The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his ... See full summary »
The story of a little boy who would only talk in sound effects. With story by Dr. Seuss (and Bill Scott of Rocky and Bullwinkle fame) this cartoon won the Oscar for best short subject (animated) for 1950.
A boy comes across a white-haired wild horse in the Camargue. Ranchers seek to capture the horse, but it escapes. What will happen as the boy sets out to find the horse again? The film is ... See full summary »
The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his dictatorial nature. Bart feels Dr. Terwilliker has undue influence for these lessons on his widowed mother, Heloise Collins. The one person who sympathizes with Bart, although quietly on the sidelines, is the Collins' plumber, August Zabladowski. Bart hates his life associated with the piano so much he often daydreams when he practices and even during his lessons. His latest dream has him imprisoned in the fantastical Terwilliker Institute in the day before its grand opening. Terwilliker's second in command at the Institute is his mother, although she has been hypnotized into her position, which will also soon be as Mrs. Dr. Terwilliker. Bart tries to convince Mr. Zabladowski, who is there to install the Institute's plumbing, to save his mother and himself from Terwilliker. Bart also hopes that Zabladowski ... Written by
When the boys are checking into Dr. T's piano prison, the kid immediately behind Bart identifies himself as Kim Charney, same name he used during brief career as child/teen actor. See more »
When Bart climbs the huge ladder to escape the guards, when he jumps off of the ladder, you can clearly see a thick wire holding him. See more »
This is my day! 5,000 little fingers, all playing together on my piano! Every finger obedient to the whim of me, the master! Every infinitesimal, microscopic piece of living tissue of those 5,000 little fingers, cringing and trembling and groveling before me! Before me, Dr. Terwilliker, as I raise my baton! We shall play... raise hands! We shall play the most beautiful piece ever written! I wrote it. Ten Happy Fingers! A one, and a two, and a three, and a play!
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I saw this when I was about 5 years old and the images were burned into my brain. Images created by Dr. Seuss! I especially remember the Twilliker Institute, with it's electrified Barbed Wire Fence...
And the curved ladder into the sky... And all of he strange and wonderful musical instruments played by the prisoners in the dungeon. And the costumes that possibly inspired the makers of Star Trek, the hoods in this film look like the Original Klingons (Without the forehead makeup).
And the wonderful music and dancing and the insane lyrics written by Dr Seuss! Seeing this film at an early age definitely affected me... And it also made me afraid of music teachers. But it was not music teachers but Normality and Forced Peer Pressure I despised- The being told. HOW to dress, HOW to talk, HOW to walk, HOW to live! This film is, as Groucho Marx says: Is "Against That." What this film is for, is free musical expression, and free speech. This film teaches us, that not all people talk or look the same way. And the ever growing popularity of this film shows us a great deal about our societies: 30 years ago, freedom of expression was NOT encouraged, but now it is.
This film will forever be on the front lines of free speech, and it is probably one of the most important films ever made, due to the fact that a child can figure this out about the film, that it is about freedom.
And the biggest mistake regarding this film is by parents who insist that "This is a movie not intended for children" or that the film is not appropriate for children: I can say with 100% assurance that this is false, that I saw this film when I was a small child and I believe I benefited from the experience. This film should be shown to small children, but with discretion because some of the images can frighten a child: But because my parents were in the room I did not get frightened by the imagery.
The way this film is shown to a child can affect a child's creativity forever- And if the child is frightened, well then they can always watch it later. I was mortally afraid of Mr. Magoo cartoons until I was about 3 years old, the noise frightened me. But about 1 year after I was frightened by the introduction to a Mr. Magoo cartoon, I saw this, with my brother and parents, and we all loved it.
What is amazing was the almost 100% negative reaction to this film by the critics of the time, and we can thank whatever deities that they were 100% wrong.
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