The Star (1952) 7.2
A washed-up movie queen finds romance, but still desires a come-back. Director:Stuart Heisler |
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The Star (1952) 7.2
A washed-up movie queen finds romance, but still desires a come-back. Director:Stuart Heisler |
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| Watch Trailer 0Share... |
| Complete credited cast: | |||
| Bette Davis | ... | ||
| Sterling Hayden | ... |
Jim Johannsen aka Barry Lester
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| Natalie Wood | ... | ||
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Warner Anderson | ... |
Harry Stone
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Minor Watson | ... |
Joe Morrison
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June Travis | ... |
Phyllis Stone
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Paul Frees | ... |
Richard Stanley
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Robert Warrick | ... |
R.J., Aging Actor at Party
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Barbara Lawrence | ... |
Barbara Lawrence
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Fay Baker | ... |
Faith
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Herb Vigran | ... |
Roy
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Middle-aged Oscar winning actress Margaret Elliot - Maggie to those that know her - is a Hollywood has-been. Her life is in shambles. She clings to the hope of resurrecting her past movie stardom as a leading ingénue. No one will hire her, she's penniless with creditors selling off anything that she owns that is of monetary value, and she has no one to turn to that can see her through financially. She has in the past supported her sister and brother-in-law, who still want to use her as their meal ticket. Divorced from her actor husband, she shares joint custody of their teen-aged daughter Gretchen, from who Maggie tries to hide her problems. When it looks as if Maggie has hit rock bottom, Jim Johannsen re-enters her life. Jim, who once had the stage name Barry Lester, got his big break in Hollywood movies by Maggie. He came to the quick realization that he was neither good as an actor or that he wanted to do it as a profession. He now works as a boat parts supplier and mechanic. Jim ... Written by Huggo
Watching The Star I wondered how close to him it all was for Davis. There's a scene in the end where it gets meta and you can almost see Davis as Margaret hearing the script storyline that she is offered. Regardless, this is a fine film and it has Davis working with her usual spark and unlikeable presence. But like always, she knows how to make you root for her. I also think the running time, while seems short, is pretty much the perfect length for the story the film is trying to tell. This is a problem I thought Mr. Skeffington had, way too long for its own good. So yeah, if you want to seek out all of Davis this is still a fine entry and a required one really.