The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his ... See full summary »
Horton the elephant agrees to watch over lazy Maisie bird's egg while she vacations. Much later, after standing (and sitting) guard 100-percent faith- fully through rain and snow, Horton ... See full summary »
A nosy reporter wants to find out all she can about Dr. Seuss, aka Ted Geisel, and gets told the real facts by several of his characters, with large snippets of his stories and songs ... See full summary »
There have been numerous film adaptations of "Alice's Adventures in Wonderland", over the years. This one which was produced, written and directed by Jonathan Miller in 1966 for the BBC, is... See full summary »
Jo Maxwell Muller
The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his dictatorial nature. Bart feels Dr. Terwilliker has undue influence for these lessons on his widowed mother, Heloise Collins. The one person who sympathizes with Bart, although quietly on the sidelines, is the Collins' plumber, August Zabladowski. Bart hates his life associated with the piano so much he often daydreams when he practices and even during his lessons. His latest dream has him imprisoned in the fantastical Terwilliker Institute in the day before its grand opening. Terwilliker's second in command at the Institute is his mother, although she has been hypnotized into her position, which will also soon be as Mrs. Dr. Terwilliker. Bart tries to convince Mr. Zabladowski, who is there to install the Institute's plumbing, to save his mother and himself from Terwilliker. Bart also hopes that Zabladowski ... Written by
According to producer Stanley Kramer, the film's budget would only allow him to hire 150 boys for the piano sequence, instead of the 500 boys he intended to use. When he threatened them with dismissal after they misbehaved, many of them stood up and cheered. See more »
In the first scene in the Tewilliger institute, Dr. T. buttons his jacket closed after putting his baton away. Immediately after in the long shot, his jacket is open, then in a closer shot, it's buttoned again. See more »
[singing "Because We're Kids"]
Now just because we're kids, Because we're sort of small, Because we're closer to the ground, And you are bigger pound by pound, You have no right, you have no right, To push and shove us little kids around... Now just because your throat has got a deeper voice, And lots of wind to blow it out, At little kids who dare not shout, You have no right, you have no right, To boss and beat us little kids about... Just because you've whiskers on your face to shave, You ...
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Well I never. I have just had the pleasure of watching this film on Channel 4 in the UK. Its a damp and dreary Friday afternoon and this wacky exercise in surrealism has just been broadcast and has certainly put a smile on my face. What a storyline. What a set. What acting. This is a gem of a film which I had never heard of till today. It is a real departure from your average 1950s family film. Through the whole duration the film swings between brilliance and total whack. The madness of Dr Seuss comes across so well, especially when you jack up the colour a few notches :-) I am led to believe that Dali had a hand in the design of the sets. That in itself is enough to get me watching. I was surprised at the amount of reference to this movie I have actually experienced without realising it. For example, the Uk is presently showing an add for "frank" which is a recreational drug use/misuse information service available to the public. It uses a character who is undoubtedly based on Bart to do so. As a fan of surrealism I totally enjoyed the spooky weirdness of this mindbending musical. Just sad I didn't record it as I see it isn't available in European pal DVD format. Doh.
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