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Australian famer Kit Kelly and his new bride Anna are driving through Europe when they help a stranded motorist. They discover he is Antonio, a famous dancer. Upon learning that Anna was a ... See full summary »
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A 'Land Girl', an American GI, and a British soldier find themselves together in a small Kent town on the road to Canterbury. The town is being plagued by a mysterious "glue-man", who pours... See full summary »
Joan Webster is an ambitious and stubborn middle-class English woman determined to move forward since her childhood. She meets her father in a fancy restaurant to tell him that she will ... See full summary »
A re-editing of Gone to Earth (1950) after a disagreement and court case between director Michael Powell and producer David O. Selznick. Selznick's changes are mainly:- (1) Adding a prologue. (2) Adding scenes explaining things, often by putting labels or inscriptions on them. (3) Adding more close-ups of Jennifer Jones. He also deleted a few scenes that he felt weren't dramatic enough. Sadly some of these were major plot points so the story doesn't make as much sense as the original. In his autobiographies, Powell claimed that Selznick only left about 35 mins of the original film. In fact there's a lot more than that. About 2/3 of the original remains. Written by
Steve Crook <email@example.com>
about a wild child in rural England in 1897. Half gypsy, the girl (Jennifer Jones) worships nature, animals, superstitions, etc. but has an odd, eerie "one-ness" with the world. However, when sex enters the picture, her world spins out of control. A timid parson (Cyril Cusack) marries her but chains her to a sexless marriage. She runs off with a lusty squire (David Farrar) and lives in his ramshackle estate. Truly offbeat story, totally gorgeous cinematography by Christopher Challes, and good performances by all make this watchable. Sadly, the US version had 30 minutes lopped off and shows it. The Brit version, titled "Come to Earth" is supposedly superior. Symbolism is worthy of any good Lawrencian story where love is in opposition to nature and where sex can only survive outside marriage. Jones looks great. Oddly forgotten now, she was not your average leading lady, and like Meryl Streep or Glenn Close or Bette Davis, chose to play all sorts of "character" parts rather than be confined by Hollywood. Worthy of the Emeric Pressburger/Michael Powell canon; this might be a great film!
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