| Photos (See all 11 | slideshow) |
| Barbara Stanwyck | ... | Naomi Murdoch | |
| Richard Carlson | ... | Henry Murdoch | |
| Lyle Bettger | ... | Dutch Heinemann | |
| Marcia Henderson | ... | Joyce Murdoch | |
| Lori Nelson | ... | Lily Murdoch | |
| Maureen O'Sullivan | ... | Sara Harper | |
| Richard Long | ... | Russ Underwood | |
| Billy Gray | ... | Ted Murdoch | |
| Lotte Stein | ... | Lena Engstrom | |
| Dayton Lummis | ... | Col. Underwood | |
| Fred Nurney | ... | Peterson | |
| rest of cast listed alphabetically: | |||
| Donald Kerr | ... | Comic (scenes deleted) | |
| Lois Austin | ... | Mrs. Underwood (uncredited) | |
| Bobby Barber | ... | Porch Loafer (uncredited) | |
| Margaret Bert | ... | Bit Role (uncredited) | |
| Henry Blair | ... | Senior (uncredited) | |
| Lela Bliss | ... | Belle Stanton (uncredited) | |
| Virginia Brissac | ... | Mrs. Tomlin (uncredited) | |
| Ralph Brooks | ... | Man in Audience at Play (uncredited) | |
| Budd Buster | ... | (uncredited) | |
| Wheaton Chambers | ... | Mr. Atkins (uncredited) | |
| Edmund Cobb | ... | Hack Driver (uncredited) | |
| Alan DeWitt | ... | Printer (uncredited) | |
| Helen Dickson | ... | Bit Role (uncredited) | |
| Sally Fraser | ... | Daughter in Auditorium (uncredited) | |
| Brett Halsey | ... | John Lexington in Play (uncredited) | |
| Chuck Hamilton | ... | Man in Audience at Play (uncredited) | |
| Jack Hardin | ... | Bit Role (uncredited) | |
| Henry Hoople | ... | Clay (uncredited) | |
| Thomas E. Jackson | ... | Dr. Philip Tomlin (uncredited) | |
| Pat Lane | ... | Father (uncredited) | |
| Mary Newton | ... | Mrs. Atkins (uncredited) | |
| George Selk | ... | Bit Role (uncredited) | |
| Jill Taylor | ... | Bit Role (uncredited) | |
| Gloria Tucker | ... | Bit Role (uncredited) | |
| Stuart Whitman | ... | Dick in Play (uncredited) | |
| Guy Wilkerson | ... | Clem (uncredited) | |
| Guy Williams | ... | Ticket Taker (uncredited) | |
Directed by | |||
| Douglas Sirk | |||
Writing credits | ||
| James Gunn | (screenplay) and | |
| Robert Blees | (screenplay) | |
| Gina Kaus | (adaptation) | |
| Carol Ryrie Brink | (novel "Stopover") (as Carol Brink) | |
Produced by | |||
| Ross Hunter | .... | producer | |
Original Music by | |||
| Henry Mancini | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Carl E. Guthrie | (as Carl Guthrie) | ||
Film Editing by | |||
| Milton Carruth | |||
Art Direction by | |||
| Alexander Golitzen | |||
| Bernard Herzbrun | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Julia Heron | |||
Costume Design by | |||
| Rosemary Odell | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Production Management | |||
| Mack D'Agostino | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director (as Joseph E. Kenny) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
| James V. Swartz | .... | sound (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | musical director | |
| Daniele Amfitheatrof | .... | composer: stock music (uncredited) | |
| Milton Rosen | .... | composer: additional music (uncredited) | |
| Hans J. Salter | .... | composer: stock music (uncredited) | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
| David Tamkin | .... | composer: stock music (uncredited) | |
| Edward Ward | .... | composer: stock music (uncredited) | |
Other crew | |||
| Kenny Williams | .... | choreographer | |
| Jack Daniels | .... | dialogue director (uncredited) | |
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| Peyton Place | Snow Angels | A Walk to Remember | Some Came Running | Kings Row |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section |
Although not in the same class as Douglas Sirk's major melodramas, "All I Desire" has many of the traits that would be developed in these later works. As such it is essential viewing for fans of Sirk's films. His use of color is legendary so much is lost by this being filmed in black and white, the result of a tight fisted Universal Studios.
Fans of Barbara Stanwyk should not miss it either. Stanwyk is one of a handful of actresses who simply never gave a weak performance. Under the direction of the likes of Wilder or Sirk, she's a compelling screen presence. Sirk had great admiration for Stanwyk calling her "one of the best in town". He used her a few years later in "There's Always Tomorrow" which remains his greatest unrecognised opus. There his criticism of the American family values is particularly cutting, whereas "All I Desire" has an altogether more forgiving view of small town narrow mindedness.
Sirks films are always worth watching. They are extremely well crafted with each shot carefully thought out. Nothing is left to chance. Those who dismiss the melodrama as an inferior genre would do well to take a close look at his body of work. "All I Desire" makes a good starting point.