Aida, featuring the actress Sophia Lauren, was a film adaptation of a theatre performance written by Verdi. The plot revolves around the character Radames who falls in love with what he ...
See full summary »
Sophia Loren plays a dual role, as both the sultry Queen of the Nile with a "man-a-night" appetite and a beautiful slave girl who takes her place and is wooed by a bodyguard who thinks she's the real monarch.
Attila, the leader of the barbarian Huns and called by the Romans "The Scourge of God", sweeps onto the Italian peninsula, defeating all of the armies of Rome, until he and his men reach the gates of the city itself.
E' domenica e a Roma c'è la partita di calcio Roma-Napoli. Attorno allo stadio e alla partita ruotano varie storie: quella di Sandra e Giulio fidanzati, ma sempre occupati a litigare; ... See full summary »
Anton Giulio Majano
When young and attractive Lina Stroppiani, a thief like the rest of her family, tries to steal the taxi of Paolo, together with two accomplices, she can't possibly know that this will have ... See full summary »
Vittorio De Sica,
Phaedra is a poor sponge diver on the lovely Greek isle of Hydra. While diving, she discovers an ancient brass and gold statue of a boy riding a dolphin, which is said to have the magical ... See full summary »
When peasant girl Nives is deserted by smuggler Gino Lodi, she betrays him to the police. Police officer Enzo Cinti, who loves Nives, traces her to the Po River cane-fields, where she is ... See full summary »
Ignazio Panizza in arte Gardenio gira in provincia con uno spettacolo di varietà con poco successo. In un paese insistono per far cantare la cassiera della farmacia, Caterina Lari, che ha ... See full summary »
Napoli, anni cinquanta. Un cantastorie, che abita con la numerosa famiglia in una misera catapecchia, viene sfrattato e se ne va coi suoi familiari per le strade, spingendo il pianino di ... See full summary »
Antonietta viene fotografata per caso e la sua foto finisce in copertina. Il suo fidanzato vuol far causa al giornale per questo, ma Antonietta decide di farsi conoscere e con l'aiuto di ... See full summary »
The story in this movie deals with the perseverance of Spaniards to take back their country from the French who have conquered Spain under Napoleon as he marched over Europe. A huge cannon,... See full summary »
Aida, featuring the actress Sophia Lauren, was a film adaptation of a theatre performance written by Verdi. The plot revolves around the character Radames who falls in love with what he thinks is a slave in a country his armies has conquered. The young woman is actually the daughter of the leader he ousted. Written by
Opera is a different stage art from spoken theatre, let alone theatrical films or television. Opera succeeds on its own terms or it doesn't signify at all. The "problem" with opera is not that opera singers are not as bodacious as film stars; the principal requirement in opera is that the musical drama be conveyed in musical as well as visual terms in a manner all its own, a stage mystery that is easier to experience than to analyse.
Non-musicians seldom understand this. They seek to graft on whatever expressive values they trade in within the medium they are familiar with, without understanding why and how opera works on its own, without their alien help.
Thus the woman who sings Amneris in the soundtrack of this film, Ebe Stignani (1903-1974) may have been, at 50, wider than she was tall and not Hollywood's idea of an appropriate screen figure, yet she was, even in 1953, an amazing Amneris, successful throughout the world in this, her greatest role, consistently making dramatic contact with her audiences through the musico-dramatic medium of Verdi's music. And she had been doing so since her debut (as Amneris), in 1925.
Lois Maxwell, who lip-syncs to Stignani's singing here, simply makes no impact, dramatic, filmic, musical or even sex-appealing. We KNOW that Stignani was a hugely successful Amneris without Maxwell. What does Maxwell add to Signani's Amneris through the medium of this film? Nothing at all.
A film that brought us, even at once removed, the greatness of a Stignani or a Renata Tebaldi, might have had some filmic justification. But this film, which adds nothing at all to what the singers had to contribute and rather detracts from it, is of no value.
What the film does underline is the limitations, cultural, visual, technological, of a merely mechanical medium. Everything about this film is ludicrously dated, except the singing of the great singers whom it pretended to "improve" all those long years ago.
5 of 9 people found this review helpful.
Was this review helpful to you?