Wealthy Samuel Fulton is getting older and has no family of his own. He decides to leave his estate to the family of his first love, who turned down his marriage proposal years ago because ... See full summary »
In present-day U.S., Dr. Michael Parker, a prominent surgeon, unexpectedly runs into his German-born wife whom he thought was dead. Victor, an artist and his "dead" wife's now boyfriend, ... See full summary »
Gilliat,a fisherman/smuggler is in jail, and is offered a pardon, if he undertakes a mission to sail to France to rescue Douchette, an English agent, whose cover has been blown,and who has now been jailed. Gilliat accepts the challenge.
In 1865 New Orleans, sea captain Truscott goes to the notorious Scarlet Angel saloon, where he meets rapacious Roxy McClanahan, as rough and tough as he is. Despite his best efforts, Roxy manages to make off with Truscott's bankroll, and flees with war widow Linda Caldwell. Luck favors Roxy with a chance to slip into Linda's identity, and luckier still, Linda proves to have had wealthy in-laws in San Francisco, who are happy to give their new relation a chance to become a "lady." But inevitably, Truscott re-appears... Written by
Rod Crawford <firstname.lastname@example.org>
I've seen a few of Yvonne De Carlo's films, and with the exception of 'Criss Cross' with Burt Lancaster, she is the same in all her films. There is no range or depth in her voice. She sounds the same whether she's happy or sad. She's not particularly good looking even with make-up. She was at her best in 'The Ten Commandments', but she did have a good script and direction by Cecil B. DeMille to guide her. The point is that the films she's appeared in are not well written nor do they have good directors. 'Criss Cross' had a good script which lifted her performance.
The film is beautifully shot by Russell Metty who would go on to shoot 'Spartacus'.
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