When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes ...
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Major Jim "Lance" Lansing, an American ex-pilot of the U.S. Air Corps, returns to Scotland after the war and finds much trouble in the glen where he settles because of the high-handed ... See full summary »
A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental ... See full summary »
David Preston, a bank official goes missing for 24 hours and has no memory of the lost time, but when he learns that the steward of his local club has implicated him in a robbery, and has ... See full summary »
A successful London ad-exec hires a beautiful Hungarian girl to pose for some modeling shots, little realising that she has overheard an assassination plot and is now being hunted by some ... See full summary »
Nurse Anne Graham is controversially - but rightly - acquitted of murder after her elderly patient dies in suspicious circumstances. Changing her name she gets a position nursing ... See full summary »
Barry K. Barnes,
Bedelia, a newly remarried beautiful widow, is on honeymoon in Monte Carlo. A painter approaches her inquiring about her past. When she and her husband go back to England the artist will soon be there. Danger, crime and truth will follow.
Barry K. Barnes
Janet is a young student at a private school; her nights are troubled by horrible dreams in which she sees her mother, who is in fact locked in an insane asylum, haunting her. Expelled ... See full summary »
When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes highly interested in the young widow and the dead man's private secretary. Written by
In the film, Sigisbee Manderson (played by Orson Welles ) mentions a performance of Shakespeare's "Othello" at the St. James Theatre in London in 1951, in which he disliked the leading actor's performance. This is an in-joke: Welles himself played Othello at the St. James in 1951, under his own direction. Peter Finch played Iago opposite him. See more »
When John Marlowe impersonates Sigsbee's voice on the phone to sell all the shares, John McCallum appears to be using his own voice. However when Marlowe is on the phone impersonating Sigsbee inquiring about the fictitious George Harrison, its obviously Orson Welles' actual voice dubbed. The two voices in each occasion are different when they should sound the same. See more »
Stuffy, dull British mystery from Republic studios...
MICHAEL WILDING is an armchair detective who sets out to determine whether or not the death of ORSON WELLES was suicide or murder. He thinks he's solved the case, only to learn that all is not what it appears (without giving the outcome away).
Unfortunately, the script is a dreary, talky and ponderous, making the film appear to be an amateurish stage play, although based on a novel. It's static. Nothing at all cinematic about the approach, nor is there any imagination in the directing.
Of all the players, MARGARET LOCKWOOD as the beautiful wife of the deceased man and JOHN McCALLUM as the man's secretary have key roles that they play with assurance. ORSON WELLES, with fake nose and bushy brows, might as well have been from another film. His ten or fifteen minutes of time on screen renders nothing but ham. Director Herbert Wilcox was evidently unable to tone him down and as a result his key scenes throw the film off stride. MICHAEL WILDING has a colorless role as the newspaper reporter who suspects foul play but can't prove anything.
With a talky script and lack of any cinematic touches, TRENT'S LAST CASE goes nowhere fast and leaves the viewer expecting a strong twist that never arrives--instead, a flat ending.
Production values are fine even though the film comes from the usually low-budget Republic studios.
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