A hunted man breaks into the castle at Oberwald to kill the Queen, but faints before doing so. He is Sebastian, the splitting image of the King who was assassinated on his wedding day. The ... See full summary »
A documentary on China, concentrating mainly on the faces of the people, filmed in the areas they were allowed to visit. The 220 minute version consists of three parts. The first part, ... See full summary »
The movie director Niccolo has just been left by his wife. This gives him the idea of making a movie about women's relationships. He starts to search for a woman who can play the leading ... See full summary »
The city of Pola is being evacuated after the peace conference of 1947 decided to assign the sovereignty to Tito's Jugoslavia. However the main character decides to stay, thinking that ... See full summary »
At 27 minutes, 'Cesare Zavattini' and 'Umberto Maselli''s fifth segment, "Story of Caterina", is the longest while Carlo Lizzani's opener "Paid Love" is the shortest at 11 minutes. Running times of the remaining segments are 22 minutes for Michelangelo Antonioni's "Attempted Suicide", 12 minutes for Dino Risi's "Paradise for Three Hours", 16 minutes for Federico Fellini's "Marriage Agency" and 14 minutes for Alberto Lattuada's "Italians Stare". See more »
This film is included in Parker Tyler's "Classics of the Foreign Film," a seminal book published in the 1960s (perhaps updated since then). I saw it for the first time recently through a videotape available at a local university. The film captures aspects of 1950s Rome fairly well, the best segment concerning a Sicilian woman who, having a baby boy out of wedlock, cannot pay for the child's care due to her inability to obtain work. Out of desperation she abandons the child in a park. He is rescued and taken to an orphanage where she tracks him down, admitting to being his mother. Though she is arrested for abandoning the child, the public and court absolve her of guilt due to understanding the situation she had been in. She then becomes a nurse to care for children. If only life had been/was like that. This segment certainly wins in depicting the difficulty of illegitimacy in those days, especially in a very traditional society. Then again, Italian and European cinema were more mature about such things than was Hollywood.
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