Van Johnson's character is a congressman. Reporter Alice Kingsly arrives in Washington D.C. determined to uncover a tabloid-worthy scandal, and chooses Representative Joseph "No Comment Joe... See full summary »
Rich playgirl Kit Jordan (nee Katherine Lawson Chandler) is in Acapulco vacationing with her current husband, Pete Jordan, formerly an American beach boy working the Acapulco shores for ... See full summary »
A military doctor in Berlin is falsely accused of illegal dealing in drugs. Determined to prove his innocence, he escapes from the MPs and ends up holding up in the apartment, rented by his... See full summary »
The fanatical son of a Nazi General leads a squad of German commandos, disguised as American Troops, behind the lines in order to sabotage the Allied Forces. Stars Van Johnson, Kerwin Matthews, Dick York and Larry Storch.
A private eye escapes his past to run a gas station in a small town, but his past catches up with him. Now he must return to the big city world of danger, corruption, double crosses and duplicitous dames.
Steve Cochran plays the slick, debonair owner of a notorious gossip magazine who is anxious to break a big scandal to reverse a recent decline in sales. He zeroes in on children's ... See full summary »
Van Johnson's character is a congressman. Reporter Alice Kingsly arrives in Washington D.C. determined to uncover a tabloid-worthy scandal, and chooses Representative Joseph "No Comment Joe, the human clam" Gresham as her target. However, problems arise when the senator's wholesome image looks to be true and Alice becomes torn between her desire for a scandalous story and her growing attraction to Gresham. Written by
DC romance with dash of drama says much about politics in '52
Washington Story promises to be a lot grittier than it ends up being, but this non-Red-scare movie nonetheless says a lot about America during the height of the Red scare (1952, actually). Van Johnson plays a hard-working, honest congressman who runs foul of a venomous columnist. The columnist sets an idealistic young reporter (Patricia Neal) on him to dig up, or manufacture, dirt. At first wary, the two grow -- naturally -- close, only to draw apart from unfounded suspicions. The appeal of Johnson and Neal make this a passable diversion, and there's some nice observation of the Georgetown cocktail-party circuit and of close friendships between ideologically incompatible colleagues, but the underlying message is never far from the surface: It's unpatriotic to talk against the "Government," and the press is nothing but a pack of subversive malcontents.
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