Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Dr. Tony Flagg's friend, Steven, has problems in the relationship with his fiancee, Amanda, so he persuades her to visit Dr. Flagg. After some minor misunderstandings, she falls in love ... See full summary »
Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by
Several times in the film you see theatre marquees or posters showing the title "The Proud Land" - especially in the "Girl Hunt" ballet number. This is the title of a novel featured in the plot of Vincente Minnelli's film from the previous year The Bad and the Beautiful (1952). See more »
After the Oedipus number, Cordova buttons his jacket crookedly. In the next scene it is correctly buttoned. See more »
Just saw this again, for the first time in 10 years. What a show! This is unquestionably the last of the great line of MGM and, therefore, Hollywood musicals . . . the last real flowering of Arthur Freed's genius at holding together a team of top production talents which had produced such a fine string of musicals. Not a dull spot in the entire movie and tremendous style in Minnelli's direction. Nice to see Jack Buchanan getting a last chance in the spotlight his top hat routine with Astaire is one of the highlights of the movie. Astaire himself, playing the fading musical star which he was by 1953, has a magnificent opening with two contrasting numbers the wistful By Myself and the exuberant Shine on your Shoes tailored to set up his character perfectly. The Girl Hunt ballet is, of course, the dancing highlight of the movie and it is here that the utterly wonderful Cyd Charisse comes into her own. Apart from being arguably the best female dancer in Hollywood history, she was certainly the most beautiful: the scene in the ballet in which she appears on a bar stool and slips off her coat to reveal a dramatic red dress oozes with as much sex appeal as any movie moment I've ever seen.
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