IMDb > Two Chips and a Miss (1952)

Two Chips and a Miss (1952) More at IMDbPro »


Overview

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Director:
Writers:
Nick George (story) &
Bill Berg (story)
Contact:
View company contact information for Two Chips and a Miss on IMDbPro.
Release Date:
21 March 1952 (USA) See more »
Genre:
Plot:
Chip 'n Dale pretend not to care about nightclubs, but both sneak out to the Acorn Club after pretending to fall asleep... See more » | Add synopsis »
User Reviews:
Chipmunks After Dark See more (5 total) »

Cast

  (in alphabetical order)
Dessie Flynn ... Dale (voice) (uncredited)
James MacDonald ... Chip (voice) (uncredited)
Martha Tilton ... Clarice (voice) (uncredited)

Directed by
Jack Hannah 
 
Writing credits
Nick George (story) &
Bill Berg (story)

Produced by
Walt Disney .... producer
 
Original Music by
Joseph Dubin  (as Joseph S. Dubin)
 
Visual Effects by
Blaine Gibson .... effects animator
 
Animation Department
Yale Gracey .... layout artist
Ray Huffine .... background artist
Volus Jones .... animator
Bill Justice .... animator
George Kreisl .... animator
 
Crew believed to be complete


Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
7 min
Country:
Language:
Color:
Color (Technicolor)
Sound Mix:
Mono (RCA Sound System)
Certification:
Canada:G (Nova Scotia) | USA:Approved (PCA #15537)

Did You Know?

Soundtrack:
Little GirlSee more »

FAQ

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1 out of 6 people found the following review useful.
Chipmunks After Dark, 25 September 2002
Author: Ron Oliver (revilorest@juno.com) from Forest Ranch, CA

A Walt Disney CHIP 'N' DALE Cartoon.

There's lots of rodent romance going on at the Acorn Club when TWO CHIPS AND A MISS get together.

Here is a very routine Chipmunks film which (rather embarrassingly) puts their pint-sized canoodling on display. The lovely Clarice, for all her furry allure, would make only this one film appearance.

Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Bambi, Peter Pan and Mr. Toad. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.

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