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Susie the Little Blue Coupe (1952)The eventful life of a little blue car. Director:Clyde Geronimi |
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Title: Susie the Little Blue Coupe (1952)
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Plot Synopsis
Storyline
Susie is an automobile in an auto showroom who is bought by a man who is taken with her. She finds it hard to fit into high society but copes with it. Eventually, she becomes old and hard to operate and her owner trades her in. Another man notices her and buys her but this men is considerably less genteel leaving her out in the cold and mistreating her. Much to her horror, she eventually discovers she is a stolen car and is chased by the police during which she is totalled in an accident. Now Susie is kept in a junkyard but, when all looks hopeless, another man notices her, buys her, gives her an overhaul, and has her back on the road in no time. Written by Matt Yorston <georgey@atcon.com>
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Details
Country:
USALanguage:
EnglishRelease Date:
6 June 1952 (USA) See more »Also Known As:
Bara en utsliten bil See more »Filming Locations:
Walt Disney Studios, 500 South Buena Vista Street, Burbank, California, USACompany Credits
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Technical Specs
Runtime:
Sound Mix:
Mono (RCA Sound System)Color:
Color (Technicolor)Aspect Ratio:
1.37 : 1
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A Walt Disney Cartoon.
Sweet & stylish, SUSIE THE LITTLE BLUE COUPE lives a happy life with her owner until wear & tear makes him trade her in for a younger model.
This is a very agreeable little film, with plenty of good humor & fine animation and once again illustrates Disney's adeptness at giving sympathetic life to an inanimate object. Susie's story was written by Disney animator Bill Peet and is very similar to those he would later author as a celebrated children's author. As always, Sterling Holloway makes the perfect narrator.
Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work will always pay off.