1927 Hollywood. Monumental Pictures' biggest stars, glamorous on-screen couple Lina Lamont and Don Lockwood, are also an off-screen couple if the trade papers and gossip columns are to be believed. Both perpetuate the public perception if only to please their adoring fans and bring people into the movie theaters. In reality, Don barely tolerates her, while Lina, despite thinking Don beneath her, simplemindedly believes what she sees on screen in order to bolster her own stardom and sense of self-importance. R.F. Simpson, Monumental's head, dismisses what he thinks is a flash in the pan: talking pictures. It isn't until The Jazz Singer (1927) becomes a bona fide hit which results in all the movie theaters installing sound equipment that R.F. knows Monumental, most specifically in the form of Don and Lina, have to jump on the talking picture bandwagon, despite no one at the studio knowing anything about the technology. Musician Cosmo Brown, Don's best friend, gets hired as Monumental's ... Written by
When deciding to give Donald O'Connor a song, it was originally to be "The Wedding of the Painted Doll". However, since O'Connor had a bag of tricks he used in vaudeville, a song was substituted to use O'Connor's comical background: "Make 'Em Laugh" (of which the melody is remarkably similar to "Be A Clown" from The Pirate (1948)). See more »
When the diction coach is reading 'Moses Supposes', O'Connor is making faces behind his back. When the coach catches him in the act, they both flinch. When the camera then cuts to a wider shot, you see them both clearly flinch again. See more »
[broadcasting on radio]
This is Dora Bailey, ladies and gentlemen, talking to you from the front of the Chinese Theater in Hollywood. What a night, ladies and gentlemen, what a night! Every star in Hollywood's heaven is here to make Monumental Pictures' premiere of "The Royal Rascal" the outstanding event of 1927! Everyone is breathlessly awaiting the arrival of Lina Lamont and Don Lockwood!
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The transition from the silent film era to the newly arrived technique of the 'talkies' proved to be the ruin for many well established stars that were great on the screen, but who had no professional training in the theater, or otherwise, and had horrible speaking voices. Thus, a star of the magnitude of Lina Lamont, suffers a hard blow to her career and ego.
That's the basis of one of the best movies about old Hollywood of all times: "Singin' in the Rain". The film is one of the classics it is because of the marvelous direction of Gene Kelly and Stanley Donen, two men who knew a lot about musicals. The screen play is by one of the best people in the business, Betty Comden and Adolph Green.
MGM was the studio that employed all the stars one sees in the film, and what a cast they put together: Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen, Cyd Charisse in a dancing part, Millard Mitchell and Rita Moreno. As if those names weren't big enough, there is the fantastic musical numbers that even, viewing them today, have kept their freshness because of the care in which this film was crafted.
"Singin' in the Rain" is one of the best musicals of all times. It's right up there with the best of them thanks to the vision of Gene Kelly and Stanley Donen and it will live forever as more people discover this wonderful example of entertainment.
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