Reviews & Ratings for
Viva Zapata! More at IMDbPro »

Filter:

Best Chronological Prolific Authors Loved It Hated It Hide Spoilers:

Page 1 of 4:

[1] [2] [3] [4]

Index

39 reviews in total

---

26 out of 33 people found the following review useful:
Poetic, powerful and moving..., 5 November 2003

Author: ironside (robertfrangie@hotmail.com) from Mexico

*** This review may contain spoilers ***

Elia Kazan will be remembered as the director of some of the most vivid film performances of the fifties... In 'Viva Zapata', Kazan's 'Method' style of acting is applied to John Steinbeck's screenplay that power inevitably corrupts, with Brando again charismatic as the doomed Mexican revolutionary...

Kazan, not only shows us the extremely unpleasant world of poverty where life is hard, short and brutish, but also the story of the agrarian rebel who was Pancho Villa's first revolutionary ally...

Kazan paints a convincing emotional portrait of a mythical figure, who is considered as the 'Wind that swept Mexico.' Kazan explores a facet of the Mexican history, describing the reasons for the revolution fought by Zapata, and works on basic emotions as passion, anger, fear, aggression, ignorance and wisdom...

Brando projects the dedication and the anguish of an inspiring rebel... He portrays the illiterate Mexican peasant revolutionary who for ten years led Guerilla uprisings against dictators and presidents... Brando plays the part with fervor and passion, even transforming his features with special makeup and fake mustache to look amazingly like the Guerilla leader... For his performance, he was nominated for his third consecutive Oscar, but Gary Cooper won for 'High Noon'.

Anthony Quinn gives an effective portrayal of Eufemio Zapata , the swaggering, lecherous, bullying brother, and wins his first Academy Award as Best Supporting Actor... Through his consummate acting skills, Quinn creates in Eufemio a strongly characterization which, despite its brevity, was not overshadowed by Brando's Zapata...

Jean Peters portrays the typical educated girl of the village who falls in love with the wild man of the hills and marries him...

The film begins near the close of the 34th year reign of President Porfirio Diaz (Fay Roope) where a delegation of Indians from the State of Morelos have come to the capital for an audience with the great dictator... There they make known their strong objections over the stealing of their lands by the wealthy, powerful estate barons... Diaz addresses them paternally and instructs them they must examine their boundaries before they bring legal action, something he knows they are incapable of doing...

Burning with a sense of injustice, the simple Emiliano Zapata directs the president's attention to this point, requesting his consent to cross the railing of wires...

President Diaz was disturbed by the persistent Zapata and on the sheet of paper listing his visitors, he unpleasantly circles the name of this one humble man who has really came for 'something.'

Some time later Emiliano and his brother lead the farmers in a general inspection through their expropriated fields and as they do so, a squad of Diaz militia attack them, shooting and cutting down men, women and children indiscriminately...

Zapata and some of his followers fight back, and retreat to a mountain hideout... There they are located by a sly political agitator, a newspaperman named Fernando Aguirre (Joseph Wiseman), who brings news of Francisco Madero (Harold Gordon), exiled in Texas...

Zapata sends his friend Pablo (Lou Gilbert) to interview Madero and find out if he is worth following...

One day, and in a church, Zapata risks his life to speak of truth, and of love... But the pretty brunette Josefa (Jean Peters) rejects him, even though she admits to being attracted to him, and tells him he must improve his social position before she might think out his proposal...

When Espejo (Florenz Ameo) refuses to consider him as a suitor to his daughter, Zapata angrily leaves his house... He is immediately arrested by policemen and led away with a rope around his neck...

As the mounted police walk him behind their horses through the countryside they are gradually joined by peasants, who silently march along... The group increases into a huge number of farmers... Zapata comes to a realization, that the peasants have chosen him as their leader and that he has no course but to accept... Destiny has singled him out...

'Viva Zapata!' received 5 Academy Award Nominations...It is a greatly entertaining film, excitingly directed by Kazan who made its action sequences so intense and who permitted his actors full scope in developing their characters...

---

26 out of 36 people found the following review useful:
¡Viva esta pelicula!, 20 July 2001

Author: artzau from Sacramento, CA

This film is one of my favorites. I remember vividly seeing this film as a high school student. I was impressed with it then and am impressed with it today. It's still wonderful...but, then, why shouldn't it be? The performances of Brando, Peters, Quinn, Wiseman and others is still breathtaking, but Quinn and Brando steal the show from the get-go. This is one of Brando's finest roles and while Quinn always outdoes himself (even in that god-awful Walk in the Clouds), he IS Eufemio Zapata. There are few reviews here of this film and one reviewer has completely missed the point, but no matter. The film stands on its own and there's always someone to complain at excellence. This script came from none other than Steinbeck and the photography and background is likewise excellent. Is it accurate historically? Well, there are a few embellishments but the thrust of the film is not marred by any deviations from recorded history. This is portrayal of a people's struggle, one which continues today and doesn't pretend to be a chronicle of the actual events that took place in Mexico. As a film, this stands on its merit as a superb work of art. The acting is wonderful. While one reviewer found the music to be like the kind you hear while eating a combination plate on Olvera Street in LA, I might point out, that's what Mexican music is. Rent this film. While it is listed as not being available, I rented it recently and watched it again, for the nth time, as indeed, I plan to watch n times again.

---

16 out of 21 people found the following review useful:
A collaboration of giants, 11 December 2005

Author: david-greene5 from North Huntingdon, PA, U.S.A.

When I read so many of the comments on this film featured here, I find it difficult to understand how so many viewers fail to appreciate the incredible nature of the collaboration that produced it. The very idea of a motion picture scripted by John Steinbeck, directed by Elia Kazan, scored by Alex North, starring Marlon Brando, co-starring Anthony Quinn........this is an almost unbelievable gathering of artistic giants.

Taste in movies varies and thus one can be certain that some will not respond positively even to this one. After over five decades of movie-going, I can look back and remember precious few pictures that rise to the high level of excellence to be found in "Zapata". With its spellbinding storytelling, superb cast in top form, its insightful examination of issues which are still crucially relevant today, I can not fathom why some would not praise it.

Like a long list of really fine titles that endlessly persist in remaining unavailable in DVD release, this film has me wondering once again why, in the vastness of the internet, one can not discover the reason why this major Brando star-vehicle continues to be withheld from circulation. Is such information so impossible to find that no one can unearth it?

You can tell from reading the viewer comments that not everyone will agree on this, but I would suggest that anyone who appreciates literate, superbly crafted classic motion pictures should make every effort to see this one. I wish I could invite you all to a great gala screening of it. I know you would be dazzled by its splendor.

---

17 out of 23 people found the following review useful:
MY Favorite Movie, 24 October 2004

Author: herb-55 (herb@rudeassociates.com) from New York, NY

this was Marlon Brando and Anthony Quinn at their best ---the entire supporting cast was superb.

Steinbeck hadn't written anything as powerful as this since he did his tale of the Okies during the depression. Zapata is truly one of the great heroes of the 20th century, and Brando captured this along with the frustration of trying to do the right thing and yet being hamstrung by the bureaucrats who manage to survive every change in government, no matter which way in turns.The final scene in the movie leaves Zapata as a legend --- did he die, or does he still live to help the millions of peons in Mexico.

Elia Kazan's direction was terrific.

---

21 out of 31 people found the following review useful:
A very fine forgotten film, 21 June 2003

Author: Hans Dullaart (JGDullaart@zonnet.nl) from Delft, Netherlands

I saw Viva Zapata 50 years ago, when I was 15. And all those years I hoped to see it again sometime. But in the Netherlands it's not available on VHS or DVD. I remember the great performance of Marlon Brando as Zapata. And how I hated Wiseman who played the ultimate traitor. In a magazine I read that Brando, before they shot the picture, spent several weeks in a remote Mexican village to learn the habits of the Mexicans, and he WAS a Mexican in the film! What a performer! I do hope to see once again some day! 9 out of 10.

Hans Dullaart Delft Netherlands.

---

17 out of 24 people found the following review useful:
The poor striving for rights that still goes on, 27 June 2001

Author: lora64 from Canada

I'm no expert on the historical facts of the 1911 Revolution but can appreciate this movie's absorbing tale just as it stands. The photography is notably excellent and draws you into the story more and more. I think Brando as the illiterate peasant leader does a superb job of carrying the film along, creating the tender or serious moods that make for compelling drama throughout. I've always admired Jean Peters in any movie and her sensitive acting poignantly rounds out the love interest so well. Of course Quinn is his usual volcanic self, and in this instance garnered an Oscar as best supporting actor. It's a serious and sad tale about a real-life struggle of the people.

---

9 out of 10 people found the following review useful:
Emiliano Zapata 1879-1919, 22 April 2008

Author: bkoganbing from Buffalo, New York

Although in fact Emiliano Zapata never became president of Mexico, for the most part this is a pretty good account of the illiterate peasant who became a romantic revolutionary. For this portrayal in his third film Marlon Brando got a second Academy Award nomination for Best Actor, but lost to Gary Cooper for High Noon.

And as a film concerning the turmoil in Mexico during the teen and twenty years of the last century Viva Zapata! is far better than MGM's Viva Villa that starred Wallace Beery. Then again Marlon Brando is a much better actor.

One critical thing that was left out of the story is how much land the Roman Catholic Church held in Mexico. It was not just the rich Estancias that kept the masses in Mexico in peonage, the Church had a really big share of the real estate there. If the story were written today the Church's involvement would be shown. My guess is in the years of the Cold War and the height of Joe McCarthy, no one in Hollywood wanted to make a film that criticized the church in any way. But even a few years earlier the overreaction against the church was done in the John Ford film, The Fugitive which takes place within 10 to 20 years after Zapata died.

Zapata as played by Brando may be illiterate, but he is possessed of a simple eloquence and a charisma that made him a revolutionary figure, in the same manner Che Guevara became forty years later. He tries hard to hold to the ideals of the revolution, but finds as most do that tearing down a government is relatively easy, building one from scratch is a task that has defeated many.

Anthony Quinn plays Emiliano's swaggering brother Eufemio who's not quite as idealistic as Brando. Quinn received first Academy Award for Best Supporting Actor for the part. Quinn fills the screen with his bluster when he's on, it provides a perfect counterpoint to Brando's more idealistic role.

The guy who never gets praise for his performance is Joseph Wiseman. Wiseman, a product of the Actor's Studio in New York like Marlon Brando. This is a man whose type I've come across in numerous endeavors in my life, a professional stirrer of resentments. He's not happy unless there's some kind of battle going on. A type mind you that is ultimately dangerous for any movement. He intrigues for the sake of intrigue, but never accomplishes anything. It's a very good job by Wiseman, not often talked about for some reason.

Besides Quinn's Oscar and Brando's nomination, Viva Zapata! got Oscar nominations for Best Art&Set Direction for black and white film, Best music, and Best Screenplay. The last would have been a great honor for John Steinbeck, I'm not sure how many if any writers won a Pulitzer Prize, a Nobel Prize and an Oscar. That's three horse parlay that can't be beat.

For some reason Elia Kazan was overlooked for Best Director, possibly because he had won the year before for A Streetcar Named Desire.

Still Viva Zapata! is a work that stands up very well even with the historical inaccuracies.

---

11 out of 15 people found the following review useful:
Pure Hollywood, 13 March 2006

Author: johno-21 from United States

This is a pretty good 1950's action/drama considering Elia Kazan had never before or never would again direct an action movie. It's almost like a Western except the setting is the second decade of the 20th century between the years of 1910-1919. Marlon Brando is Mexican revolutionary Emiliano Zapata in a role that earned him an Academy Award nomination. Brando is paired once again with Kazan who directed him the year before in A Streetcar Named Desire and would pair with him a couple of years later in Brando's Oscar winning performance in On the Waterfront. This film is well photographed by Mexican born cinematographer Joe Macdonald who should have been nominated for an Oscar but wasn't. In a rare role for Mexican born Anthony Quinn to be actually playing a Mexican as Eufernio Zapata for which he won the Academy Award for Best supporting Actor for 1952. Quinn's first nomination of four in his career and his first win of two. The film received three other nominations for Art Direction, Music and for it's John Steinbeck written Screenplay. This film is pure Hollywood however and is largely a fictional portrayal of actual events in it's romanticizing tale of one of Mexico's most beloved heroes Zapata. Despite the story by Steinbeck the dialog is weak. It's a good movie but Kazan is out of his element here, Brando is miscast and Steinbeck is lazy. I would give it a 7.5 out of 10.

---

6 out of 8 people found the following review useful:
America's Favorite Foreign Revolution?, 19 December 2005

Author: theowinthrop from United States

The history of Mexico, our southern neighbor (and sometimes victim) is better known to American movie goers than the history of most countries.

You begin with the Maya (KINGS OF THE SUN), the conquest of Mexico (THE CAPTAIN FROM CASTILE), then to the founding of Father Serra's missions in California (SEVEN CITIES OF GOLD), and then the Spanish in the southwest and California (THE MARK OF ZORRO). Mexican - American history begins with the Texas War for Independence (THE ALAMO, THE LAST TEXAN, etc.). We skip to the French "intervention": JUAREZ and VERA CRUZ. Then we tend to skip the long reign of Porfirio Diaz.

Then comes the Mexican Revolution. The number of films that deal with the revolution is vast. But here are just a few titles: VIVA ZAPATA, VIVA VILLA, VILLA RIDES, THE OLD GRINGO (about Ambrose Bierce's probable death in Mexico's revolution), VIVA MARIA (a spoof but it touches on some issues), THE THREE AMIGOS, THEY CAME TO CORDURA (regarding the American Intervention under General Pershing in 1916), THE FUGITIVE (dealing with the anti-Catholic policies of the 1920s and 1930s), and even THE TREASURE OF SIERRA MADRES (when you see the business with Alfonso Badoya's bandit gang against the Federales).

The Mexican Revolution had many heroes. Many were heroes for one group but devils to another. Madero and Carranza stressed the need to have a nation that was loyal to a written constitution. Zapata would be one of the leaders of the land reform movement. Starting with Francisco Madero, going through Pancho Villa and Eufremio Zapata, going to their enemy Venusiano Carranza, to Obregon, Calles, and the great land reformer Lazaro Cardenas - the leadership was varied. The largest concentration of films is on the colorful (and murderous) Villa (a recent cable television movie was about Villa and his contract with D. W. Griffith to shoot a movie, AND STARRING PANCHO VILLA). But historians usually feel that while Villa tended to be on the side of the peasants, he had too much of the bandit in him to be a leader of the revolution's reforms. Zapata, on the other hand actually tried to reform the division of land. His work never got as far as he wanted before he was assassinated, but it was burned into the souls of the people from his region of Mexico (who still call themselves Zapatistas when involved in political protests to this day), and it did help set the stage for Cardenas' reforms in the late 1930s.

With direction by Elia Kazan and screenplay by John Steinbeck, VIVA ZAPATA is a wonderful, if simplistic view of the Revolution for American audiences. Brando underplays the lead for the most part - Zapata was not an explosive personality like Villa. Anthony Quinn is the explosive brother, whose more selfish attitudes leads to his own disaster. Of the supporting players, Alan Reed is good in his scene as Villa, where he discusses the future of Mexico with Zapata. Joseph Wiseman is properly sinister as an constant malcontent agent provocateur, insinuating each leader is too weak or unreliable to lead.

There are great set pieces - like Kazan's symbolic assassination of Madero by General Huerta's goons who drown out the little reformer/orator's voice as he tries to scream with a siren (but it makes the screams of the unheard martyr like a clarion call to Mexico).

Is it real Mexican history? Not quite - it is a version of it. But it is a really well done version of it.

---

2 out of 2 people found the following review useful:
Forgotten Brando role ranks as one of his best., 1 April 2007

Author: st-shot from United States

*** This review may contain spoilers ***

The Mexican Revolution is the backdrop for this semi-faithful look at the life and death of famed revolutionary leader Emiliano Zapata. Marlon Brando brings power and dignity to the role of Zapata (a far cry from the blustery parody presented by Wally Beery in Viva Villa many years earlier)with the same sensitive nuance he displayed in more famous roles. Forgotten perhaps because he made it between the two classic performances he gave in A Streetcar Named Desire and On The Waterfront, Zapata holds up today as well as the classics in many ways. Brando has a series of powerful scenes with enemies and allies as well as a classic confrontation with his brother that express emotion and tension equal to that found in the others.

Writer John Steinbeck acquits himself well as a screenwriter with a story that is both noble in intention and about as close as Hollywood could get to historical fact back then. The dialog is brisk and to the point with the exception of a hokey wedding night scene that is strained to say the least.

Director Elia Kazan removed from the familiar trappings of the New York Stage and the city itself gets superb performances from his actors particularly Anthony Quinn as Zapata's brother, Jean Peters as Zapata's wife and Joseph Wiseman as a duplicitous adviser that is pure Shakespeare. Kazan excels in staging, filming and editing battle scenes (evoking Eisenstein) and one festive victory celebration. Sound is effectively utilized (the quiet ambient noise of town squares, spurs clanging, the siren and scream during the assassination of Madera)and there is a rousing music score that elevates Zapata and the cause to legendary status.

Along with Panic in the Streets this is one of the two forgotten classics of pantheon director Elia Kazan. He clearly showed that wherever the stage, Broadway, New Orleans, or Durango he was capable of getting fine performances from his actors and presenting conflict in a passionate and didactic fashion.

This was the second (Streetcar and Waterfront bookended) and most neglected of the three completed film projects between Brando and Kazan. I believe time has proved that it clearly holds its own with those classics by arguably the best director actor collaboration in film history.

---

---

Page 1 of 4:

[1] [2] [3] [4]

Add another review

---

Related Links

Plot summary	Ratings	Awards
External reviews	Plot keywords	Main details
Your user reviews	Your vote history