A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to ...
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A tough lady gangster learns that she will be totally blind within a week. She seeks help from the one eye surgeon who may be able to save her sight. In the process, he also causes her to have a change of heart. Written by
Daniel Bubbeo <email@example.com>
When summing up the film in the New York Times, Howard Thompson, the film critic known for his one line reviews, simply stated: "This picture is trash." See more »
The trailer that the gangsters lived in is a 1952 Kenskill, 30 foot model. This model had a furnace between the door and built-in frig. The furnace is missing in the movie. Also the lower cabs in the kitchen are missing. Only the upper cabs are there. There is no range and no kitchen sink. Instead there is an easy chair under the small kitchen window where the kitchen sink (lower cabs) would have been. See more »
Not one of director Feist's best, but still decent. He seems to be most comfortable in a tight 60 to 70 minute format, but this one is considerably longer and tends to drag. He's never entirely in control of the mostly maudlin storyline, and never really clinches the romance between Joan Crawford's gangster moll and Dennis Morgan's benevolent eye surgeon. The movie has a hamstrung feeling, as if Feist wasn't allowed to turn loose and be as reckless as he'd like. There are stretches where it's just too stiff and well behaved.
There are some things to like about it however. David Brian is another one of Feist's single-mindedly brutal thugs to rival Lawrence Tierney in the director's earlier "The Devil Thumbs A Ride" and Charles McGraw in "The Threat" for pure undiluted nastiness. His obsessive, murderous, almost infant-like attachment to Crawford is rather disturbing. Along with brother Philip Carey (a brooding, troubling presence throughout) the Jackson brothers certainly make for a memorable pair of crooks.
Also liked the moments just after Crawford undergoes the risky operation to save her eyesight. Feist creates a rather lush feeling of disorientation here and at one point Crawford, whose eyes have been bandaged for some time, makes a perceptive comment to the effect that drifting in the dark for so long has its advantages, that one feels completely cut off from reality and all its concerns.
There's a fresh, exciting scene involving a liquor bottle ill-advisedly thrown through a speeding camper's window and the highway patrol cop it almost strikes (Feist seems to like images of roads and highways just as much as David Lynch) and Brian's fanatic last stand, symbolically taking place in a hospital operating room where Morgan is presumably performing surgery on someone to help them ... see better.
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