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Scandal Sheet (1952)

Passed  |   |  Crime, Drama, Film-Noir  |  16 January 1952 (USA)
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Ratings: 7.4/10 from 920 users  
Reviews: 27 user | 16 critic

The editor of an exploitation newspaper commits a murder and assigns his protégé to investigate hoping to divert attention away from himself.



(screenplay), (screenplay), 2 more credits »
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Cast overview:
Mark Chapman aka George Grant
Julie Allison
Steve McCleary
Rosemary DeCamp ...
Charlotte Grant
Henry O'Neill ...
Charlie Barnes
Biddle (as Henry Morgan)
James Millican ...
Lt. Davis
Griff Barnett ...
Judge Elroy Hacker
Jonathan Hale ...
Frank Madison


The editor of a New York exploitation newspaper meets the wife he had abandoned years ago, while using another name, at a LonelyHearts ball sponsored by his newspaper. She threatens to expose him as a wife-deserter, wife-beater and an impostor, and, in anger, he hits her with his fist and accidentally kills her. Later, when her body is found, he assigns his protégé reporter to the story, as a good, exploitable follow-up story to the ball. And, then, he is forced to sit back and watch while the reporter slowly tracks down the killer. Written by Les Adams <>

Plot Summary | Add Synopsis


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Parents Guide:





Release Date:

16 January 1952 (USA)  »

Also Known As:

Skandalblatt  »

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Recording)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Lt. Davis: We got a new man on this beat that's built like you between the ears. He saw a hole in the back of the dame's skull and figured she was slugged.
See more »


Featured in The Typewriter, the Rifle & the Movie Camera (1996) See more »

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User Reviews

This Scandal Sheet is a Must 'Reed'!
27 August 2007 | by (United States) – See all my reviews

As great a Film Noir as there is! I LOVE Film Noir and often search them out by auditioning titles. And with one like "Scandal Sheet", what else could it be? Fronted by Broderick Crawford and co-starring Donna Reed and John Dereck with Rosemary DeCamp and Harry Morgan, the cast is as first rate as any Film Noir could hope for. It even has Columbia's master (future) Oscar Winning B&W cinematographer Burnett Guffey on board for lots of wonderful Noir shots. One more "Big Name" anywhere would have ruined it! And there's a GREAT turn by the much underrated Henry O'Neil as Charlie Barnes, a washed up drunk of a former great newspaper man. His role is small but by far the most important. Wow. Nothing more satisfying than a great Film Noir with all the clichés in tact and WORKING FOR the picture instead of against it. You absolutely know how it will end up, but there's still lots of high powered tension. And at about 80 minutes, it doesn't feature any unnecessary padding. Low budget pictures never do and it only makes them tighter. I caught it on TCM. Keep an eye out for it. A truly satisfying Film Noir in all respects! There's even a comical (I'm convinced it was definitely meant to be) bit in the opening scene with Derek pretending to be a cop and doing a "Joe Friday" in telling a distraught woman "I know it's rough lady, but I only want the facts!" Moments later in walks Harry "Bill Gannon" Morgan! A little icing before you even have at the cake. As the headlines in the picture itself might have said in a self review: Terrific! Fantstic! A MUST SEE!

17 of 20 people found this review helpful.  Was this review helpful to you?

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