An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
Oliver Pease gets a dose of courage from his wife Martha and tricks the editor of the paper (where he writes lost pet notices) into assigning him the day's roving question. Martha suggests,... See full summary »
Christabel fools everyone with her sweet exterior including her cousin Donna and Donna's wealthy fiancée Curtis. The only one who sees through her facade is Nick, a rugged writer who loves ... See full summary »
Cass Brown is about to marry for the second time; his first marriage, to Isabel, was annulled. But when he discovers that Isabel just had their baby, Cass kidnaps the infant to keep her ... See full summary »
Clay Douglas an American, comes to England, to find out the truth behind his brothers death during a commando operation in occupied France. After tracking down the surviving members of the ... See full summary »
Each of the three leads had previously collaborated with Alfred Hitchcock. Ray Milland starred in Dial M for Murder (1954), Joan Fontaine starred in Rebecca (1940) and Suspicion (1941) and Teresa Wright starred in Shadow of a Doubt (1943). See more »
The movie centers around Milland and Fontaine two alcoholics on the verge of a co-dependent romance. Milland is sober and is trying to help Fontaine, an actress, stop drinking. He is married to Teresa Wright, and has a couple of kids, but none the less finds himself drawn to Fontaine. He finds he is just as needy as her and falls in love, despite the fact that his wife is pregnant. The romance is doomed from the start. In the end Wright and Milland are still together, he realizing that the love for the other woman is not real love, but dependency. I do not see the spark between Ray and Joan. I think another pairing might have been more real. This reminds me a bit of A Life of Her Own, with he and Lana Turner as the doomed lovers. Not much of a spark there either. If George Stevens meant to make a Days of Wine and Roses, he should have shown more of the alcohol abuse with Fontaine. In real life a AA mentor would hardly of fallen in love, with the person he is trying to help. Trading one addiction for another is not the answer.
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