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Joel McCrea had made these his home ground and this independent effort, picked up by Warners, was pushed along by the amiable Robert Parrish who obviously found some elements more involving than others.The dialogs between McCrea and Yvonne De Carlo, in her spotless Fifties outfits, are lifeless and often filmed against back projection. However when Tor Johnson opens the hatch to Florence Bates' waterfront dive bar with a back room full of drunken sailors that she's sold to shanghai-ing captains, thing pick up. The scenes are played for comedy and the smoke filled, low roof ship's hold decor is striking.Easy to get nostalgic for a time when these came two a time in neighborhood theaters.
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