7.2/10
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All I Desire (1953)

Approved | | Drama, Romance | 15 October 1953 (Italy)
In 1910, a wayward mother re-visits the family she deserted.

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Writers:

(screenplay), (screenplay) | 2 more credits »
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Cast

Complete credited cast:
...
...
...
Dutch Heinemann
Marcia Henderson ...
Joyce Murdoch
...
Lily Murdoch
...
Sara Harper
...
Russ Underwood
...
Ted Murdoch
Lotte Stein ...
Dayton Lummis ...
Col. Underwood
Fred Nurney ...
Hans Peterson
Rest of cast listed alphabetically:
Donald Kerr ...
Comic (scenes deleted)
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Storyline

In 1900, Naomi Murdoch deserted her small-town family to go on the stage. Some ten years later, daughter Lily invites Naomi back to see her in the Riverdale high school play. Her arrival sets the whole town abuzz, wakes up old conflicts, and sets off new emotional storms. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Taglines:

Now He Knew Her as Other Men Had!

Genres:

Drama | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

15 October 1953 (Italy)  »

Also Known As:

Stopover  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Although the exact date is not given, reference is made to Halley's Comet, which appeared in April, 1910. See more »

Goofs

When Russ and Joyce begin kissing on the porch swing, his nose is on her right. After the cut, they've instantly switched positions so that his nose is now on her left. See more »

Quotes

Henry Murdoch: Naomi, some people just grow old, and others grow up.
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Soundtracks

All I Desire
by David Lieberman
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Frequently Asked Questions

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User Reviews

 
All I Desire (1953)
10 January 2012 | by (Portland OR) – See all my reviews

A failed actress returns to the family, the lover and the small town she abandoned years earlier and sets tongues wagging anew. Does it rank up there with ALL THAT HEAVEN ALLOWS or IMITATION OF LIFE? No, not really. It all wraps up too neatly (the "happy" ending was forced by the producer), Lyle Bettger has the charisma of a toilet brush (why would Barbara Stanwyck ever fall for this lummox?) and it's pointlessly set in the early part of the century. The only rationale I can think of for the latter is that Stanwyck's lack of success would be harder to keep a secret in modern times, but it takes the edge off and makes the whole thing a bit too quaint. However, it's not really a dud, either. It's a tight script, Stanwyck is riveting as always, and Sirk's eye for brilliant framing is hard at work. It makes for a quick, easy watch with some slight subversiveness in its commentary on small town gossip and hypocrisy.


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