When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes ...
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A man seeks revenge but will he destroy himself in the process? After a long jail term for a crime he did not commit, a man is torn between revenge (which will probably destroy him) or ... See full summary »
This movie is based on a true story as written in A.P. Scotland's autobiography "The London Cage". The plot has greatly exaggerated the actual events of A.P. Scotland's experiences, including the addition of a fictional love interest.
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James Robertson Justice
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An Army deserter, still a fugitive in Post-War Britain, wanders into a pawn-shop robbery and finds himself wanted for murder. He meets a war widow who helps him elude the police while he ... See full summary »
Thomas Crimmins is a new warder, or guard, in an Irish prison. He is young, naive, and idealistic, determined to serve his country by his part in meting out justice to criminals. His ... See full summary »
When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes highly interested in the young widow and the dead man's private secretary. Written by
In the film, Sigisbee Manderson (played by Orson Welles ) mentions a performance of Shakespeare's "Othello" at the St. James Theatre in London in 1951, in which he disliked the leading actor's performance. This is an in-joke: Welles himself played Othello at the St. James in 1951, under his own direction. Peter Finch played Iago opposite him. See more »
When viewing Orson Welles sitting in the chair from behind, his cigar has no smoke coming from it. Next shot when viewing Orson face on, the cigar has smoke coming from it. See more »
Stuffy, dull British mystery from Republic studios...
MICHAEL WILDING is an armchair detective who sets out to determine whether or not the death of ORSON WELLES was suicide or murder. He thinks he's solved the case, only to learn that all is not what it appears (without giving the outcome away).
Unfortunately, the script is a dreary, talky and ponderous, making the film appear to be an amateurish stage play, although based on a novel. It's static. Nothing at all cinematic about the approach, nor is there any imagination in the directing.
Of all the players, MARGARET LOCKWOOD as the beautiful wife of the deceased man and JOHN McCALLUM as the man's secretary have key roles that they play with assurance. ORSON WELLES, with fake nose and bushy brows, might as well have been from another film. His ten or fifteen minutes of time on screen renders nothing but ham. Director Herbert Wilcox was evidently unable to tone him down and as a result his key scenes throw the film off stride. MICHAEL WILDING has a colorless role as the newspaper reporter who suspects foul play but can't prove anything.
With a talky script and lack of any cinematic touches, TRENT'S LAST CASE goes nowhere fast and leaves the viewer expecting a strong twist that never arrives--instead, a flat ending.
Production values are fine even though the film comes from the usually low-budget Republic studios.
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