| Bud Abbott | ... | Lester | |
| Lou Costello | ... | Orville | |
| Mari Blanchard | ... | Allura | |
| Robert Paige | ... | Dr. Wilson | |
| Horace McMahon | ... | Mugsy | |
| Martha Hyer | ... | Janie Howe | |
| Jack Kruschen | ... | Harry | |
| Joe Kirk | ... | Dr. Orvilla | |
| Jean Willes | ... | Capt. Olivia | |
| Anita Ekberg | ... | Venusian Guard | |
| James Flavin | ... | First Policeman in Bank | |
| Jackie Loughery | ... | Venusian Guard (Miss U.S.A.) | |
| Ruth Hampton | ... | Handmaiden (Miss New Jersey) (as Ruth June Hampton) | |
| Valerie Jackson | ... | Handmaiden (Miss Montana) | |
| Renate Hoy | ... | Handmaiden (Miss Germany) (as Renate Huy) | |
| Jeanne Thompson | ... | Handmaiden (Miss Louisiana) | |
| Jeri Miller | ... | Venusian Guard (Miss Welcom to Long Beach) | |
| Judy Hatula | ... | Guard (Miss Michigan) | |
| Elsa Edsman | ... | Handmaiden (Miss Hawaii) (as Elza Edsman) | |
| rest of cast listed alphabetically: | |||
| Bobby Barber | ... | Bit Role (uncredited) | |
| Stanley Blystone | ... | Bit Role (uncredited) | |
| Milt Bronson | ... | Announcer (uncredited) | |
| Ralph Brooks | ... | Bank Employee (uncredited) | |
| Ken Christy | ... | Police Lieutenant (uncredited) | |
| Juanita Close | ... | Bit Role (uncredited) | |
| Russ Conway | ... | Second Policeman at Bank (uncredited) | |
| Barry Curtis | ... | Boy (uncredited) | |
| Harold DeGarro | ... | Tall Cop (uncredited) | |
| Dudley Dickerson | ... | Bank Janitor (uncredited) | |
| Lester Dorr | ... | Customer (uncredited) | |
| Jane Easton | ... | Javelin Thrower (uncredited) | |
| Hal Forrest | ... | Dr. Nedring (uncredited) | |
| Ed Fury | ... | Perfect Man (uncredited) | |
| Harold Goodwin | ... | Dr. Coleman (uncredited) | |
| Tim Graham | ... | Mr. Lucas, Bank Cashier (uncredited) | |
| Douglas Henderson | ... | Announcer (uncredited) | |
| Donald Kerr | ... | Bank Employee (uncredited) | |
| Harry Lang | ... | French Waiter (uncredited) | |
| Rex Lease | ... | Police Sergeant (uncredited) | |
| Scott Lee | ... | Policeman #1 (uncredited) | |
| Grace Lenard | ... | French Girl in Restaurant (uncredited) | |
| Hank Mann | ... | Clothing Store Clerk (uncredited) | |
| Frank Marlowe | ... | Bartender (uncredited) | |
| Saul Martell | ... | Jules (uncredited) | |
| Patti McKay | ... | Venusian Guard (uncredited) | |
| William Newell | ... | Drunk (uncredited) | |
| Paul Newlan | ... | Traffic Cop (uncredited) | |
| Helen Noyes | ... | Miss Frances Planey (uncredited) | |
| Gloria Pall | ... | Tall Girl in New York (uncredited) | |
| Gregg Palmer | ... | Radio Announcer (uncredited) (voice) | |
| Syd Saylor | ... | Man at Fountain (uncredited) | |
| Cora Shannon | ... | Bit Role (uncredited) | |
| Harry Shearer | ... | Boy (uncredited) | |
| Jack Shutta | ... | Grogan, Bank Guard (uncredited) | |
| Carl Sklover | ... | Bit Role (uncredited) | |
| Robert Stevenson | ... | Observer (uncredited) | |
| Helen Strohm | ... | Girl (uncredited) | |
| Brick Sullivan | ... | Policeman (uncredited) | |
| Jack Tesler | ... | Dr. Holtz (uncredited) | |
| Ricki Van Dusen | ... | Girl (uncredited) | |
| Dale Van Sickel | ... | Policeman #2 (uncredited) | |
| Stanley Waxman | ... | Second Announcer (uncredited) | |
| Sally Yarnell | ... | Bit Role (uncredited) | |
| Betty Yeaton | ... | Contortionist (uncredited) | |
Directed by | |||
| Charles Lamont | |||
Writing credits(in alphabetical order) | ||
| D.D. Beauchamp | story and screenplay | |
| Howard Christie | story | |
| John Grant | screenplay | |
Produced by | |||
| Howard Christie | .... | producer | |
Original Music by | |||
| Henry Mancini | (uncredited) | ||
| Milton Rosen | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Clifford Stine | (director of photography) | ||
Film Editing by | |||
| Russell F. Schoengarth | (as Russell Schoengarth) | ||
Art Direction by | |||
| Robert F. Boyle | (as Robert Boyle) | ||
| Alexander Golitzen | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Julia Heron | |||
Costume Design by | |||
| Leah Rhodes | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup department head | |
Production Management | |||
| Jack Gertsman | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| William Holland | .... | assistant director | |
| Gordon McLean | .... | assistant director (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Visual Effects by | |||
| David S. Horsley | .... | special photography | |
Stunts | |||
| Vic Parks | .... | stunt double (uncredited) | |
Costume and Wardrobe Department | |||
| Joan Joseff | .... | costume jeweller (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | musical director | |
| Frank Skinner | .... | composer: stock music (uncredited) | |
| Alexander Tansman | .... | composer: stock music (uncredited) | |
Other crew | |||
| Milt Bronson | .... | dialogue director (uncredited) | |
| Lee Frederic | .... | script supervisor (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| I hope Venus has changed its policies in the past 60 years... | Forgotten_Hero |
| Go to MARS? | leroykevin |
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| Fantastic Four | The Sorcerer's Apprentice | The War of the Worlds | Flight to Mars | Abbott and Costello Meet the Killer, Boris Karloff |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Fans of rocket-age science fiction films will find interest in this wacky spoof. The early 1950's saw the start of the atomic age rocket ship film genre with ROCKET X-M and DESTINATION MOON in 1950 and WHEN WORLDS COLLIDE and FLIGHT TO MARS in 1951. These movies were all hits and the trend lasted through the sixties with MAROONED and JOURNEY TO THE FAR SIDE OF THE SUN in 1969 (one year after 2001 A SPACE ODYSSEY).
In 1953 Abbott and Costello quickly updated their old vaudeville routines to capture a younger, modern audience and try their hand at this phenomena. They had success spoofing the horror genre with A&C MEETS FRANKENSTEIN and A&C MEETS THE INVISIBLE MAN a couple years earlier and the young audiences who had watched Universal's monster films were now watching rocket films and would soon be watching alien monsters devour entire cities. Though flights to Mars were now a typical plot device, A&C GO TO MARS was ahead of the game by going to Venus six years before FIRST SPACESHIP ON VENUS (1959)!
Abbott and Costello start off toward Mars but end up back on Earth during New Orleans Mardi Gras. They are fooled by fanciful costumes with giant masks and believe they are on Mars. Eventually they flee to Venus populated by beautiful women and all's well that ends well.
The production values were very good, considering that studios were rushing out poorly produced imitations of ROCKET X-M and DESTINATION MOON after their success. After the quick patter routines of the duo that serviced them well in the forties had become so familiar to the audience it was refreshing to have them do something else. Though certainly not a classic and not on the list of best A & C films, for those tiring of the same routines this film is visually exciting filled with space-age fun, beautiful models and hilarious gags. Kids love the film and older adults love the 50's space-age theme. Grab the popcorn.