A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Fred and Lilly are a divorced pair of actors who are brought together by Cole Porter who has written a musical version of The Taming of the Shrew. Of course, the couple seem to act a great ... See full summary »
Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by
During the "Louisiana Hayride" number, Nanette Fabray gashed her leg when she broke through the top of a prop crate she was standing on. She said that shooting the "Triplets" number, which was filmed later and where she was forced to stand on her knees, was so painful that she had to take large numbers of pain pills. See more »
Gabrielle's last name is spelled "Gerard" in some scenes, "Girard" in others. See more »
Oh, I'm afraid I've been very rude, I haven't told you how wonderful you were tonight.
Oh, thank you, I'm a great admirer of your work.
I didn't think you'd even heard of me.
Heard of you? I used to see all your pictures when I was a little girl. And I'm still a fan, I recently went to see a revival of them at the museum...
Museum? 'Step right this way, ladies and gentlemen, Egyptian mummies, extinct reptiles, and Tony Hunter, the grand old man of the dance!"
I didn't mean...
[...] See more »
Perhaps the finest hour of Fred Astaire and Cyd Charisse together (although Silk Stockings comes a close second); the 'Dancing in the Dark' sequence says it all about both this film, and the two impeccably classy stars.
There are, of course, other highlights - Oscar Levant and Nanette Fabray's acidic writers; Jack Buchanan's overblown producer; Fred's dance with the shoeshine boy, Le Roy Daniels; anything featuring Cyd Charisse - and those wonderful musical numbers, ranging from the anthem 'That's Entertainment' to the hilarious 'Triplets'.
'The Band Wagon' sends up the old film staple plot "putting on a show" and does it brilliantly, thanks to the crackling Comden/Green script. One of MGM's best musical efforts, hugely enjoyable.
36 of 37 people found this review helpful.
Was this review helpful to you?