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The Seafarers (1953)

5.6
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Ratings: 5.6/10 from 1,318 users  
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Stanley Kubrick's first film made in color, lost for over forty years. The documentary extols the benefits of membership to the Seafarers International Union.

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Cast

Cast overview:
Don Hollenbeck ...
Himself, host, narrator
Paul Hall ...
Himself - secretary treasurer, SIU Atlantic and Gulf District
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Storyline

Stanley Kubrick's first feature made in color. Lost for over 40 years! The documentary extols the benefits of membership to the Seafarers International Union. Written by Alexander Pietrzak <lejackal@aol.com>

Plot Summary | Plot Synopsis

Genres:

Documentary | Short

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Release Date:

15 October 1953 (USA)  »

Also Known As:

Les marins  »

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Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The film was "discovered" in 1973 by film scholar and filmmaker Frank P. Tomasulo, who arranged for a 16mm print of the documentary to be deposited in the permanent collection of the Library of Congress' Motion Picture Division. See more »

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User Reviews

A well-pitched promotional film for men who know what it is to top a boom, to baton down a hatch, to weigh an anchor...
11 October 2011 | by (Ankara, Turkey) – See all my reviews

Struggling filmmaker Stanley Kubrick ("Fear and Desire" & "Flying Padre") follows the failure of his feature debut with this promotional film for the Seafarers International Union in order to recoup some of the losses and raise funds for his sophomore feature.

The film, supervised by the staff of union magazine "The Seafarers Log", the promotes the work of the Seafarers International Union Atlantic and Gulf District with shots of the hiring hall, the canteen, the bar, the print shop and a union meeting at their New York head quarters.

Secretary-Treasurer of the SIU Atlantic and Gulf District Paul Hall emerges from the ranks with a powerful speech extolling the virtues of the union which are all meticulously illustrated to the dulcet tones of news reader Don Hollenbeck who also bookends the membership-drive.

The future filmmaking legend may be only in it for the money but he nonetheless allows a few flourishes in his colour debut, such as the extended, sideways-dolly shot of the canteen, and the film provides a curious insight into a union in its heyday.

"Call it a dream fulfilled."


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