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Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
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Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby. Written by
Ed Stephan <email@example.com>
In Britain it was given an X certificate though it later played on children's television. See more »
The demonstrators for votes for women are referred to as "suffragettes." That was the American term; in Britain they were called "suffragists." See more »
Now look! You can't make two persons out of one. If there's a monster, there's a monster. If there's a Dr. Jekyll, there's a Dr. Jekyll. But one can't be the other.
Now listen Slim. All I know is that I locked up the monster and when I came back, Dr. Jekyll was there. You know I'm no magician.
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Fun...and that's exactly what an Abbott and Costello movie should be.
This is among the best of Abbott and Costello's films because it is so much fun. It also didn't hurt that it is one of their films that combined monsters with comedy--a sure recipe for success. The first of these films, ABBOTT AND COSTELLO MEET FRANKENSTEIN happens to be their best film, but followup films with the Invisible Man, the Mummy and Dr. Jekyll were also among their best films.
The film begins with Bud and Lou inexplicably working for the London police. Because they are Bud and Lou, they naturally get fired. So, they spend the rest of the movie trying to solve the big case, a serial killer, in order to get back on the force.
The trail takes them to Dr. Henry Jekyll (Boris Karloff) and despite his very pleasant demeanor, he's a real jerk. Underneath this nice facade, this incarnation of Jekyll is quite different from versions of the story starring John Barrymore, Frederic March or Spencer Tracy. Unlike these previous versions, Jekyll is truly evil and likes becoming the monster. In other words, he uses this new guise to kill with impunity because he is a horrible person. However, he really looked little like the movie Mr. Hyde when he transformed. Instead of the usual transformation, this time it looks like they used a rubber mask and it looked more like the Frederic March version of Jekyll combined with the Wolf-Man! The main reason to make his so unrecognizable was because this was a very active role (involving a lot of climbing and stunts) and Karloff was simply too old to handle these rigors. Frankly, though Hyde and Jekyll were quite different, this didn't bother me.
So what is so good about the film? Well, the most important plus this film has is no singing!! Hallelujah! Too many of Abbott and Costello's films (particularly the early ones) were heavily padded with songs that distracted the audience unnecessarily and added nothing to the plot. Additionally, like many of their best films, this one was plot and character-driven--not a bunch of semi-related vignettes and Vaudeville routines thrown together. In addition it sure didn't hurt that the ending was quite clever and funny as well--leaving the audience laughing as the credits rolled.
Overall, a film I'd place in the top five of the Abbott and Costello films. If you really care, and you might, this is how I'd place them in order from best to worst:
1. ABBOTT AND COSTELLO MEET FRANKENSTEIN
2. WHO DONE IT?
3. ABBOTT AND COSTELLO MEET DR. JEKYLL AND MR. HYDE
4. ABBOTT AND COSTELLO MEET THE KILLER
5. LITTLE GIANT (yes, I know most people hate this one but I liked it).
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