4 items from 2017
Bindi Irwin and Chandler Powell are the poster couple for young love.
On Tuesday, the Dancing With the Stars alum shared a sweet photo of her boyfriend driving at dusk along with an even sweeter message. "This is one of my favorite photos of you @chandlerpowell. Thank you for being such a light in my life," she captioned the pic of Powell. "You are there for me during the challenging times and the beautiful moments. »
What do an itinerant elephant in Thailand, a time capsule, a teenage girl on a mystic journey in Japan and a civil servant facing eviction have in common? They are the latest creative products of Singapore’s most promising female directors.
The works of Kirsten Tan (“Pop Aye”), Tan Pin Pin (“In Time to Come”), Nicole Midori Woodford (“You Are There”) and Wong Chen-Hsi (“City of Small Blessings”) reflect a fascination with temporality, loneliness, and quest for national identity and personal roots.
“Pop Aye” follows a Bangkok architect taking his elephant back to their native province. The project participated at Atelier Cinefondation and won the script prize at Sundance’s World Dramatic Competition. Dubai-based Cercamon handles world sales and clinched deals in 14 territories including the U.S.
The film was shot all over Thailand using local cast and crew led by veteran producer Soros Sukhum. Before making films, Tan spent »
- Maggie Lee
This first feature of Kirsten Tan premiered in Sundance ‘17 World Cinema Dramatic Competition. Its provenance is Singapore but it takes place in Thailand. It continued onward to the Hivos Tiger Competition at Iffr (R’dam).
The thrill of interviewing here in Sundance is that you see a film; you have an impression and while it is still fresh you meet the filmmakers without having much time for any research or reflection. And then you get to see them again as “old friends” when you meet again in Rotterdam.
As Kirsten, her producer Weijie Lai and I sat down at the Sundance Co-op on Main Street here in Park City, I really had little idea of where the interview would take us, somewhat analogously to her film in which an architect, disenchanted with life in general, being put aside as “old” in his own highly successful architectural firm and in a stale relationship with his wife, »
- Sydney Levine
One of 2016’s best documentaries is another look at a seminal moment in America’s struggle with crime and violence. Like many previous docs, it’s an examination of a mass murder. Now basic cable TV channels (and network “newsmagazines”) are filled with such, now almost commonplace, events. What makes this film unique is the subject, namely the very first mass shooting just over fifty years ago. The other aspect that makes this work is special is its approach and use of a high-tech upgrade of a movie device that dates back over 90 years. This enables the film makers to expertly transport us to that hot summer day in 1966, as a madman spewed death from the top of a college Tower.
Director Keith Maitland, like many documentarians, makes use of archival news footage and radio recordings to convey the horror of Charles Whitman’s rampage at the University of Texas. »
- Jim Batts
4 items from 2017
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