| Walter Cronkite | ... | Himself - Host - Narrator / ... (113 episodes, 1953-1971) |
Series Directed by | |||
| Sidney Lumet | (10 episodes, 1953-1955) | ||
| Bernard Girard | (9 episodes, 1953-1955) | ||
| William D. Russell | (4 episodes, 1956-1957) | ||
| Jack Gage | (3 episodes, 1955) | ||
| John Frankenheimer | (1 episode, 1954) | ||
Series Writing credits | ||
| Jack Bennett | (3 episodes, 1956-1957) | |
| Jeremy Daniel | (2 episodes, 1953-1954) | |
| E. Jack Neuman | (2 episodes, 1953-1954) | |
| Leslie Slote | (2 episodes, 1953) | |
| Maury Stern | (2 episodes, 1954-1955) | |
| Don Clark | (2 episodes, 1955-1956) | |
| Bernard Girard | (2 episodes, 1955-1956) | |
| Leo Davis | (2 episodes, 1955) | |
| Walter Bernstein | (unknown episodes) | |
| Shirley Gordon | (unknown episodes) | |
| Saul Levitt | (unknown episodes) | |
| Arnold Manoff | (unknown episodes) | |
| Howard Merrill | (unknown episodes) | |
Series Produced by | |||
| James Fonda | .... | producer (10 episodes, 1953-1957) | |
| Charles Russell | .... | producer (5 episodes, 1953-1955) | |
Series Cinematography by | |||
| Eddie Fitzgerald | (5 episodes, 1953-1955) | ||
| J. Burgi Contner | (3 episodes, 1955) | ||
| Lloyd Ahern | (3 episodes, 1956-1957) | ||
Series Film Editing by | |||
| Buddy Small | (3 episodes, 1953-1955) | ||
| Lora Hays | (3 episodes, 1955) | ||
| Richard Cahoon | (3 episodes, 1956-1957) | ||
Series Casting by | |||
| Joe Scully | (unknown episodes) | ||
Series Production Design by | |||
| Bob Markel | (1 episode, 1953) | ||
Series Art Direction by | |||
| William Ferrari | (5 episodes, 1953-1955) | ||
| Bob Markel | (3 episodes, 1955) | ||
| Lewis H. Creber | (2 episodes, 1956-1957) | ||
| Lyle R. Wheeler | (2 episodes, 1956-1957) | ||
Series Set Decoration by | |||
| Rudy Butler | (5 episodes, 1953-1955) | ||
Series Costume Design by | |||
| Oscar Rodriguez | (3 episodes, 1953-1955) | ||
| Mary Merrill | (3 episodes, 1955) | ||
| Dick James | (2 episodes, 1956-1957) | ||
Series Makeup Department | |||
| Carmen Dirigo | .... | hair stylist (5 episodes, 1953-1955) | |
| Jack P. Pierce | .... | makeup artist (5 episodes, 1953-1955) | |
| George Fiala | .... | makeup artist (2 episodes, 1955) | |
Series Production Management | |||
| Walter Blake | .... | production supervisor (8 episodes, 1953-1955) | |
| Sidney S. Van Keuren | .... | production manager (5 episodes, 1953-1955) | |
| George Justin | .... | production supervisor (3 episodes, 1955) | |
| J. Paul Popkin | .... | production supervisor (3 episodes, 1956-1957) | |
Series Second Unit Director or Assistant Director | |||
| Richard Dixon | .... | assistant director (5 episodes, 1953-1955) | |
| Charles H. Maguire | .... | assistant director (3 episodes, 1955) | |
| Wilbur McGaugh | .... | assistant director (2 episodes, 1956-1957) | |
| Jack Fitzstephens | .... | second second assistant director (unknown episodes) | |
Series Sound Department | |||
| Joel Moss | .... | sound (4 episodes, 1953-1955) | |
| Frank Webster | .... | sound (3 episodes, 1953-1955) | |
| Edward J. Johnstone | .... | sound supervisor (3 episodes, 1955) | |
| Philip Mitchell | .... | sound (2 episodes, 1953-1955) | |
| Bernard Freericks | .... | sound (unknown episodes) | |
Series Editorial Department | |||
| Art Seid | .... | supervising editor (3 episodes, 1956-1957) | |
Series Other crew | |||
| Valerie Sharaf | .... | production assistant (2 episodes, 1955) | |
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| The Crucible | Maid of Salem | Gettysburg: Darkest Days & Finest Hours | The Scarecrow | The Crucible |
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I somehow stumbled upon this looking at the bio of director John Frankenheimer, and thought I'd throw in a quick review, just to see if I can stir up anybody else's memory.
These "films" (and I use that term loosely) were shown to me in the mid-1960's during elem. history class, and they were about on par with the "Mr. Bungle" series Pee-Wee Herman used to feature on his show. Each black and white episode was introduced by Walter Cronkite "embedded" right in the middle of some historical event, and it was all downhill from there. Bad acting eliciting snickers and catcalls from 3rd graders is most-likely not something Mr. Frankenheimer featured prominently on his resume', but he was probably more proud of these than THE ISLAND OF DR. MOREAU!