A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and ... See full summary »
The fifth in a series of Cinerama travelogues---and not a Documentary since the vast majority of the film, aside from the scenery, is comprised of fictional stories. The first one involves ... See full summary »
Windjammer, the first presentation in CINEMIRACLE, is the record of a training cruise of the full-rigged S/S Christian Radich from Oslo across the Atlantic, through the Caribbean, to New ... See full summary »
Rick Belrow Livingston, in love with Broadway star Lisa, is sentenced to 30 days in jail for speeding through a small town. He persuades the judge's daughter Cindy to let him leave for one ... See full summary »
A nostalgic and compelling look into the legendary three camera, three projector process that revolutionized motion pictures and led the industry into the widescreen era. Through actual ... See full summary »
The Pickwick Club sends Mr. Pickwick and a group of friends to travel across England and to report back on the interesting things they find. In the course of their travels, they repeatedly ... See full summary »
British railway workers in Kenya are becoming the favorite snack of two man-eating lions. Head engineer Bob Hayward becomes obsessed with trying to kill the beasts before they maul everyone on his crew.
This biographical account of Martin Luther's actions that eventually created the Protestant and Lutheran religions was filmed in conjunction with the Lutheran Church. Niall MacGinnis ... See full summary »
A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and photographic means. Cinerama format opens with Rockaway Playland Roller Coaster, then Temple Dance from "Aida", views of Niagra Falls, Long Island Choir - an early test of CineramaSound in B&W -, Canals of Venice, Edinburgh Military Tattoo, bullfight and musical performance in Spain, Act II finale of "AIDA" at La Scala Opera House, Milan. "Intermission 15 minutes" Act II commences with a sound demonstration - "we call it stereophonic sound" says LT. Then to Cypress Gardens, Florida, for trick water skiing and boating scenes. The last half of Act II- "America the Beautiful"- is viewed from the nose of a low flying B-25 aeroplane. Finally, credits. Written by
David Coles <firstname.lastname@example.org>
Besides developing the Cinerama process, Fred Waller was a pioneer of the sport of water-skiing. This explains why the Cypress Gardens water-ski show was included in "This is Cinerama". See more »
In the otherwise wonderful "America the Beautiful" segment, Yosemite Falls is called Bridal Veil Falls in the narration. Also, the Sierra Nevada mountains are said to be in western California, not eastern, which is their correct location. See more »
Saw the World "Re-Premier" of "This Is Cinerama" yesterday at the Cinerama Dome, Hollywood. For the record, I also experienced it as a kid in '53 at Warner's Cinerama Theater in Hollywood, and at it's reissue at the same Cinerama Dome in 1972 (in single frame format...not three camera). It was a slightly unsettling occasion, as the roadshow ticket price of $11.00 promised a fully restored print, restored three camera operation, and two additional channels of stereophonic sound. I realized that the materials extant were rescued from a state of severe decomposition, but I was happy to plunk down my dollars for the good of the cause of saving three-camera Cinerama for movie posterity. Even as late as 1972, before IMAX and during the demise of 70mm, "This Is Cinerama" was still an exciting revelation, in spite of the kitsch and hokum of the Cypress Gardens sequences and some awkward ballet and church choir shots. The roller coaster opening still packed a wallop as this was before the roller coaster building boom and the numerous thrill rides (and thrill ride movies) that exist today (I maintain the the re-issue of this film in 1972 sparked the roller coaster building revival). But sadly, when viewed today, the Cinerama experience is woefully dated (in spite of the beliefs of the legion of Cinerama diehards who filled the Dome's 1,000 or so seats to 2/3's capacity). Shot in static camera lockdown, it plays like the early talkie musicals shot from the middle of the auditorium. The color in many of the sequences is atrocious, as it was even in 1952, and is especially apparent where three scenes are three distinct shades. The three strips would hardly ever synch-up for the showing I attended and many times exhibited glaring gaps between scenes. The roller coaster opening does not thrill the way it once did, because audiences have become jaded by even better filmed sequences done for IMAX...shot on hairier modern coasters much more thrilling than the ancient and now defunct "Atom Smasher" at Rockaway's" PlayLand. And the once highly touted Cinerama screen itself seems not as mighty as it once was, thanks to IMAX. I think many of the attendees yesterday were thinking they were really going to see something, but what they got was cornball narration, cornball dialogue and high-camp imagery straight out of a hermetically sealed 1950's can. I must say, that even for a battle tested cineast as myself, this material is tough sledding. But, in spite of all its shortcomings, this extravaganza does offer some tasty morsels for the film buff: glimpses of the Queen's Guards at Edinburgh Castle, some nice gondolier action in Venice and some crackling good camp in the form of the procession from Aida filmed inside the vast Milan opera house. We then end on a sweeping in-flight tour of the United States to the strains of the Mormon Tabernacle Choir and "The Battle Hymm of the Republic." We can see where Walt Disney would borrow a lot of his material for a little TV show he would produce in a few years-"Disneyland"-from narrator Lowell Thomas (who "out-Walts Uncle Walt") in the black and white opening sequence on the history of the movies. Yep, Cinerama is the Grandaddy of them all, but like a lot of grandaddies, sometimes they are better off hidden away from view somewhere lest they shock the rest of the family due to their advanced state of dotage. The Arclight Company and Cinerama Dome say that if this re-release of "This Is Cinerama" is a success (it's only playing for one week), the majority of the seven productions in the process may be restored and exhibited. I'd go and see them, sure. But if the murmuring and disappointed crowd I saw leaving the theater yesterday has their say, I say to the folks at Cinerama: "Good Luck!"
8 of 10 people found this review helpful.
Was this review helpful to you?