Six vignettes follow the Allied invasion from July 1943 to winter 1944, from Sicily north to Venice. Communication is fragile. A woman leads an Allied patrol through a mine field; she dies ... See full summary »
Two shoeshine boys in postwar Rome, Italy, save up to buy a horse, but their involvement as dupes in a burglary lands them in juvenile prison where the experience take a devastating toll on their friendship.
Vittorio De Sica
An old woman finds a baby among the cauliflowers in her garden. She takes care of the orphan, and calls him Totò. When she dies, he is sent to an orphanage, which he leaves as a teenager. ... See full summary »
Vittorio De Sica
During the first World War, two French soldiers are captured and imprisoned in a German P.O.W. camp. Several escape attempts follow until they are sent to a seemingly impenetrable fortress which seems impossible to escape from.
Umberto Ferrari, aged government-pensioner, attends a street demonstration held by his fellow pensioners. The police dispense the crowd and Umberto returns to his cheap furnished room which he shares with his dog Flick. Umberto's lone friend is Maria, servant of the boarding house. She is a simple girl who is pregnant by one of two soldiers and neither will admit to being the father. When Umberto's landlady Antonia demands the rent owed her and threatens eviction if she is not paid, Umberto tries desperately to raise the money by selling his books and watch. He is too proud to beg in the streets and can not get a loan from any of his acquaintances. He contracts a sore throat, is admitted to a hospital and this puts a delay on his financial difficulty. Discharged, he finds that his dog is gone and, following a frantic search, locates him in the city dog pound. His room has been taken over by the landlady and the now-homeless Unberto determines to find a place for his beloved dog, and ... Written by
Les Adams <email@example.com>
The film has been restored by Mediaset (Italy's biggest private television company) and presented again in theaters in New York, Rome and Milan in 1999. See more »
In the confrontation with his landlady after he returns with Flike, the position of the landlady changes between shots, so that a set of film posters appears behind her and her fiancé in the later shots. See more »
This was a very touching and wrenching film. It is indeed hard to watch because everyone is so dismissive of Umberto. But people can be like that, especially in desperate times, such as post war Italy when all the money was going to rebuild churches, not feed people. Better for proud hard working Umberto to put on a brave face and quietly disappear so nobody has to worry about him or be concerned about him. At the end he did find that he and Flike still had each other, this little dog didn't care if Umberto had any pride left or not, he loved him just the same. And Umberto needed him to be reminded of the simple joys in life. A very profound and moving film.
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