The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his ... See full summary »
A hermit, known as the Grinch hates Christmas and is tired of the Whos of Who-ville celebrating it. This year, he plans to steal it from them. Features the illustrations from the book accompanied by narration.
The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his dictatorial nature. Bart feels Dr. Terwilliker has undue influence for these lessons on his widowed mother, Heloise Collins. The one person who sympathizes with Bart, although quietly on the sidelines, is the Collins' plumber, August Zabladowski. Bart hates his life associated with the piano so much he often daydreams when he practices and even during his lessons. His latest dream has him imprisoned in the fantastical Terwilliker Institute in the day before its grand opening. Terwilliker's second in command at the Institute is his mother, although she has been hypnotized into her position, which will also soon be as Mrs. Dr. Terwilliker. Bart tries to convince Mr. Zabladowski, who is there to install the Institute's plumbing, to save his mother and himself from Terwilliker. Bart also hopes that Zabladowski ... Written by
When Bart and Mr. Zadlabowski are taken to the dungeon via elevator, there is no reference to a third floor dungeon by the Elevator Operator. The third stanza of the Elevator Operator's song was cut due to increasingly horrific lyrics referring to "household appliances". The complete deleted stanza went as follows: "Third floor dungeon/Household appliances/Spiked beds/Electric chairs/Gas chambers/ /Roasting pots/And scalping devices." (The reference to "gas chambers" was probably regarded as in bad taste since the film was made so soon after World War II and the Holocaust.) See more »
Throughout the whole of the instrumental scene, with the various performers, there are so many continuity, revealing and a/v mismatch goofs that it would be impossible to record them all. See more »
[singing "Because We're Kids"]
Now just because we're kids, Because we're sort of small, Because we're closer to the ground, And you are bigger pound by pound, You have no right, you have no right, To push and shove us little kids around... Now just because your throat has got a deeper voice, And lots of wind to blow it out, At little kids who dare not shout, You have no right, you have no right, To boss and beat us little kids about... Just because you've whiskers on your face to shave, You ...
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Real adventure, real entertainment, and a real message.
What a pity they don't make films like this anymore for children, and an even greater pity that if they did no one would watch them. This wonderful music-and-dance fantasy tale harks from the days when there actually was a "culture," and at least some movie makers, and some parents, felt it was their responsibility to pass that culture on to the next generation. The screenplay for "Dr. T" was written by none other than Dr. Seuss, including the songs, and is delightful from beginning to end. The story, about a boy who dreams that his mean piano-teacher runs a surrealistic prison-school, is an adventure that holds the attention of young and old, and the excellent performances of Peter Lind Hayes and Mary Healy provide the "love interest" for those who find that necessary. The protagonist is played by Tommy Rettig -- "Jeff" of the original "Lassie" TV series -- at 12. It's interesting that so many of his pre-Lassie roles were in musicals, especially since apparently he couldn't carry a tune. (Tony Butala, one of the founding members of "The Lettermen," provided his singing voice in this film.) One number, way ahead of its time -- in fact way ahead of THIS time -- makes as clear a protest as I've ever heard against adults who "push and shove us little kids around." A VERY YOUNG Hans Conried as the conceited villain will have you laughing out loud, and references to the atomic bomb should be understood in the context of a year when thousands of people were digging large holes in their back yards. Watching this movie is a real and rare treat.
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