When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes ...
See full summary »
Major Jim "Lance" Lansing, an American ex-pilot of the U.S. Air Corps, returns to Scotland after the war and finds much trouble in the glen where he settles because of the high-handed ... See full summary »
A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental ... See full summary »
During WW1, a captured American, whose disfigured face is reconstructed by Austrian plastic surgeons, returns home after 20 years but no one recognizes him, his widow is married to another man and his son is a grown young man.
Virgil Renchler owns most of the town providing a thriving economy. When his men go too far and kill one of his migrant workmen, the sheriff goes after him even if it means his job and everyone else's.
Bedelia, a newly remarried beautiful widow, is on honeymoon in Monte Carlo. A painter approaches her inquiring about her past. When she and her husband go back to England the artist will soon be there. Danger, crime and truth will follow.
Barry K. Barnes
When a wealthy business man is found dead reporter Philip Trent is sent to investigate. Against the police conclusions, he suspects the assumed suicide is really a murder, and becomes highly interested in the young widow and the dead man's private secretary. Written by
In the film, Sigisbee Manderson (played by Orson Welles ) mentions a performance of Shakespeare's "Othello" at the St. James Theatre in London in 1951, in which he disliked the leading actor's performance. This is an in-joke: Welles himself played Othello at the St. James in 1951, under his own direction. Peter Finch played Iago opposite him. See more »
When viewing Orson Welles sitting in the chair from behind, his cigar has no smoke coming from it. Next shot when viewing Orson face on, the cigar has smoke coming from it. See more »
It's good news for Welles completists that this, the better of the two films he made for Herbert Wilcox in 1952 (to help finance his on-off-on but finally magnificent film of 'Othello') is now available on DVD, though dismally free of extras. As a thriller it is a puzzle almost devoid of suspense, though there are some clever twists at the end. There are polished performances by Margaret Lockwood, John McCallum, Michael Wilding as the classy sleuth Trent, Miles Malleson in one of his best roles and Welles. Welles appears for no more than 20 minutes, in flashback, but, with his formidable false nose, is an intimidating presence as the late Sigsbee Manderson. In a fraught dialogue with McCallum he talks about 'Othello' and the production he's recently seen: "Didn't like the leading actor!" The leading actor was Welles himself, performing at the St James' theatre - a performance I was privileged have seen a year or two earlier, when Ken Tynan, long before PC was thought of, headed his review 'Citizen Coon'!
22 of 24 people found this review helpful.
Was this review helpful to you?