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Arrowhead (1953)

 -  Drama | Romance | Western  -  3 August 1953 (USA)
6.1
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Ratings: 6.1/10 from 660 users  
Reviews: 19 user | 7 critic

Chief of Scouts Ed Bannon narrowly avoids an Apache ambush while working with the cavalry stationed at Fort Clark, Texas. The US Army is trying to talk peace with the Apaches and move them ... See full summary »

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(screenplay), (novel)
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Title: Arrowhead (1953)

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Cast

Complete credited cast:
...
...
Toriano
...
Nita
...
Capt. Bill North
Mary Sinclair ...
Lela Wilson
...
Sandy MacKinnon
Richard Shannon ...
Lt. Kirk
Lewis Martin ...
Col. Weybright
...
Chief Chattez (as Frank de Kova)
...
Sgt. Stone (as Robert Wilke)
Peter Coe ...
Spanish
James Anderson ...
Jerry August (as Kyle James)
John Pickard ...
John Gunther (as John M. Pickard)
Pat Hogan ...
Jim Eagle
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Storyline

Chief of Scouts Ed Bannon narrowly avoids an Apache ambush while working with the cavalry stationed at Fort Clark, Texas. The US Army is trying to talk peace with the Apaches and move them to reservations in Florida, and they take Bannon's efforts as detrimental to their new policies, so they fire him. When the Apache chief's son Torinada returns from an Eastern education, Bannon becomes highly suspicious of his motives based run-ins with Torinada in the past. Bannon continues shadowing the proceedings to the chagrin of both the US Army and the Apache warrior. Written by Ed Sutton <esutton@mindspring.com>

Plot Summary | Add Synopsis

Plot Keywords:

apache | ambush | warrior | scout | cavalry | See more »

Genres:

Drama | Romance | Western

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 August 1953 (USA)  »

Also Known As:

Die Bestie der Wildnis  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Film debut of Brian Keith. See more »

Goofs

There was a Ghost Dance movement, it was a religious revival of Native Americans in 1890, but it had nothing at all to do with the Apaches. It was popular among the Lakota (Souix) of the Northern Plains. See more »

Quotes

Johnny Gunther: Toriano is more than my friend. We played together when we were young. Look at this.
[shows scar on wrist]
Johnny Gunther: We made ourselves blood brothers.
Ed Bannon: There's just one way an Apache can put an end to that relationship. He kills ya!
See more »

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User Reviews

 
ARROWHEAD (Charles Marquis Warren, 1953) **1/2
16 April 2008 | by (Naxxar, Malta) – See all my reviews

Considering the vast amount of Cavalry-vs.-Indians Westerns made during the genre's heyday, this emerges as a reasonably engaging entry – thanks to the pleasant Technicolor hues but, even more so, the scenery-chewing antics of its two stars (Charlton Heston and Jack Palance). I'd owned a copy of the bare-bones Paramount DVD for quite some time, but found the perfect opportunity to check it out now in tribute to Heston's recent passing.

He plays a maverick scout who, in the past, had spent some time with the Apaches; he knows them inside out and is, therefore, indispensable to the Cavalry because he can anticipate what their next move will be. The tribe has ostensibly capitulated and is heading towards the reservation but, when the current chief's son (Palance) arrives on the scene – having undertaken an education merely to fulfill a prophecy which would make him the savior of his people! – the attacks start anew, thus confirming Heston's skepticism of the whole deal (and which had practically ostracized him from his office). The film, whose title remains unexplained throughout, generally delivers in the action stakes (even if Heston and Palance's long-awaited showdown, the 'war' being resolved in single hand-to-hand combat between them, is a disappointingly hasty affair) – but is let down by a couple of obligatory romantic rivalries: Heston is torn between half-breed Katy Jurado, who's wasted, and Mary Sinclair, the widow of the Fort Commander who's also desired by his successor (Brian Keith).

Heston made a number of such minor genre fare (which, I have to admit, I had all but ignored all these many years) – including another Western penned by Charles Marquis Warren, PONY EXPRESS (1953) – before carving a niche for himself playing larger-than-life roles in a myriad big-budget spectaculars. Having mentioned the writer/director, I recently acquired another Western of his – the well-regarded and, reportedly, noir-tinged LITTLE BIG HORN (1951) which, naturally, revolves around Custer's infamous Last Stand.


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