A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and ... See full summary »
A nostalgic and compelling look into the legendary three camera, three projector process that revolutionized motion pictures and led the industry into the widescreen era. Through actual ... See full summary »
Windjammer, the first presentation in CINEMIRACLE, is the record of a training cruise of the full-rigged S/S Christian Radich from Oslo across the Atlantic, through the Caribbean, to New ... See full summary »
The fifth in a series of Cinerama travelogues---and not a Documentary since the vast majority of the film, aside from the scenery, is comprised of fictional stories. The first one involves ... See full summary »
Lem goes to Chicago to sell the wheat his family has grown on their farm in Minnesota. There he meets the waitress Kate. They fall in love and get married before going back to the farm. ... See full summary »
A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and photographic means. Cinerama format opens with Rockaway Playland Roller Coaster, then Temple Dance from "Aida", views of Niagra Falls, Long Island Choir - an early test of CineramaSound in B&W -, Canals of Venice, Edinburgh Military Tattoo, bullfight and musical performance in Spain, Act II finale of "AIDA" at La Scala Opera House, Milan. "Intermission 15 minutes" Act II commences with a sound demonstration - "we call it stereophonic sound" says LT. Then to Cypress Gardens, Florida, for trick water skiing and boating scenes. The last half of Act II- "America the Beautiful"- is viewed from the nose of a low flying B-25 aeroplane. Finally, credits. Written by
David Coles <email@example.com>
This is Cinerama was added to the Library of Congress National Film Registry list in 2002. It was the 2nd Cinerama process motion picture to be added to the list. See more »
During the closing credits, the shadow of an arm reaching to remove a lamp on a stand. See more »
There are no opening logos or credits; not even a title. There is a three-minute musical overture before the curtains open. At the end of the 12-minute black-and-white prologue, Lowell Thomas says the title at the very end of the prologue, when he introduces the film process: "Ladies and gentlemen... this is Cinerama!". All of the credits, title included, are at the end of the film. See more »
I know that in this day and age of CG spectaculars, "This is Cinerama" may appear dated. I know in this day of anti-patriotism "This is Cinerama" appears too patriotic. I only know that when I first saw it in 1953 I was totally blown away. When Lowell Thomas uttered that famous line "Ladies and Gentlemen, This is Cinerama" and that screen opened up, it was just mind boggling. The last time I saw it in its full three-panel glory I was boggled all over again. Except for a few scenes that do seem to go on too long (such as the "Hallelujah Chorus" and the bullfight to name just two), the total effect is just one of total wonder. The comments I heard at that screening a couple of years ago to the effect that it was perhaps too patriotic made me say to myself, perhaps it's time for us to return to those patriotic times and perhaps we'd all be happier as a country. But to return to the film: even in the early 2000s, this just was a wonderful two hours of amazement and thrills. The highlights, of course, are the "YOU are in the picture" parts, such as the flight across the country (too patriotic? I don't think so!), the Cypress Gardens segments, and far from being boring, the two operatic highlights, which are great. I do hope the people who run the very few theaters equipped to show this great film will continue to do so periodically or (better) on a regular basis.
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