Two peanut vendors at a rodeo show get in trouble with their boss and hide out on a railroad train heading west. They get jobs as cowboys on a dude ranch, despite the fact that neither of ... See full summary »
In one of his rare performances without Bud Abbott, Lou Costello plays a rubbish collector and inventor. When radiation in a nearby cave turns his girlfriend into a giantess, antics ensure ... See full summary »
Lester and Orville accidentally launch a rocket which is supposed to fly to Mars. Instead it goes to New Orleans for Mardi Gras. They are then forced by bank robber Mugsy and his pal Harry ... See full summary »
Harry and Willie buy the Edison Movie Studio in the year 1912 from Joseph Gorman, a confidence man. They follow Gorman to Hollywood where, as stunt men, they find him directing movies as Sergei Trumanoff and stealing the studio payroll.
Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby. Written by
Ed Stephan <firstname.lastname@example.org>
Boris Karloff only really played Dr. Jekyll in this film. Once the makeup transformation scenes were over, stuntman Eddie Parker did every scene as Mr. Hyde. This was even tipped off to audiences through publicity stills for the film, which showed both Karloff and Parker in makeup standing next to each other. See more »
When Costello was standing by the mannequin of George Washington, the mannequin blinked. See more »
Admittedly inferior to their arguably best "Meet" film ABBOTT AND COSTELLO MEET FRANKENSTEIN five years earlier during their golden age, this was easily the best of their films in their declining years of the early to mid fifties.
The boys play a pair of NY cops on a work-experience exchange in Victorian London. They are soon on the trail of the diabolical MR HYDE (played on and off by Karloff) having already met Dr Jekyll in "polite society"
The story makes for some top comedic moments for Bud and Lou. The climactic chase after Lou is turned accidentally into a mouse is funny stuff. And thats all this is - funny stuff. A few reviewers here have gotten themselves into the psychology of the characters and seem miffed in the extreme at the liberties taken with R L Stevenson's original characters. Live with it...this was a highly watchable comedy and should be viewed upon the impact it made in 1953 NOT the new millennium.
8 of 11 people found this review helpful.
Was this review helpful to you?