A musical remake of Ninotchka: After three bumbling Soviet agents fail in their mission to retrieve a straying Soviet composer from Paris, the beautiful, ultra-serious Ninotchka is sent to ... See full summary »
Two Americans on a hunting trip in Scotland become lost. They encounter a small village, not on the map, called Brigadoon, in which people harbor a mysterious secret, and behave as if they were still living two hundred years in the past.
Tom and Ellen Bowen are a brother and sister dance act whose show closes in New York. Their agent books them in London for the same period as the Royal Wedding. They travel by ship where ... See full summary »
Tony Hunter, a famous singer/dancer movie star, is feeling washed up and old hat (old top hat, tie and tails to be exact). The reporters are out for Ava Gardner, not him. But his old friends Lily and Les Martin have an idea for a funny little Broadway show and he agrees to do it. But things begin to get out of hand, when bigshot "artistic" director/producer/star Jeffrey Cordova joins the production, proclaims it's a modernistic Faust and insists on hiring a prima ballerina, Gabrielle Gerard, to star opposite Tony, and it's hate at first sight. And her jealous choreographer isn't helping to ease the tension. The show is doomed by pretentiousness. But romance, a "let's put on a show" epiphany, and a triumphant opening are waiting in the wings. After all, this is a musical comedy! Written by
Betty Comden and Adolph Green made the characters played by Nanette Fabray and Oscar Levant a married couple because they felt that the audiences would not accept a male/female writing team who weren't married to each other, even though the characters were based on Comden and Green, who were themselves not married to each other. See more »
Gabrielle's last name is spelled "Gerard" in some scenes, "Girard" in others. See more »
[narration during the Girl Hunt ballet]
She came at me in sections... more curves than a scenic railway.
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Just saw this again, for the first time in 10 years. What a show! This is unquestionably the last of the great line of MGM and, therefore, Hollywood musicals . . . the last real flowering of Arthur Freed's genius at holding together a team of top production talents which had produced such a fine string of musicals. Not a dull spot in the entire movie and tremendous style in Minnelli's direction. Nice to see Jack Buchanan getting a last chance in the spotlight his top hat routine with Astaire is one of the highlights of the movie. Astaire himself, playing the fading musical star which he was by 1953, has a magnificent opening with two contrasting numbers the wistful By Myself and the exuberant Shine on your Shoes tailored to set up his character perfectly. The Girl Hunt ballet is, of course, the dancing highlight of the movie and it is here that the utterly wonderful Cyd Charisse comes into her own. Apart from being arguably the best female dancer in Hollywood history, she was certainly the most beautiful: the scene in the ballet in which she appears on a bar stool and slips off her coat to reveal a dramatic red dress oozes with as much sex appeal as any movie moment I've ever seen.
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