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Love in the City (1953)
"L'amore in città" (original title)

6.6
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Ratings: 6.6/10 from 439 users  
Reviews: 7 user | 10 critic

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Title: Love in the City (1953)

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Cast

Cast overview, first billed only:
Rita Josa ...
(segment "Tentato suicidio")
Rosanna Carta ...
(segment "Tentato suicidio")
Enrico Pelliccia ...
(segment "Tentato suicidio")
Donatella Marrosu ...
(segment "Tentato suicidio")
Paolo Pacetti ...
(segment "Tentato suicidio")
Nella Bertuccioni ...
(segment "Tentato suicidio")
Lilia Nardi ...
(segment "Tentato suicidio")
Lena Rossi ...
(segment "Tentato suicidio")
Maria Nobili ...
(segment "Tentato suicidio")
Antonio Cifariello ...
Giornalista (segment "Agenzia matrimoniale, Un'")
Livia Venturini ...
(segment "Agenzia matrimoniale, Un'")
Maresa Gallo ...
(segment "Agenzia matrimoniale, Un'")
Angela Pierro ...
(segment "Agenzia matrimoniale, Un'")
Rita Andreana ...
(segment "Agenzia matrimoniale, Un'")
Lia Natali ...
(segment "Agenzia matrimoniale, Un'")
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Storyline

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Taglines:

A daring new film experience... Made without fear...without taboos! See more »

Genres:

Drama | Romance

Certificate:

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Details

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Release Date:

26 November 1953 (Italy)  »

Also Known As:

Love in the City  »

Filming Locations:

 »

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Technical Specs

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Did You Know?

Trivia

In the opening segment, Carlo Lizzani's "Paid Love", patrons are seen leaving a cinema showing The Lady Without Camelias (1953). This was Michelangelo Antonioni's previous film; Antonioni of course is also one of the contributors to Love in the City (1953). See more »

Connections

Referenced in F for Fake (1973) See more »

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User Reviews

 
Very well done
15 August 2012 | by (United Kingdom) – See all my reviews

I saw L'Amore in Citta as part of my Fellini quest. And I have to say that I found the film very interesting. Separated into five segments by five different directors, it is charming, sometimes heart breaking and I was always intrigued. All the segments are filmed absolutely beautifully especially Fellini's and Lattuada's. The music is always great, ranging from nostalgic(Rissi), bright(Fellini, though nostalgic comes under him also) and poetic(Lattuada). Of the segments my personal favourite is Lattuada's, especially for the beautiful scoring and the poetic ending. Rissi's is also very charming, very simple story but beautiful everywhere else. My least favourite, though still good, is Zavattini's, I love the climax which is very touching, as is the scene with the mother on the edge of the fountain, but found the very ending jarring compared with the scene before it and the rest of the neorealistic feel of the segment. Antonioni's documentary-like approach is interesting and the interviews are fascinating, not just the subject matter but also what there is to say. I saw L'Amore in Citta for Fellini, and apart from an ending that I think could have had more to it he doesn't disappoint. The beautiful visuals, deliberate pacing, nostalgic yet mystical story telling and colourful music are all there, and Fellini's poetic and quite ambitious style is as distinctive as you would expect. All in all, a very well done film. 8/10 Bethany Cox


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