A rich widow is found dead of gas poisoning in her flat in Helsinki. First the death is thought to be an accident, but lieutenant Palmu notices that the murderer has made a mistake, and ... See full summary »
It is the summer of 1941. An eastern-Finnish machine gun company receives an order to turn in their surplus equipment. The company is transferred to the front lines. The next morning the ... See full summary »
An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the ... See full summary »
Young advertising executive Vatanen suddenly quits his job and his whole life in Helsinki, and decides to spend a while in the Finnish wilderness. A wounded hare hit by a car becomes his ... See full summary »
An earthy, naturalistically erotic and blood-soaked tale of young Martta's ill-fated affair with Oula, a womanizing reindeer herdsman in the Finnish Lapland of the late 1940s. When the 19-... See full summary »
Small-farmer Pasi shoots four policemen who have come to arrest him for raged drunkenness. The movie is a flashback examining the events that finally lead to the tragic shooting. As time ... See full summary »
Archaeological team unearths a body of a young woman, who was told to be a witch buried in the bog some 300 years ago. Soon a naked woman appears and drives the men of the village crazy. ... See full summary »
Roland af Hällström
This film is the second silver screen adaption of the Finnish war book by Väinö Linna with the same name as the film. The story is based on Linna's experiences as an infantry man in the ... See full summary »
The war between Luxembourg and Finland sets the outline to a set of comedic stories about a rally team, gay couple's fishing trip, two hoodlums' last school days in the spring and a haunted hotel among others.
The Finnish film 'White Reindeer' is marketed in the USA and Britain as a horror movie, but that's not precisely accurate. This is a stark, moody film but not a scary one. It purports to be an authentic Lapp folktale about a woman named Pirita who turns into a white reindeer in order to feed upon men.
This story has elements of both the vampire and the werewolf legend, as well as the succubus. Apart from reindeer being native to Lapland, I can't imagine why the reindeer was chosen as the species for this folktale's version of the shape-changer legend. Bats and wolves are predators, and therefore scary. The reindeer is a domesticated herbivore that serves humans ... not very spooky, is it? In one sequence, the were-reindeer woman sprouts fangs. Actual reindeer don't have fangs, so why should these be part of her transformation? Female reindeer have antlers, so why doesn't Pirita sprout antlers?
Speaking of superstitions and myths: early in this film, a black cat scurries across the path of an approaching sledge, but the director gives this so little emphasis that it appears to have no significance. In Cornwall, it's considered *good* luck to have a black cat cross one's path, and this same thing is considered *bad* luck in America. Do Lapps have any superstitions concerning black cats?
Mirjami Kuosmanen, the actress who plays the central role in this film, is quite pretty ... but her performance as a native of northern Lapland is weakened by the fact that she is clearly wearing makeup. Due to the low production budget, we never actually see Pirita changing into the reindeer ... but the director cleverly gets round this by having his leading lady lunge towards the camera, then cutting to a shot of a reindeer in the same position. Still, I was hoping we would see a shot of a woman's shadow changing shape ... or a series of human footprints in the snow abruptly becoming hoof-marks.
The Lapp landscape in this movie is starkly beautiful and awesome but never frightening. The photography is excellent. There are two impressive dissolve shots involving flames, and a splendid montage sequence. I was extremely impressed by a night sequence over a bonfire. During the Midnight Sun sequences, there are two shots featuring a weird colonnade of white pillars: these appear to be artefacts of the Lapp culture, but we never learn what they are. A sequence in which a carved vertrebra dances magically across a shaman's drum has an eerie pagan power that made me think of Nijinsky's staging of 'The Rites of Spring'.
My one complaint about this film -- a minor grievance -- is that we never learn the time period in which the main action occurs. These Laplanders possess milled coins, a rifle, and loomed curtains. One sequence takes place at a prayer service that is clearly Christian, featuring a minister in Geneva bands. Are we watching scenes in the twentieth century, or some earlier time? I'll rate this moody, compelling (but not frightening) film 8 out of 10. Oh, my deer! I Lapped this up!
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