Reviews & Ratings for
Susie the Little Blue Coupe More at IMDbPro »

2 out of 2 people found the following review useful:
Available for viewing!!, 19 August 2005

Author: timothyhodge from Tennessee, US

If you would like to see this gem of a film, it appears as a bonus on the DVD of Disney's "Ichabod and Mr. Toad", but you have to work for it. On the menu, go to "games" and take the trivia test. If you answer all the questions correct, you will be treated with a viewing of "Suzie, the Little Blue Coupe"! If you are a fan of the children's books by Bill Peet, you will love this story. Before Peet was a published author, he was one of the top story men at Disney. Not only did he work on classic features like "Dumbo", "Sleeping Beauty", "Peter Pan" and "Lady and the Tramp", he also wrote a number of short films like "Suzie". These include: "Goliath II" (the story of a 6 inch tall elephant) and "Lambert the Sheepish Lion". His storytelling sensibilities are unmistakable in these films and bear his mark like a signature. Peet left Disney around 1965 to write children's books. He died in 2002.

1 out of 2 people found the following review useful:
Auto Soap Opera, 28 May 2003

Author: Ron Oliver (revilorest@juno.com) from Forest Ranch, CA

A Walt Disney Cartoon.

Sweet & stylish, SUSIE THE LITTLE BLUE COUPE lives a happy life with her owner until wear & tear makes him trade her in for a younger model.

This is a very agreeable little film, with plenty of good humor & fine animation and once again illustrates Disney's adeptness at giving sympathetic life to an inanimate object. Susie's story was written by Disney animator Bill Peet and is very similar to those he would later author as a celebrated children's author. As always, Sterling Holloway makes the perfect narrator.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.

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