Bart has only one enemy in the world: his piano teacher Dr. Terwilliker. Dr. T has a mad plan to force 500 young boys to practice at his magnificent piano 24 hours a day, 7 days a week. ... See full summary »
Once upon a time there were two people in love, their names were Nina and Jamie. They were even happy enough to be able to live happily ever after, (not often the case) and then Jamie died.... See full summary »
Bart has only one enemy in the world: his piano teacher Dr. Terwilliker. Dr. T has a mad plan to force 500 young boys to practice at his magnificent piano 24 hours a day, 7 days a week. Bart is the only hope to save these boys from being enslaved. Fantastic sets, screenplay, and even song lyrics were provided by Dr. Seuss. Features the only piano academy ever known to be equipped with cells and surrounded by an electric fence. Written by
Tim Kretschmann <Tim.K@VirComm.com>
When Bart and Mr. Zadlabowski are taken to the dungeon via elevator, there is no reference to a third floor dungeon by the Elevator Operator. The third stanza of the Elevator Operator's song was cut due to increasingly horrific lyrics referring to "household appliances". The complete deleted stanza went as follows: "Third floor dungeon/Household appliances/Spiked beds/Electric chairs/Gas chambers/ /Roasting pots/And scalping devices." (The reference to "gas chambers" was probably regarded as in bad taste since the film was made so soon after World War II and the Holocaust.) See more »
In the first scene in the Tewilliger institute, Dr. T. buttons his jacket closed after putting his baton away. Immediately after in the long shot, his jacket is open, then in a closer shot, it's buttoned again. See more »
Real adventure, real entertainment, and a real message.
What a pity they don't make films like this anymore for children, and an even greater pity that if they did no one would watch them. This wonderful music-and-dance fantasy tale harks from the days when there actually was a "culture," and at least some movie makers, and some parents, felt it was their responsibility to pass that culture on to the next generation. The screenplay for "Dr. T" was written by none other than Dr. Seuss, including the songs, and is delightful from beginning to end. The story, about a boy who dreams that his mean piano-teacher runs a surrealistic prison-school, is an adventure that holds the attention of young and old, and the excellent performances of Peter Lind Hayes and Mary Healy provide the "love interest" for those who find that necessary. The protagonist is played by Tommy Rettig -- "Jeff" of the original "Lassie" TV series -- at 12. It's interesting that so many of his pre-Lassie roles were in musicals, especially since apparently he couldn't carry a tune. (Tony Butala, one of the founding members of "The Lettermen," provided his singing voice in this film.) One number, way ahead of its time -- in fact way ahead of THIS time -- makes as clear a protest as I've ever heard against adults who "push and shove us little kids around." A VERY YOUNG Hans Conried as the conceited villain will have you laughing out loud, and references to the atomic bomb should be understood in the context of a year when thousands of people were digging large holes in their back yards. Watching this movie is a real and rare treat.
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