Rich Sadie Patch is marooned on a desert island after an emergency on her cruise-ship. With her are Irish stoker Pat, prickly young Jimmy Carrol, and bald and bookish Professor Gibble. All ... See full summary »
Amongst the bomb-sites and dark alleys of postwar London Roy Walsh and his gang of juvenile delinquents waylay and rob old ladies. Without parental control from his war-widowed doting ... See full summary »
Betty Ann Davies
The main story combines bits of Giovanni Boccaccio's own life (maybe and maybe not) with three of his most fabulous stories of love. It has Boccaccio following Fiametta to a country villa ... See full summary »
Three good men - a broken boxer, an American veteran trying to win back his mother-dominated wife, and an air force sergeant married to a faithless actress - are corrupted by Miles ... See full summary »
Two teachers, man-hungry Doris and restrained Marian, visit the Yorkshire moors a year after friend Evelyn disappeared there. On a stormy night, they take refuge in the isolated cottage of ... See full summary »
A group of very strange men, refugees and casualties of the war, rally round when one of their number is framed by a drug racketeer. Co-opting a well-known journalist to their cause, they ... See full summary »
A crime writer and his wife go for a break to a country cottage. They receive an unexpected visitor, the bossy Miss Tulip, who needs shelter for the night. In the morning there is a dead body in the house.
Director Leslie Arliss was no doubt aiming for a similar success to his wartime romantic hit, LOVE STORY. Both feature a memorable piece of specially written orchestral music, Hubert Bath's Cornish Rhapsody in the above and Kenneth Leslie Smith's Mansell Concerto here. It's just about the only worthwhile part of the movie.
Robert Mansell, the manager of his family of musicians, has an eye for the ladies and a complicated love life, as revealed in the divorce court. It's all presented in a terribly coy, buttoned-up British manner, Arliss's direction is flat and the dreadful script includes some atrocious dialogue. Edward Underdown, lacking entirely in star quality, comes across more like a contemporary suburban bank manager and the other members of the precious, squabbling, musical Mansell family soon become tiresome. Underdown/Mansell eventually finds his true love, played by American actress Cathy O'Donnell, and it seems a good match as she's just as dull as he is. Anton Diffring, usually in such sinister roles, is seen briefly as a knee-slapping Alpine dancer, looking as if he's thoroughly enjoying himself. Great as it is to see lots more British films of this vintage becoming available, in this case it is no surprise it languished unseen and forgotten for sixty years.
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