Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
"The Silence" is about the emotional distance between two sisters. The younger one is still attractive enough to pick up a lover in a strange city. The older one -- even though she is very ... See full summary »
Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ... Written by
Les Adams <email@example.com>
There are two dogs used in the film. The trained one has a black head and its right side is white. Another dog, with a white muzzle and a black spot on its right flank, is used in two scenes - firstly, when Umberto is hiding from the police after the demonstration and, secondly, when he reclaims Flike from the pound. See more »
The position of Umberto's bag on the seat changes between the scenes whilst he is trying to give Flike way and when he returns from the railway line. See more »
Umberto D. may be the single most powerful film ever made. It's pretty much impossible not to be affected by it, and I'd imagine only a monster could get through it without shedding a tear. It's not all sad, and certainly cannot be called unrelentingly depressing. There are plenty of beautifully funny moments. The main character, Umberto, is one of the greatest characters I've ever met at the movies. It would be simple to make him just a man to pity: he is a poor old man who is down on his luck. But the artists behind the film have fleshed him out into an incredibly human character. The supporting characters, even those who show up for just a moment, are just as well created. And the acting is godly. 10/10, without a second thought. It's one of the best films ever made.
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