| Videos (see all 2) |
| Judd Holdren | ... | Larry Martin | |
| Aline Towne | ... | Sue Davis | |
| Wilson Wood | ... | Bob Wilson | |
| Lane Bradford | ... | Marex | |
| Stanley Waxman | ... | Dr. Harding | |
| John Crawford | ... | Roth | |
| Craig Kelly | ... | Mr. Steele | |
| Ray Boyle | ... | Shane | |
| Leonard Nimoy | ... | Narab | |
| Tom Steele | ... | Thug in Launch [Ch. 3] / Truck Driver [Ch. 8] | |
| Dale Van Sickel | ... | Peralta Junction Station Agent [Chs. 1, 10] | |
| Roy Engel | ... | Boat Charter Operator [Ch. 3] | |
| Jack Harden | ... | Kerr | |
| Paul Stader | ... | Dock Heavy [Ch. 7] | |
| Gayle Kellogg | ... | Dick the Rocketship Pilot | |
| Jack Shea | ... | Rocketship Guard [Ch. 2] | |
| Robert Garabedian | ... | Elah - Zombie Pilot | |
| rest of cast listed alphabetically: | |||
| Frank Alten | ... | Second Train Heavy [Ch. 1] (archive footage) (uncredited) | |
| Roy Barcroft | ... | Central Control Radio Operator [Chs. 1, 11] / Ross [Ch. 4] (voice) (uncredited) | |
| Davison Clark | ... | Ferndale Policeman [Ch. 5] (archive footage) (uncredited) | |
| Floyd Criswell | ... | Ferndale Policeman [Ch. 5] (archive footage) (uncredited) | |
| John Daheim | ... | Man (uncredited) | |
| Paul Gustine | ... | Plane Pilot [Ch. 4] (archive footage) (uncredited) | |
| Cactus Mack | ... | Gomez Siding Switchman [Ch. 1] (archive footage) (uncredited) | |
| George Magrill | ... | First Train Heavy [Ch. 1] (archive footage) (uncredited) | |
| Henry Rowland | ... | Dapper Gangster on Plane [Ch. 4] (archive footage) (uncredited) | |
| Robert Strange | ... | Sub Quartermaster [Ch. 7] (archive footage) (uncredited) | |
| Ken Terrell | ... | Man (uncredited) | |
| Norman Willis | ... | Sub Captain [Ch. 7] (archive footage) (uncredited) | |
| Clifton Young | ... | Ross - Smuggler Boss [Ch. 4] (archive footage) (uncredited) | |
Directed by | |||
| Fred C. Brannon | |||
Writing credits(in alphabetical order) | ||
| Ronald Davidson | written by | |
Produced by | |||
| Franklin Adreon | .... | associate producer | |
Original Music by | |||
| Stanley Wilson | |||
Cinematography by | |||
| John MacBurnie | (director of photography) | ||
Film Editing by | |||
| Cliff Bell Sr. | (as Cliff Bell) | ||
Art Direction by | |||
| Fred A. Ritter | |||
Set Decoration by | |||
| John McCarthy Jr. | |||
| James Redd | |||
Makeup Department | |||
| Bob Mark | .... | makeup supervisor | |
| Peggy Gray | .... | hair stylist (uncredited) | |
Production Management | |||
| Roy Wade | .... | unit manager | |
Sound Department | |||
| Dick Tyler Sr. | .... | sound (as Dick Tyler) | |
Special Effects by | |||
| Howard Lydecker | .... | special effects | |
| Theodore Lydecker | .... | special effects | |
| J. Lawrence Cassingham | .... | technical advisor (uncredited) | |
Stunts | |||
| John Daheim | .... | stunts (uncredited) | |
| George Magrill | .... | stunts (uncredited) | |
| Dale Van Sickel | .... | stunt double: Judd Holdren (uncredited) | |
Costume and Wardrobe Department | |||
| Adele Palmer | .... | wardrobe supervisor (uncredited) | |
Music Department | |||
| Robert Armbruster | .... | composer: stock music (uncredited) | |
| David Buttolph | .... | composer: stock music (uncredited) | |
| R. Dale Butts | .... | composer: stock music (uncredited) | |
| Anthony Collins | .... | composer: stock music (uncredited) | |
| Mort Glickman | .... | composer: stock music (uncredited) | |
| Ernest Gold | .... | composer: stock music (uncredited) | |
| Frank Perkins | .... | composer: stock music (uncredited) | |
| Jerry Roberts | .... | musical director (uncredited) | |
| Heinz Roemheld | .... | composer: stock music (uncredited) | |
| Nathan Scott | .... | composer: stock music (uncredited) | |
| Victor Young | .... | composer: stock music (uncredited) | |
Other crew | |||
| J. Lawrence Cassingham | .... | technical advisor | |
| John E. Baker | .... | vice president of studio operations (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This one (so to speak) is for lovers of the old Republic Serials, those incredibly silly (by modern standards) episodic films that kept our parents or grandparents coming back to the Saturday matinée week after week. Produced on budgets not much larger than Ed Wood ever had, and on sets sometimes recycled from film to film, they still offered a weekly dose of action and adventure in the days when those terms were not synonymous with earth-splitting explosions, computerized special effects, and "I'll be back." The plots were straightforward; of course, most a/a genre films are simple of plot even today, but there is something about these old cans of cheeze that satisfies more than constant viewings of "Terminatorsaur" and "Predatalienator". The goods guys wear white hats (so to speak) and smell good; the bad guys wear black hats and stink of cigarette smoke; and the simplicity of the 'fex are lovely in themselves. Yeah, things still blow up and burn down, but that is still a function of a/a films, I guess. The logic is, bigger isn't always better, and the serials prove the point.
In this Saturday-morning peanut-gallery special, the plan is for the aliens to blow up Earth, so that Mars can take its orbital place and get warm. Out to foil them is Larry, a "security agent," armed only with a .45 and a miraculous suit that lets him fly through the air just by twisting knobs (and jumping on a hidden trampoline for the initial takeoff). Can he stop the terrible zombies from completing their dastardly scheme before the train runs off the track, he gets burned in a raging inferno, or the movie runs out of reels? Return to the theater next week for the next exciting chapter...or just keep playing the tape. Get plenty of popcorn, settle in for a Saturday with the kids to introduce them to what film really was like, and keep your eyes open for Leonard Nimoy, sans ears and "Live Long and Prosper", in an early film appearance!
One of the best-remembered of the serials, as well as one of the last ones (Republic stopped producing them in the mid-Fifties or so; check a specialist film-history Web site). Warmly recommended to all, unless you have no tolerance for cheesy sci-fi. I only hope it comes out on DVD eventually, and with Nimoy to comment on it or do a special feature!