielle wish each other good luck. It is a well-known superstition in the theatre that saying "Good luck" is bad luck. See more »
Oh, I'm afraid I've been awfully rude, I haven't told you how wonderful you were tonight.
Oh, thank you, I'm a great admirer of yours too.
Oh, I didn't think you'd ever even heard of me.
Heard of you? I used to see all your pictures when I was a little girl. And I'm still a fan, I recently went to see a revival of them at the museum.
Museum? 'Step right this way, ladies and gentlemen, Egyptian mummies, extinct reptiles, and Tony Hunter, the grand old man of the dance!"
Oh I-I didn't ...
[...] See more »
The most sophisticated of all screen musicals and Minelli's masterpiece. It's also the best putting-on-a-show musical ever made, (forget about those Busby Berkeley musicals and Judy and Mickey; this is the real McCoy). The show about to be put on is a musical version of "Faust", directed by a high-minded type, 'a genius of the theatre' with more hits running than Andrew Lloyd Webber, (Jack Buchanan in a great musical-comedy performance). The show would, of course, have been a disaster had not its star, (the incomparable Fred Astaire at his incomparable best), and its writers, (Nanette Fabray and Oscar Levant as fairly obvious take-offs of the film's writers Betty Comden and Adolph Green), not rescued it with some good, old-fashioned Broadway hoofing and a score that includes 'I'll guess I'll have to change my plan', 'Louisiana Hayride' and 'The Girl Hunt Ballet'. It also has Fred and Cyd Charisse 'dancing in the dark' and this is the one with 'That's Entertainment'. Nothing much happens but it arguably has the best score of any musical as well as the best cast and a director who knew how best to utilize both. It really should be preserved in a time-capsule.
4 of 4 people found this review helpful.
Was this review helpful to you?