Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
Millicent Wetherby is a middle-aged woman whose life is devoid of love and affection. Millicent's solitary existence changes when she encounters Burt Hansen a charismatic younger man. As ... See full summary »
Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
Congresswoman Agatha Reed returns to her alma mater for homecoming, although she's more interested in renewing her romance with an old flame who's now the college president. Their attempts ... See full summary »
Actor Lester Blaine has all but landed the lead in Myra Hudson's new play when Myra vetoes him because, to her, he doesn't look like a "romantic leading man." On a train from New York to San Francisco, Blaine sets out to prove Myra wrong...by romancing her. Is he sincere, or does he have a dark ulterior motive? The answer brings on a game of cat and mouse; but who's the cat and who's the mouse? Written by
Rod Crawford <email@example.com>
According to Jack Palance, Joan Crawford and Gloria Grahame did not get along and got into a physical altercation at one point during the filming. The fight started after Grahame sat on the edge of the set during one of Crawford's close-ups and very loudly sucked a lollipop in an attempt to anger Crawford. It worked, and Palance noted that the all male crew watched the fight for a few moments rather curiously before stepping in to break it up. See more »
When Junior brings Irene to her apartment and refuses to leave, she tries twice to close the door. Each time, a stagehand's hand can be seen reaching for the knob from out in the hall, a common practice on stage sets if a door doesn't latch properly or stay closed. See more »
I like to look at you.
You couldn't possibly at this hour of the morning.
Oh, anyone can look at you in the afternoon.
But I haven't even got my lipstick on! A woman has to wear lipstick. I feel positively naked without it.
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The camera stays on an ornate pendulum clock, ticking time away as the credits appear. See more »
They Knew How to Make Movies in 1952 (not anymore)
This picture, as well as the re-issue of KING KONG, were the first two movies to be heavily advertised on television. A big success for RKO Radio Pictures. Being an RKO Picture you can expect lots of on-location photography and seeing places like New York and San Francisco as they were 55 years ago adds to the appeal of this fine movie.
SUDDEN FEAR was nominated for 4 Academy Awards (given in 1952 for high quality rather than political opinion), and this recognition was well deserved. An obvious -- and pretty successful -- imitation of Hitchcock this movie is one of the best murder mysteries ever made. I've never seen Joan Crawford or Jack Palance play better roles. David Miller's direction is inspired. And the black and white cinematography meets the highest standard.
Since they haven't yet made a good movie in 2008, and apparently intend to continue a 90% diet of so-called action movies --- utterly lacking in courage or purpose, where the hero solves made-believe problems by using computer animation instead of brains... Don't get me started. Just go back to the good ones, rent the DVD of Sudden Fear.
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