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The Band Wagon (1953)

Passed  -  Comedy | Musical | Romance  -  7 August 1953 (USA)
7.6
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Ratings: 7.6/10 from 6,080 users  
Reviews: 88 user | 47 critic

A pretentiously artistic director is hired for a new Broadway musical and changes it beyond recognition.

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(story), (story), 2 more credits »
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Title: The Band Wagon (1953)

The Band Wagon (1953) on IMDb 7.6/10

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Nominated for 3 Oscars. Another 2 wins & 1 nomination. See more awards »

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Cast

Complete credited cast:
...
...
...
Lester Marton
...
Lily Marton
Jack Buchanan ...
Jeffrey Cordova
...
Paul Byrd
Robert Gist ...
Hal
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Storyline

Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by Kathy Li

Plot Summary | Plot Synopsis

Taglines:

M-G-M's Top Technicolor Musical! See more »


Certificate:

Passed | See all certifications »
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Details

Country:

Language:

|

Release Date:

7 August 1953 (USA)  »

Also Known As:

I Love Louisa  »

Box Office

Budget:

$2,169,120 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

(Turner library print) (copyright length)

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

"Two-Faced Woman," a Arthur Schwartz and Howard Dietz number showcasing Cyd Charisse (with Oscar Levant on piano), was cut from this movie. Charisse's song (dubbed by India Adams) and dance, along with footage of her rehearsing, are encountered on the DVD from Warner Home Video. The Adams and Levant audio finds a spot on Rhino's soundtrack CD. Later that year in Torch Song (1953), the prerecording by India Adams was lip-synced by Joan Crawford, who performed her version in blackface. That's Entertainment! III (1994) matches the Charisse and Crawford routines by using a split screen. See more »

Goofs

As Tony Hunter walks down the train platform and into Grand Central Terminal in the song "By Myself" there is no engine at the front of the train. See more »

Quotes

Tony Hunter: No, don't say it - "Tony Hunter! 1953!" I hereby declare my independence. Tony Hunter, 1776.
See more »

Connections

Featured in That's Dancing! (1985) See more »

Soundtracks

For He's a Jolly Good Fellow
(uncredited)
Traditional
Sung by the cast
See more »

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User Reviews

 
Last of the great Hollywood musicals
22 December 1998 | by (kent, uk) – See all my reviews

Just saw this again, for the first time in 10 years. What a show! This is unquestionably the last of the great line of MGM – and, therefore, Hollywood – musicals . . . the last real flowering of Arthur Freed's genius at holding together a team of top production talents which had produced such a fine string of musicals. Not a dull spot in the entire movie and tremendous style in Minnelli's direction. Nice to see Jack Buchanan getting a last chance in the spotlight – his top hat routine with Astaire is one of the highlights of the movie. Astaire himself, playing the fading musical star which he was by 1953, has a magnificent opening with two contrasting numbers – the wistful By Myself and the exuberant Shine on your Shoes – tailored to set up his character perfectly. The Girl Hunt ballet is, of course, the dancing highlight of the movie and it is here that the utterly wonderful Cyd Charisse comes into her own. Apart from being arguably the best female dancer in Hollywood history, she was certainly the most beautiful: the scene in the ballet in which she appears on a bar stool and slips off her coat to reveal a dramatic red dress oozes with as much sex appeal as any movie moment I've ever seen.


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