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Where's Charley? (1952)

6.2
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Ratings: 6.2/10 from 102 users  
Reviews: 11 user | 1 critic

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Title: Where's Charley? (1952)

Where's Charley? (1952) on IMDb 6.2/10

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Cast

Credited cast:
...
...
Amy Spettigue (as Allyn McLerie)
Robert Shackleton ...
Horace Cooper ...
Margaretta Scott ...
Howard Marion-Crawford ...
Mary Germaine ...
Henry Hewitt ...
H.G. Stoker ...
Wilkinson
Martin Miller ...
Photographer
Rest of cast listed alphabetically:
Graham Leaman ...
Student
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Storyline

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Plot Keywords:

based on play

Genres:

Comedy | Musical

Certificate:

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Details

Country:

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Release Date:

24 October 1952 (Finland)  »

Also Known As:

La marraine de Charley  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(RCA Sound System)

Color:

(Technicolor)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The Broadway production opened at the St. James Theater on October 11, 1948 and ran for 792 performances. Ray Bolger Allyn Ann McLerieand Horace Cooper reprised their roles in the movie version. See more »

Connections

Version of La zia di Carlo (1913) See more »

Soundtracks

ONCE IN LOVE WITH AMY
Written by Frank Loesser
Performed by Ray Bolger
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User Reviews

Accept the staginess, and enjoy
26 March 2001 | by See all my reviews



Ray Bolger gets to re-create his most famous stage role, right down to the audience-participation gimmick in "Once In Love With Amy." The George Abbott-Frank Loesser stage hit was a little ramshackle to begin with, and there's plenty to complain about in this adaptation, if you're ornery: It's stagy, with too-elaborate choreography. (The opening number, with the stylized dance steps played against the natural setting, looks terribly stilted.) Bolger, great as he is, isn't remotely convincing as an Oxford undergrad -- twice the right age, and with an accent that goes in and out. Some good songs from the stage version are missing, notably "Lovelier Than Ever." David Butler directs with his usual dull competence.

But there's Bolger's eccentric dancing, not only wonderful itself but a valuable historical link to a theatrical style that was old by the time Bolger appropriated it (think Montgomery and Stone, and all their imitators). There's a fun, unpretentious "dream ballet" set in Brazil, sort of like MGM's "The Pirate" as reimagined with a Warners-cartoon sensibility. The old "Charley's Aunt" plot still plays, the Technicolor is pretty, the production is handsome. And one mystery: How does someone as pretty, charming, unaffected, talented, and spirited as Allyn McLerie not get to be a movie star?


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