An industrialist (Joseph Cotton) and a pianist (Joan Fontaine) meet on a trip and fall in love. Through a quirk of fate, they are reported dead in a crash though they weren't on the plane. ... See full summary »
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On a quick trip to the city, young university professor Peter Morgan falls in love with nightclub performer Francey Brent and marries her after a whirlwind romance. But when he goes back ... See full summary »
The Great Elmer and Company, two out-of-work magicians, help lovelorn Jerry Bronson adopt Spanky Milford, to distract him. When Bronson makes up and elopes, the pair are stuck with the ... See full summary »
Each of the three leads had previously collaborated with Alfred Hitchcock. Ray Milland starred in Dial M for Murder (1954), Joan Fontaine starred in Rebecca (1940) and Suspicion (1941) and Teresa Wright starred in Shadow of a Doubt (1943). See more »
The movie centers around Milland and Fontaine two alcoholics on the verge of a co-dependent romance. Milland is sober and is trying to help Fontaine, an actress, stop drinking. He is married to Teresa Wright, and has a couple of kids, but none the less finds himself drawn to Fontaine. He finds he is just as needy as her and falls in love, despite the fact that his wife is pregnant. The romance is doomed from the start. In the end Wright and Milland are still together, he realizing that the love for the other woman is not real love, but dependency. I do not see the spark between Ray and Joan. I think another pairing might have been more real. This reminds me a bit of A Life of Her Own, with he and Lana Turner as the doomed lovers. Not much of a spark there either. If George Stevens meant to make a Days of Wine and Roses, he should have shown more of the alcohol abuse with Fontaine. In real life a AA mentor would hardly of fallen in love, with the person he is trying to help. Trading one addiction for another is not the answer.
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