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Love in the City (1953)
"L'amore in città" (original title)

6.7
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Ratings: 6.7/10 from 484 users  
Reviews: 7 user | 14 critic

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Title: Love in the City (1953)

Love in the City (1953) on IMDb 6.7/10

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Cast

Cast overview, first billed only:
Rita Josa ...
(segment "Tentato suicidio")
Rosanna Carta ...
(segment "Tentato suicidio")
Enrico Pelliccia ...
(segment "Tentato suicidio")
Donatella Marrosu ...
(segment "Tentato suicidio")
Paolo Pacetti ...
(segment "Tentato suicidio")
Nella Bertuccioni ...
(segment "Tentato suicidio")
Lilia Nardi ...
(segment "Tentato suicidio")
Lena Rossi ...
(segment "Tentato suicidio")
Maria Nobili ...
(segment "Tentato suicidio")
Antonio Cifariello ...
Giornalista (segment "Agenzia matrimoniale, Un'")
Livia Venturini ...
(segment "Agenzia matrimoniale, Un'")
Maresa Gallo ...
(segment "Agenzia matrimoniale, Un'")
Angela Pierro ...
(segment "Agenzia matrimoniale, Un'")
Rita Andreana ...
(segment "Agenzia matrimoniale, Un'")
Lia Natali ...
(segment "Agenzia matrimoniale, Un'")
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Storyline

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Taglines:

You see love as it really is...RAW! REVEALING! SHOCKING! See more »

Genres:

Drama | Romance

Certificate:

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Details

Country:

Language:

Release Date:

26 November 1953 (Italy)  »

Also Known As:

Love in the City  »

Filming Locations:

 »

Company Credits

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Technical Specs

Runtime:

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Did You Know?

Trivia

Italian censorship visa # 15341 delivered on 13-11-1953. See more »

Connections

References The Lady Without Camelias (1953) See more »

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User Reviews

worthwhile though now dated effort
29 October 2007 | by (Ottawa, Canada) – See all my reviews

This film is included in Parker Tyler's "Classics of the Foreign Film," a seminal book published in the 1960s (perhaps updated since then). I saw it for the first time recently through a videotape available at a local university. The film captures aspects of 1950s Rome fairly well, the best segment concerning a Sicilian woman who, having a baby boy out of wedlock, cannot pay for the child's care due to her inability to obtain work. Out of desperation she abandons the child in a park. He is rescued and taken to an orphanage where she tracks him down, admitting to being his mother. Though she is arrested for abandoning the child, the public and court absolve her of guilt due to understanding the situation she had been in. She then becomes a nurse to care for children. If only life had been/was like that. This segment certainly wins in depicting the difficulty of illegitimacy in those days, especially in a very traditional society. Then again, Italian and European cinema were more mature about such things than was Hollywood.


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