Umberto D. (1952)

Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which... See full summary »

Director:

Vittorio De Sica

Writer:

Cesare Zavattini (story)

Stars:

Carlo Battisti, Maria Pia Casilio, Lina Gennari

Nominated for 1 Oscar. Another 3 wins & 1 nomination.

Cast

Cast overview:
Carlo Battisti	...	Umberto Domenico Ferrari
Maria Pia Casilio	...	Maria, la servetta
Lina Gennari	...	Antonia Belloni - la padrona di case
Ileana Simova	...	La donna nella camera di Umberto
Elena Rea	...	La suora all' ospedale
Memmo Carotenuto	...	Il degente all' ospedale

Storyline

Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ...

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Plot Keywords:

dog | landlady | servant | rent | prostitute | 

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Genres:

Drama

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Certificate:

Not Rated

Details

Country:

Italy

Language:

Italian

Release Date:

7 November 1955 (USA)

Also Known As:

A sorompók lezárulnak

Filming Locations:

Cinecittà Studios, Cinecittà, Rome, Lazio, Italy

Box Office

Opening Weekend:

$1,664 (USA) (17 May 2002)

Gross:

$74,308 (USA) (20 September 2002)

Company Credits

Production Co:

Rizzoli Film, Produzione Films Vittorio De Sica, Amato Film

Technical Specs

Runtime:

89 min

Sound Mix:

Mono (RCA Sound System)

Color:

Black and White

Aspect Ratio:

1.37 : 1

Did You Know?

Trivia

There are two dogs used in the film. The trained one has a black head and its right side is white. Another dog, with a white muzzle and a black spot on its right flank, is used in two scenes - firstly, when Umberto is hiding from the police after the demonstration and, secondly, when he reclaims Flike from the pound.

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Goofs

The position of Umberto's bag on the seat changes between the scenes whilst he is trying to give Flike way and when he returns from the railway line.

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Connections

Featured in Fejezetek a film történetéböl: A neorealizmus (1990)

User Reviews

The best of the Italian neo-realist films

Vittorio DeSica's wonderful "Umberto D" was one of the last films of the Italian neo-realism movement and by far its best one. It is also one of my favorite movies ever. The movie's premise is simple: it is a slice of the life of a poor lonely pensioner, Umberto. Throughout the movie, we see Umberto struggle to find money to pay rent to his horrible landlady, love his dog Flike, and deal with the loneliness and disillusionment of the postwar era.

"Umberto D" is a character-driven film. It works very well because of its sharp observations on loneliness and poignant gestures. The gestures evoke powerful feelings without necessitating dialogue. Many of the scenes, even the ones that do not necessarily advance the plot, are hypnotically beautiful in their simplicity. Take, for example, a beautiful scene where Umberto finally needs to beg for money but cannot physically bring himself to do it. He extends his palm up, but when a passer-by stops to give him money, Umberto quickly flips his hand over, as if testing for rain. The film is full of these small gestures that quietly emphasize the desperate loneliness and poignancy of Umberto's situation.

The acting in this film is absolutely superb. Carlo Battisti, despite having never acted before, is wonderful as the titular character; his face is a fascinating blend of stubborn dignity and weariness of life. Maria Pia-Casilio, who plays the maid, is just as good as evoking life's loneliness and quiet desperation. The supporting cast is also very strong.

One of the very few criticisms I have heard of this film is that it is too sentimental and borderline sappy. While some scenes with Umberto and his dog Flike are sentimental, never is it "too" sentimental. DeSica knows how far he can push his film without making it sappy, and he wisely shows it as it is. Nothing feels forced. The subject material itself and the simplicity in which it is presented will bring tears. (If you don't cry in this movie, you need to have your heart professionally de-thawed.) But "Umberto D" is never dumbed down into sappiness and clichéd corniness. It is a very powerful film.

"Umberto D" is the masterpiece of the Italian neo-realist era. It's a rather bleak and very realistic movie, but it makes some fascinating commentary on the human condition, specifically the loneliness we face. Highly, highly recommended. 10/10.