Sam and Felix are art thieves. Sam has just stolen a picture from a museum in Italy, but told Felix that it was lost in a boat accident. He wants copies made to sell while he will sell the ... See full summary »
In Colombia, mining engineer Rian Mitchell discovers Carrero, the lost emerald mine of the Conquistadors, but has to contend with notorious local bandit El Moro's gang and with coffee planter Catherine Knowland's love.
Burt served in the Marines during the war, but now he is confined to an asylum. His experiences in the South Pacific left him mentally ill and deathly afraid of storm clouds and rain. ... See full summary »
Mike is a great tuna fisherman though he lost a hand to a shark years earlier saving Pipes Boley. Now Mike is happily married to Quita and doesn't notice that Pipes and Quita are falling ... See full summary »
Edward G. Robinson,
The trustees of Midwestern University have forced three teachers out of their jobs for being suspected communists. Trustee Ed Keller has also threatened mild mannered English Professor ... See full summary »
Olivia de Havilland,
Jules Vincent, a happy-go-lucky, outgoing French Canadian trapper in the wild Northwest, befriends a beautiful Native American girl, and although he makes an enemy of bully Mike Brody, he agrees to travel with him. When Brody tries to kill them, Vincent kills him in self-defense. He is pursued by a by-the-book, idealistic Constable Pedley, who believes in the mounties' credo "we always get our man." The country is rugged and fraught with dangers like white water rapids, avalanches, wolf packs and desperadoes. After capturing Vincent, the inexperienced Mountie finds he is in no shape to get back to civilization without Vincent's help. Pedley is torn between fulfilling his duty and freeing the man who has saved his life. Written by
Filming could not take place across the Canadian border due to bad weather.It was scheduled to resume in June at actual sites of Constable Pedley's journey near Fort Chipewyan, Alberta, Canada. See more »
No human opens a Grizzly trap with his hands. They made a special tool that you used a pair of to compress the springs with. See more »
TCM just showed The Wild North today, in a version that had closed captioning added and looked as if it was digitally remastered since its last broadcast on TCM some years ago. Maybe Time-Warner will finally release the DVD of the movie in the near future. MGM in the early fifties turned out a series of high quality star vehicles, which were taken for granted then. With its small cast, The Wild North is like another movie of the period, The Naked Spur, which also deals with bringing a prisoner in. The Wild North has fine location photography in Idaho, a script that moves along and even some photographic effects courtesy of A. Arnold Gillespie. By 1956, with the forced sale of its Loew's theaters, the firing of Dore Schary as head of production and the end of contract system for studio talent, MGM went into a slow death spiral. There would be no more studio pictures like The Wild North, as MGM cut its output and filled a big chunk of its slate of releases with independent productions and movies made overseas. But at least I now have The Wild North on DVD, recorded from today's broadcast, as a souvenir from a vanished era in Hollywood history.
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