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99 River Street (1953)

 -  Action | Crime | Drama  -  3 October 1953 (USA)
7.5
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Ratings: 7.5/10 from 1,123 users  
Reviews: 32 user | 14 critic

An former boxer, turned cab driver, has to hide from the police, when his badgering wife is murdered by the jewel thief she was having an affair with.

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(screenplay), (story), 2 more credits »
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Title: 99 River Street (1953)

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Cast

Complete credited cast:
...
Ernie Driscoll
...
Linda James
...
Victor Rawlins
...
Stan Hogan
...
Pauline Driscoll
Jay Adler ...
Christopher
Jack Lambert ...
Mickey
Glenn Langan ...
Lloyd Morgan (as Glen Langan)
Eddy Waller ...
Pop Durkee
John Daheim ...
Bud (as John Day)
...
Waldo Daggett
Peter Leeds ...
Nat Finley
William Tannen ...
Director
Gene Reynolds ...
Chuck
Edit

Storyline

Having lost his heavyweight championship match, boxer Ernie Driscoll now drives a taxi for a living and earns the scorn of his nagging wife, Pauline, who blames him for her lack of social status. Involved with jewel thief Victor Rawlins, Pauline is murdered by him when she impedes his ability to fence the jewels. Blamed for his wife's murder, Ernie must track down Rawlins before he leaves the country. Written by Doug Sederberg <vornoff@sonic.net>

Plot Summary | Add Synopsis

Taglines:

Rips into you like a double-crossing Dame!


Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

3 October 1953 (USA)  »

Also Known As:

Crosstown  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Goofs

When Ernie Driscoll leaves the stage, the shadow of a crew member is projected on the wall. See more »

Quotes

Ernie Driscoll: There are worse things than murder. You can kill someone an inch at a time.
See more »

Connections

Referenced in Fade to Black (1980) See more »

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User Reviews

Terse example of rough & tumble 50s noir
13 July 1999 | by (San Francisco, CA) – See all my reviews

This might be Phil Karlson's tightest, most satisfying film.

John Payne and Evelyn Keyes play it in the best pulp tradition, with Keyes especially enjoyable in a couple of marvelous set-pieces, one in an empty theater and the other a greasy-spoon diner where she really vamps it up with Brad Dexter. Too bad Keyes dropped out of pictures in the mid-50s.


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