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I vinti (1953)

 -  Drama  -  4 September 1953 (USA)
6.8
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Ratings: 6.8/10 from 407 users  
Reviews: 3 user | 22 critic

Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university ... See full summary »

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Cast

Cast overview, first billed only:
Franco Interlenghi ...
Claudio
Anna Maria Ferrero ...
Marina
Eduardo Ciannelli ...
Claudio's father
Evi Maltagliati ...
Claudio's mother
Umberto Spadaro
Peter Reynolds ...
Aubrey
Patrick Barr ...
Ken Wharton
Fay Compton ...
Mrs. Pinkerton
Raymond Lovell
Françoise Arnoul
Jean-Pierre Mocky ...
(Sketch 'Sans amour')
Etchika Choureau ...
Simone
Henri Poirier
Albert Michel ...
Le père de Georges
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Storyline

Three stories of well-off youths who commit murders. In the French episode a group of high school students kill one of their colleagues for his money. In the Italian episode a university student is involved in smuggling cigarettes. In the English episode a lazy poet finds the body of a woman on the downs, and tries to sell his story to the press. Written by Will Gilbert

Plot Summary | Add Synopsis

Genres:

Drama

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Details

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Language:

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Release Date:

4 September 1953 (USA)  »

Also Known As:

The Vanquished  »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Connections

Referenced in Antonioni: Documents and Testimonials (1966) See more »

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User Reviews

 
I VINTI (Michelangelo Antonioni, 1953) ***
15 August 2007 | by (Naxxar, Malta) – See all my reviews

This was Antonioni’s third film and arguably his rarest from the pre-AVVENTURA period. Taking an episodic structure, it is a sober treatment of juvenile delinquency – showing a widespread alienation affecting the youth of the post-war years in various European cities. The film has a rough, torn-from-the-headlines feel to it – even if the director’s perspective isn’t nearly as acute as in his later, more polished work (tending also towards preachiness, beginning from the opening montage).

The French episode shows a gang of aimless youth from working-class families cold-bloodedly planning and carrying out the murder of a boastful bourgeois companion of theirs out of envy. The Italian part is more conventional, though featuring some nice noir-ish atmosphere in its tale of a petty smuggler who commits murder in panic, is hurt trying to escape from the police and dies on reaching his home (having in the meantime confessed to his girl). It stars Franco Interlenghi (who appeared in similar ‘denunciations’ by other Italian master film-makers, namely Vittorio De Sica’s SHOESHINE [1946] and Federico Fellini’s I VITELLONI [1953]) and Eduardo Ciannelli, back home after a distinguished Hollywood career as a character actor.

The English segment – involving the discovery of a body in the park – rather serves as an interesting precursor to the much more celebrated (and abstract) BLOW-UP (1966), It emerges as the best episode, again revolving around a conceited character – only this time it’s he who turns to crime just for kicks (he relishes, even invites all the ensuing publicity). The victim is played by Fay Compton (from Orson Welles’ OTHELLO [1952]), while Patrick Barr (perhaps best-known as the retired blind judge in Pete Walker’s infamous HOUSE OF WHIPCORD [1974]) is the reporter hero.

For the record, Antonioni was involved with four other feature-film compendiums throughout his career – LOVE IN THE CITY (1953), the little-seen I TRE VOLTI (1965), BEYOND THE CLOUDS (1995) and his swan-song EROS (2004; which I had the privilege of watching during the Venice Film Festival, with the director sitting just a few paces away from me!).


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