The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his ... See full summary »
The bane of adolescent Bart Collins' existence is the piano lessons he is forced to take under the tutelage of Dr. Terwilliker, the only person he admits he detests because of his dictatorial nature. Bart feels Dr. Terwilliker has undue influence for these lessons on his widowed mother, Heloise Collins. The one person who sympathizes with Bart, although quietly on the sidelines, is the Collins' plumber, August Zabladowski. Bart hates his life associated with the piano so much he often daydreams when he practices and even during his lessons. His latest dream has him imprisoned in the fantastical Terwilliker Institute in the day before its grand opening. Terwilliker's second in command at the Institute is his mother, although she has been hypnotized into her position, which will also soon be as Mrs. Dr. Terwilliker. Bart tries to convince Mr. Zabladowski, who is there to install the Institute's plumbing, to save his mother and himself from Terwilliker. Bart also hopes that Zabladowski ... Written by
When Bart and Mr. Zadlabowski are taken to the dungeon via elevator, there is no reference to a third floor dungeon by the Elevator Operator. The third stanza of the Elevator Operator's song was cut due to increasingly horrific lyrics referring to "household appliances". The complete deleted stanza went as follows: "Third floor dungeon/Household appliances/Spiked beds/Electric chairs/Gas chambers/ /Roasting pots/And scalping devices." (The reference to "gas chambers" was probably regarded as in bad taste since the film was made so soon after World War II and the Holocaust.) See more »
It is clear in some scenes that Bart is not really playing the piano: sometimes he misplaces his fingers, sometimes he does not move his fingers correctly, sometimes he even fails to press down the keys. See more »
A little boy battles an evil piano teacher out to rule the world.
An alienated boy misunderstood by his parents at home rebels against an exacting piano teacher whom he finds out has a sinister plot to rule the world.
I remember it best for its plaintive song "You Have No Right to Push Us Kids Around" later revived by Jerry Lewis in his TV appearances. The song is a cry about the angst of childhood. Part of the lyrics goes something like this: "Just because you have hair on your chest doesn't mean you're the best. Just because you have stayed longer on this planet doesn't mean you own it. You have no right to push us kids around just because we're closer to the ground." Under the megalomaniac piano teacher's plan, all children would be condemned to an eternity of piano practice trying to catch up with the ever increasing beat of a metronome. Spectacular "blow up" endings such as in James Bond movies satirized by Don Adams (Maxwell Smart) or even Mike Myers (Austin Powers) must have taken inspiration from this very early attempt at such.
Much belatedly did I find out that this story is by the revered "Dr." Seuss (he is not a real doctor you know) famous for witty, whimsical stories written in cute rhyming verses about outlandish animals (Green Eggs and Ham, Cat in a Hat)but praised by educators for their effectiveness in getting children to read. Seuss deserves Ph.Ds in education, psychology and literature even posthumously.
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