1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until The Jazz Singer (1927) becomes a bona fide hit which results in all the movie theaters installing sound equipment that R.F. knows Monumental, most specifically in the form of Don and Lina, have to jump on the talking picture bandwagon, despite no one at the studio knowing anything about the technology. Musician Cosmo Brown, Don's best friend, gets hired as Monumental's ... Written by
It was the tenth highest grossing movie of the year in the US and Canada. See more »
When Don Lockwood is trying to create the romantic scene in the empty stage set, he says "We add five hundred thousand kilowatts of starlight" and flicks the switch to turn on the lights. "Five hundred thousand kilowatts" is a gross exaggeration as, even if there had been five hundred lights (highly unlikely), each would have had to produce one megawatt of energy, which would have immediately melted all the bulb filaments (and would have been impossible using 1920s technology anyway). See more »
[broadcasting on radio]
This is Dora Bailey, ladies and gentlemen, talking to you from the front of the Chinese Theater in Hollywood. What a night, ladies and gentlemen, what a night! Every star in Hollywood's heaven is here to make Monumental Pictures' premiere of "The Royal Rascal" the outstanding event of 1927! Everyone is breathlessly awaiting the arrival of Lina Lamont and Don Lockwood!
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The dancingest, funniest musical of Hollywood's golden age.
Gene Kelly and Stanley Donen have produced the best musical written directly for the screen. They have used the period in film history during the transition to sound movies and embroidered it with the wonderful songbook of Arthur Freed and Nacio Herb Brown. The icing on the cake, of course is the choreography of Kelly and Donen. From the first moment, the movie takes flight as Kelly relates the tale of his rise as a silent film star with his sidekick, the incomparable Donald O'Connor. Watch the flying feet of O'Connor and Kelly in the "Fit as a Fiddle" number. It doesn't get much better than this. Everyone is familiar with the classic "Singin' in the Rain" sequence. Donald O'Connor's hysterical "Make 'em Laugh" number is probably the funniest musical three minutes on film. Even the Broadway Ballet is a kaleidoscope of color and movement, with a minimum of the highbrow balletic choreography found in the later "An American in Paris."
What makes "Singin'" such an entertaining classic is its superb integration of comedy and music. Jean Hagen gives the performance of her life as the vocally challenged silent film star, Lena Lamont. Every scene she's in is a comic gem. Her "fingernails on a blackboard" voice and massacre of the English language make her a figure of ridicule. However, in the end when she finally gets her comeuppance, one can't help feeling a little sorry for her.
This delightful film has been given its due on video. On VHS it can be purchased with the complete remastered soundtrack on CD. The laserdisc versions include one with commentary by film historian Ronald Haver (Criterion) and the film-only version from MGM/UA Home Video with a restored Dolby Digital stereo soundtrack., Last,but not least,is a masterful rendering on DVD with, unfortunately, no supplementary material to speak of.
This is truly a film for all time that can be watched just for its entertainment value and studied as probably the apex of the Hollywood musical in its Golden Age.
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