An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
Cass Brown is about to marry for the second time; his first marriage, to Isabel, was annulled. But when he discovers that Isabel just had their baby, Cass kidnaps the infant to keep her ... See full summary »
Clay Douglas an American, comes to England, to find out the truth behind his brothers death during a commando operation in occupied France. After tracking down the surviving members of the ... See full summary »
The period is the 1840's and California is part of Mexico. Many of the citizens wish to become part of the United States. Other countries are also interested and the Russians have ... See full summary »
At the Tangier airport, a group of people await the arrival of a mysterious plane from behind the Iron Curtain. The reception committee includes Susan, an American; Gil Walker, a ... See full summary »
Charles Marquis Warren
Lady Alyce Marshmorton must marry soon, and the staff of Tottney Castle have laid bets on who she'll choose, with young Albert wagering on "Mr. X." After Alyce goes to London to meet a beau... See full summary »
Nurse Anne Lee blames herself for a fatal mistake of her sister Lucy, who also is a nurse. Anne loses her job, and gets a new one at a poorly equipped country hospital. There she falls in ... See full summary »
Each of the three leads had previously collaborated with Alfred Hitchcock. Ray Milland starred in Dial M for Murder (1954), Joan Fontaine starred in Rebecca (1940) and Suspicion (1941) and Teresa Wright starred in Shadow of a Doubt (1943). See more »
Despite the fact that you have a good cast, this fails to be a good film, merely because of the script and direction. It is dull from start to finish, and apart from a scene where Ray Milland and Joan Fontaine are reading a script together and then kiss, there is nothing to commend it. I'm not particularly a fan of Theresa Wright, and although her performance may be commendable, she doesn't grow or develop in the part. It is one- dimensional from beginning to end. Having said that, it doesn't harm any of their careers. Fontaine would go on to do 'Ivanhoe' in the same year, and Milland would go on to do 'Dial M For Murder' with Hitchcock. This suggests that as an actor you should do as many films as possible so that the good ones can cancel out the bad ones.
0 of 1 people found this review helpful.
Was this review helpful to you?